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Full-Text Articles in Arts and Humanities

Cancelled - The Ontological Status Of Cartesian Possibilia, Daniel Stermer, Marc Bobro, Liz Goodnick Jun 2020

Cancelled - The Ontological Status Of Cartesian Possibilia, Daniel Stermer, Marc Bobro, Liz Goodnick

Western Ontario Early Modern Philosophy (WOEMP) Online Events

In this paper I present a novel view of the ontological status of possible objects for Descartes. Specifically, I claim that possible objects just are innate ideas considered objectively. In the act of creation, God creates possibilities—in all its richness—in the form of innate ideas. Thus, in acts of thinking, one may clearly and distinctly perceive, via one’s innate ideas, that such and such is possible. To argue this, I first analyze and critique two competing views—one from Calvin Normore who claims that innate ideas represent an independent realm of possibilia, and another from David Cunning and Alan Nelson who …


The Unifying Strands: Formalism And Gestalt Theory Span Centuries Of Music Philosophy, Amanda N. Staufer Apr 2018

The Unifying Strands: Formalism And Gestalt Theory Span Centuries Of Music Philosophy, Amanda N. Staufer

The Research and Scholarship Symposium (2013-2019)

In every age, musicians and philosophers deal with inquiries concerning musical meaning and the effect of music on the listener. Musical formalism and Gestalt theory—two theories in musical aesthetics—demonstrate that aspects of musical perception and experience are enduring and comprehensive. Musical formalism is the theory that music’s nature is innate, self-evident, able to be systematically deduced, and rational. According to formalism, musical meaning is defined by things objectively ‘there’ in the music, musical experience relies on cognition, and music is less a matter of sense than of mind. Gestalt Theory holds that music is a unified totality—the whole gives meaning …