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Articles 1 - 9 of 9
Full-Text Articles in Arts and Humanities
Knowledge Studies, Jay Bernstein
Can Enlightenment Be Traced To Specific Neural Correlates, Cognition, Or Behavior? No, And (A Qualified) Yes, Jake H. Davis, David R. Vago
Can Enlightenment Be Traced To Specific Neural Correlates, Cognition, Or Behavior? No, And (A Qualified) Yes, Jake H. Davis, David R. Vago
Publications and Research
The field of contemplative science is rapidly growing and integrating into the basic neurosciences, psychology, clinical sciences, and society-at-large. Yet the majority of current research in the contemplative sciences has been divorced from the soteriological context from which these meditative practices originate and has focused instead on clinical applications with goals of stress reduction and psychotherapeutic health. In the existing research on health outcomes of mindfulness-based clinical interventions, for example, there have been almost no attempts to scientifically investigate the goal of enlightenment. This is a serious oversight, given that such profound transformation across ethical, perceptual, emotional, and cognitive domains …
Nietzsche, Agency, And Responsibility: “Das Thun Ist Alles”, Christa Davis Acampora
Nietzsche, Agency, And Responsibility: “Das Thun Ist Alles”, Christa Davis Acampora
Publications and Research
This article examines Robert Pippin’s most recent contributions to debates about Nietzsche’s views about agency and freedom in his Nietzsche, Psychology, and First Philosophy. In particular, I focus on his elaboration of Nietzsche’s claim, quoting Goethe, in On the Genealogy of Morality that “das Thun ist Alles”—the deed is everything. I highlight what I consider to be particularly promising features of Pippin’s expressivist reading of Nietzsche, suggest ways it might be developed even further, and indicate how such views about agency are relevant to Nietzsche’s anticipation of overcoming morality—particularly the sort that links value with intention—and to …
The Intellectual And Curricular Spaces Of Knowledge Studies, Jay H. Bernstein
The Intellectual And Curricular Spaces Of Knowledge Studies, Jay H. Bernstein
Publications and Research
The words “knowledge” and “information” are sometimes used interchangeably, but the connection between them is complex and problematic. Knowledge is a mental product gained from engaging with information. All educational subjects, scholarly disciplines, occupations, and activities produce knowledge as well as information. Because libraries encompass potentially all subjects, professional vision in librarianship would benefit from an examination of knowledge that transcends the methods and topical concerns of individual disciplines. An interdisciplinary (or transdisciplinary) framework in which to view knowledge was pioneered in the post-Sputnik age by Fritz Machlup and Michael Polanyi. Their insights have stimulated scholars to develop research, publications, …
Macintyre And The Emotivists, James E. Mahon
Macintyre And The Emotivists, James E. Mahon
Publications and Research
This chapter both explains the origins of emotivism in C. K. Ogden and I. A. Richards, R. B. Braithwaite, Austin Duncan-Jones, A. J. Ayer and Charles Stevenson (along with the endorsement by Frank P. Ramsey, and the summary of C. D. Broad), and looks at Alasdair MacIntyre's criticisms of emotivism as the inevitable result of Moore's attack on naturalistic ethics and his ushering in the fact/value distinction, which was a historical product of the Enlightenment.
Beholding Nietzsche: Ecce Homo, Fate, And Freedom, Christa Davis Acampora
Beholding Nietzsche: Ecce Homo, Fate, And Freedom, Christa Davis Acampora
Publications and Research
That Ecce Homo, with its subtitle "How One Becomes What One is;' is Nietzsche's self-presentation of sorts seems rather easy to conclude. But why does Nietzsche do this? What is evident? What do we really learn from the work? Is it primarily a behind-the-scenes peek at Nietzsche's thought, the ideas that truly or actually motivated him? How complete is it as an autobiography, given that it seems devoted largely to his writings? To what extent can we put much stock in the account at all given that Nietzsche would slip into madness not long after the first draft was …
Alchemy And Inquiry: Reflections On An Inside-Out Research Roundtable, Sarah Allred, Angela Bryant, Simone Weil Davis, Kurt Fowler, Phil Goodman, Jim Nolan, Lori Pompa, Barbara Sherr Roswell, Daniel L. Stageman
Alchemy And Inquiry: Reflections On An Inside-Out Research Roundtable, Sarah Allred, Angela Bryant, Simone Weil Davis, Kurt Fowler, Phil Goodman, Jim Nolan, Lori Pompa, Barbara Sherr Roswell, Daniel L. Stageman
Publications and Research
In 2008, The Inside-Out Prison Exchange Program convened a Research Committee to (1) facilitate a collective, critical, and professional consciousness about social justice, crime, and incarceration through the exploration of the Inside-Out program pedagogy, impact, and effectiveness; (2) develop and encourage proposals for various types of research that focus on The Inside-Out Prison Exchange Program; and (3) establish ethical guidelines for inquiry that would meet and exceed the federal human subjects guidelines in research practices. In fall 2012, Research Committee members Sarah Allred, Angela Bryant, Phil Goodman, Kurt Fowler, Jim Nolan, Lori Pompa, and Dan Stageman joined with Simone Davis …
On Kripke's Puzzle About Time And Thought, Rohit J. Parikh
On Kripke's Puzzle About Time And Thought, Rohit J. Parikh
Publications and Research
We discuss a variant of a puzzle introduced by Saul Kripke.
Unhinged: Kairos And The Invention Of The Untimely, Robert Leston
Unhinged: Kairos And The Invention Of The Untimely, Robert Leston
Publications and Research
Traditionally, kairos has been seen as a “timely” concept, and so invention is said to emerge from the timeliness of a cultural and historical situation. But what if invention was thought of as the potential to shift historical courses through the injection of something new or alien into a situation? This essay argues that kairos has not been able to free itself from its historical constraints because it has been bound to a human sense of temporality. By evolving along patterns different from print, the apparatus of the cinema developed in a way where it was not bound to illustrating …