Arts and Humanities Commons^™

In The Mood For A Little Dialogue?, Raam P. Gokhale

Raam P Gokhale

A Dialogue About Whether or Not to Dialogue

Symmetry's Sim-Card, Raam P. Gokhale

Raam P Gokhale

A Dialogue on the Nature of Beauty

The Aesthetics Of Ethics, Raam P. Gokhale

Raam P Gokhale

The Aesthetics of Ethics

Dossier Chris Marker: The Suffering Image, Gavin W. Keeney

Gavin W Keeney

Dossier Chris Marker is a study of a late-modern chiasmus, impersonal-personal agency, as it comes to expression in the works of French artist and filmmaker Chris Marker as the dynamic interplay of political and subjective agency. As chiasmus, the complementary halves of this often-apocalyptic dynamis (a semi-catastrophic, temporal or historical force-field) also – arguably – secretly agree to meet, through the work of art, in the futural. Consistent with the classical figure of concordia discors, these irreducible warring aspects of life experience are, in fact, resolved in an atemporal and ahistorical moment that inhabits the work of art from its …

"Else-Where": Essays In Art, Architecture, And Cultural Production 2002-2011, Gavin W. Keeney

Gavin W Keeney

“Else-where” is a synoptic survey of the representational values given to art, architecture, and cultural production from 2002 through 2011. Written primarily as a critique of what is suppressed in architecture and what is disclosed in art, the essays are informed by the passage out of post-structuralism and its disciplinary analogues toward the real Real (denoted over the course of the studies as the “Real-Irreal” or “Else-where”).

The essays collected in “Else-where” cross various disciplines, inclusive of landscape architecture, architecture, and visual art, to develop a nuanced critique of an emergent formal regard in the arts that is also an …

Always More Than One Art: Jean-Luc Nancy's The Muses, Ann Taylor

Ann Taylor

Jean-Luc Nancy begins The Muses with an essay entitled, “Why Are There Several Arts And Not Just One?” It is an ambitious essay, one which calls into question not only the specific aesthetic theories of Hegel and Heidegger, but essentially the entire Western aesthetic tradition. While Nancy provides some interesting discussions of the problem as he considers some of the more prominent aesthetic theories in Western philosophy, to what extent does it matter that we know (or do not know) whether art is singular or plural in essence, or what “art” is at all? What is the purpose of philosophizing …

Ideation And Appropriation: Wittgenstein On Intellectual Property, Julian Friedland

Julian Friedland

This paper provides a critique of the contemporary notion of intellectual property based on the consequences of Wittgenstein’s “private language argument”. The reticence commonly felt toward recent applications of patent law, e.g., sports moves, is held to expose erroneous metaphysical assumptions inherent in the spirit of current IP legislation. It is argued that the modern conception of intellectual property as a kind of natural right, stems from the mistaken internalist or Augustinian picture of language that Wittgenstein attempted to diffuse. This view becomes persuasive once it is shown that a complete understanding of the argument against private language must include …