Arts and Humanities Commons^™

« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi

Présence Francophone: Revue internationale de langue et de littérature

This article is a study of the dialogue that is maintained between the novel « La femme qui pleure » by Assia Djebar and the Picasso painting that bears the same title. This article also aims to show author’s achievement of the liberation of the feminine subject through an aesthetic means, in other words, through an angle that allows for an encounter between that which has been written and the painting, which combined give the women the right to the word and the image portrayed. The form and the structure that are shared between the novel and the painting appear …

Duchampian Authenticity And The Readymade Consumer, Terra D' An Rudisill

Institute for the Humanities Theses

The goal of this work is to define the term Duchampian authenticity. I focus primarily on the artist Marcel Duchamp's works and philosophies in relation not only to traditional philosophies regarding authenticity but also in relation to his effect on authenticity's metamorphosis in popular culture and the mass market. I propose that the monumental paradigm shifts produced by Duchamp's conceptual and aesthetic experiments within the realm of visual art spread into our cultural bedrock, ultimately defining the consumer's ability to attain authenticity and identity through inauthentic and ephemeral commodities. Marcel Duchamp challenged traditional notions of the authentic experience and translated …

2007 Forces, R. Scott Yarbrough

Forces

No abstract provided.

'How It Works': Stroke, Music, And Minimalism In Robert Ryman's Early Paintings, Vittorio Colaizzi

Art Faculty Publications

Robert Ryman's white paintings have, not surprisingly, been associated with minimalism, but the sensuality of his work and his disassociation from minimalism's critical discourse have also been emphasized. Art historian James Meyer's concept of the “minimal field,” or terrain of difference, allows us to forgo a debate about whether Ryman is or is not a minimalist, and instead to closely examine this painter's motivations and achievements. While Ryman shares the rigid anti‐illusionism of many artists of his generation, his work also has important connections with the jazz music that brought him to New York in the first place and with …

Hotspot, Kate Walker

Kate Walker