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Full-Text Articles in Arts and Humanities
Cuando Lloro, Melissa Medina
Cuando Lloro, Melissa Medina
Masters Theses
There are moments where I am suddenly hit with a deep sentimental longing for a time that no longer exists, one that has transformed into a deep nostalgia, one that becomes more and more conflicted as time passes. Often thought of as a yearning for a recent past, or homesickness, nostalgia can be difficult to define. Although the concept and emotion associated with nostalgia may seem familiar, the word is in fact complex. Nostalgia, for the immigrant, is an escape from their marginalization; an opportunity to embrace the complexities. Painting then becomes an embrace, a direct connection between the present …
Objects And Apparitions: A Portable Museum, Yesuk Seo
Objects And Apparitions: A Portable Museum, Yesuk Seo
Masters Theses
My work transcends the boundaries between painterly printmaking and sculpture. Through hand-pulled silkscreen prints, I create abstract pixelated images depicting our constantly changing relationship with meaning and reality. Memories are often glamorized and distorted whether it is our childhood home, our neighborhood, or the city. My practice archives my family history and traces patterns in memory and space by using invisibility as a phenomena to render newer explorations of abstraction, in time and in urban landscapes. Objects & Apparitions: A Portable Museum, pairs moiré patterns of ghostly printmaking with wooden objects in specific arrangements. It captures my nomadic journey between …
From John Street To Union, Andrew Shea
From John Street To Union, Andrew Shea
Masters Theses
I have been making paintings constructed loosely from my experience of walking about one mile each morning from my apartment in Fox Point to my studio in downtown Providence, and of walking back each night. My goal is to rediscover the feeling of these outdoor places—their lights, atmospheres, colors, and topographies—through the process of painting inside the studio. As such, the visual representations of these paintings are not straight-forward and objective, but oblique and affective.
I hope that these works draw one’s attention to the idiosyncrasies of natural life and to the particularities of weather. I want the paintings to …