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Articles 1 - 30 of 142
Full-Text Articles in Arts and Humanities
Characteristics Of The Structure Of Quartet Cycles And Their Interpretation (On The Example Of The Works Of The Vienna Classics), Anvar Raimdjanov
Characteristics Of The Structure Of Quartet Cycles And Their Interpretation (On The Example Of The Works Of The Vienna Classics), Anvar Raimdjanov
Eurasian music science journal
The string quartet is central among the chamber instrumental ensembles. Despite the limited number of participants, the quartet ensemble is self-assembling, requiring no addition and harmonic support from a multi-voice instrument like the piano. The leading position of the string quartet in the panorama of other types of ensembles is well known. The highly developed quartet art has been widely spread in all countries of the world, including Uzbekistan. High-artistic quartet literature is an integral part of concert programs and educational repertoire of all levels of musical formation of stringers.
It should be noted that there is a stable demand …
Arganun (Organon) - In The Outlook Of Medieval Eastern Thinkers, Saodat Djurabekova
Arganun (Organon) - In The Outlook Of Medieval Eastern Thinkers, Saodat Djurabekova
Eurasian music science journal
The Uzbek people have a very rich, worthy ancient history. The discoveries by many scientists and archaeologists of our country confirm the huge contribution of Central Asia to the development of human beings. During very long years of historical development, many great scientists in the fields of science, culture and art came out among our people. They have gratefully served for the progress of mankind. In this way, they raised the status of the nations of the East. Oriental scholars in their musical brochures, tried to comment not only on the musical-theoretical and practical sciences of the East, but also …
In Studying The History Of Uzbek Music Culture The Place Of The Bayoz, Khumoyun Khaydarov
In Studying The History Of Uzbek Music Culture The Place Of The Bayoz, Khumoyun Khaydarov
Eurasian music science journal
In many branches of musicology, especially in covering information on the issue of macom, scientific works, brochures, and various handwritten sources are mainly used. It is noteworthy that today bays also serves as a necessary source for studying music, especially our traditional music. In addition, it should be noted that bayez is effectively used in the “Ustoz - shogird” (Teacher-Pupil) education system, and plays a special role in the formation of the curriculum and the performance of singing. The article discusses the above points.
Influence And Innovation: Beethoven's Impact On The Sonatas For Piano And Cello By Mendelssohn And Chopin, Patrick T. Bellah
Influence And Innovation: Beethoven's Impact On The Sonatas For Piano And Cello By Mendelssohn And Chopin, Patrick T. Bellah
Dissertations, 2020-current
The bulk of the scholarship in this paper centers around Beethoven’s five sonatas written for piano and cello and how he established a new normal within the genre. This is evidenced by what are arguably the two most noteworthy sonatas for the same instrumental medium, written by Mendelssohn and Chopin, following Beethoven’s death. I posit that the five sonatas written by Beethoven establish a series of models upon which the latter two works by his successors are based.
Chapters two and three of this document are separated into subsections that detail the plausibility of Beethoven’s influence through circumstantial evidence, musical …
Unraveling The Discussion Entre Les Carulistes Et Les Molinistes (Paris, 1828), Damián Martín-Gil
Unraveling The Discussion Entre Les Carulistes Et Les Molinistes (Paris, 1828), Damián Martín-Gil
Soundboard Scholar
In 1828, the French guitarist Charles de Marescot published a small booklet called La Guitaromanie, a collection of pieces for the guitar. It includes a caricature, entitled Discussion entre les Carulistes et les Molinistes, in which two opposing bands of guitarists are engaged in a fierce fight. Although, several scholars have proposed a variety of possible motives for such a shocking image, this issue has never been subjected to close examination. The article analyses the veracity of the known theories, making for the first time a comparative study between the method books of both Ferdinando Carulli and Francesco …
Soundboard Scholar No. 6: Editor's Letter, Jonathan Leathwood
Soundboard Scholar No. 6: Editor's Letter, Jonathan Leathwood
Soundboard Scholar
An introduction to the contents of this issue.
Sor's Guitar Music—A Fresh Start, Erik Stenstadvold
Sor's Guitar Music—A Fresh Start, Erik Stenstadvold
Soundboard Scholar
This article addresses the considerations and decisions that underlie a new critical edition of Sor’s guitar music that is being prepared by the author. Sor’s oeuvre for guitar survives almost exclusively in early printed editions, not autograph manuscripts, so such a task begins with a reassessment, based on historical and text-critical criteria, of which editions he was likely to have been involved in himself and which we can therefore trust the most. As a result, this new edition partly uses different original sources as models than other modern editions. Meissonnier’s later versions of opp. 1–23 from 1826, claimed to be …
Monitored Freedom: Swing Rhythm In The Jazz Arrangements Of Roland Dyens, Milton Mermikides
Monitored Freedom: Swing Rhythm In The Jazz Arrangements Of Roland Dyens, Milton Mermikides
Soundboard Scholar
This paper provides an analysis of jazz swing in the work of classical guitarist and composer Roland Dyens. Drawing on Dyens’s published and recorded arrangements of jazz standards, I study both his notation and his performance of swing, starting with a preliminary study of his collection Night and Day and proceeding to a detailed analysis of Nuages—his notated arrangement and four recorded performances. To provide context for Dyens’s stylistic referents, I analyze Django Reinhardt’s 1940 ensemble performance of Nuages. Throughout the discussion, I utilize digital audio analysis and models of microtiming to reveal Dyens’s sophisticated understanding and execution …
Timbre-Based Composition For The Guitar: A Non-Guitarist’S Approach To Mapping And Notation, Jason Noble, Steve Cowan
Timbre-Based Composition For The Guitar: A Non-Guitarist’S Approach To Mapping And Notation, Jason Noble, Steve Cowan
Soundboard Scholar
Composing for the guitar can be intimidating for non-guitarists, but their fresh perspectives can uncover new ways of thinking about music for the instrument. This paper discusses timbre-based composition, an approach to writing for guitar that may be more intuitive for non-guitarist composers than traditional polyphonic composition. The rich palette of timbres available on the guitar, including pitched and nonpitched sounds, is conceived as primary compositional material. Issues of notation and mapping are addressed, focusing on three categories of mappings: (i) physical mapping from notational symbols onto physical objects, such as parts of the guitar; (ii) analogical mapping from …
“So That The Soul Would Dance In You,” By Jukka Savijoki, Kenneth Sparr
“So That The Soul Would Dance In You,” By Jukka Savijoki, Kenneth Sparr
Soundboard Scholar
No abstract provided.
Leo Brouwer: Guitar Sonatas, Ricardo Gallén, Nathan Cornelius
Leo Brouwer: Guitar Sonatas, Ricardo Gallén, Nathan Cornelius
Soundboard Scholar
No abstract provided.
Soundboard Scholar No. 6 (Complete)
Music Composition In The 17th And 18th Centuries: A Historical Analysis Of How Georg Frideric Handel Participated In “Borrowing”, Nicholas Mueller, Oscar Peterson-Veatch, Russell Schmidt
Music Composition In The 17th And 18th Centuries: A Historical Analysis Of How Georg Frideric Handel Participated In “Borrowing”, Nicholas Mueller, Oscar Peterson-Veatch, Russell Schmidt
2020 Festschrift: Georg Frideric Handel's "Messiah"
The primary focus in this research paper is borrowing; this means borrowing from other composers, and self-borrowing from a previous composition. It is widely accepted in scholarship that Georg Frideric Handel participated in the action of borrowing. However, there is significantly more contention among scholars surrounding both the extent of Handel’s borrowing, as well as what the appropriate modern perspective is for these actions. In this research paper our primary focus will be on Handel’s borrowings, the benefits he received from these actions, and the historical lens of borrowing in the seventeenth and eighteenth centuries.
The Eternity Of Lazgi, Botir Rakhimov
The Eternity Of Lazgi, Botir Rakhimov
Eurasian music science journal
“Lazgi” is of special importance among the wide range of Uzbek dance art that has come down to us in the way of master-student relations. The theoretical and historical issues of "Lazgi" are almost not studied in the field of musicology.
Arvo Pärt: Sounding The Sacred [Toc], Peter Bouteneff, Jeffers Engelhardt, Robert Saler
Arvo Pärt: Sounding The Sacred [Toc], Peter Bouteneff, Jeffers Engelhardt, Robert Saler
Religion
Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology (analyzing Pärt’s signature “tintinnabuli” method), cultural and media studies (Pärt’s audience is uncannily broad within and beyond the contemporary classical world) and, more recently, in terms of theology/spirituality (Pärt is primarily a composer of sacred music). For the most part, this work is centered around the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In …
“That Hart May Sing In Corde:” Defense Of Church Music In The Psalm Paraphrases Of Matthew Parker, Sonja G. Wermager
“That Hart May Sing In Corde:” Defense Of Church Music In The Psalm Paraphrases Of Matthew Parker, Sonja G. Wermager
Yale Journal of Music & Religion
Translation of sacred texts is always a dangerous act. In the sixteenth century, translators of the Bible into vernacular languages faced persecution and even execution for their perceived heresy. Nevertheless, when Archbishop of Canterbury Matthew Parker (1504-1575) published his poetic paraphrases of the biblical psalms, for which Thomas Tallis wrote the corresponding psalm tunes, Parker joined a growing number of scholars and clerics risking the translation of scripture under the aegis of the Protestant Reformation. In his paraphrases Parker carefully negotiated between strict translation and poetic interpretation of the text, particularly in regards to musical themes. I argue that in …
Warfare And Welcome: Practicality And Qur’Ānic Hierarchy In Ibāḍī Muslims’ Jurisprudential Rulings On Music, Bradford J. Garvey
Warfare And Welcome: Practicality And Qur’Ānic Hierarchy In Ibāḍī Muslims’ Jurisprudential Rulings On Music, Bradford J. Garvey
Yale Journal of Music & Religion
While much ink has been spilled by musicologists on the legal standing of music in Islamic jurisprudential scholarship, few scholars have offered as comprehensive a view as Lois Ibsen Al-Faruqi. Thirty-five years after her major works on this issue, this article seeks to reassess her model of musical legitimacy within Muslim scholarship. Al-Faruqi places Qur’ānic recitation at the apex of a unidirectional continuum of sound art, with genres less similar to the recitation of the Qur’ān located progressively further away from it. Based on fieldwork in the Sultanate of Oman in 2015-17 and engaging with recent reinvigorations on the anthropological …
Exploring The Gospel Fusion Arrangements Of The Recording Collective, Tyler Williams
Exploring The Gospel Fusion Arrangements Of The Recording Collective, Tyler Williams
Composition/Recording Projects
Exploring the Gospel Fusion Arrangements of The Recording Collective
I Got Rhythm: How Rhythm Changes Became Among The Most Used Progressions In Jazz, And Opens The Door For Limitless Creativity: Annotated Bibliography, Jacob Brooks
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Assignment #4 Annotated Bibliography: Canonization Of Jazz: A Look At Its Purpose, Intent, And The People That Shape It, Sebastian Alvarez
Assignment #4 Annotated Bibliography: Canonization Of Jazz: A Look At Its Purpose, Intent, And The People That Shape It, Sebastian Alvarez
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Uncommon Influence: Exploring Xenakis’ Use Of Math And Architecture As Compositional Tools Bibliography, Paul Finckel
Uncommon Influence: Exploring Xenakis’ Use Of Math And Architecture As Compositional Tools Bibliography, Paul Finckel
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
What A Music Curriculum Must Look Like In A Post-Racial United States, Ryan Kargoll
What A Music Curriculum Must Look Like In A Post-Racial United States, Ryan Kargoll
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Is Parental Support Necessary For Children’S Piano Learning And What Implications Can Piano Teachers Take Away From This Finding?, University Of Denver
Is Parental Support Necessary For Children’S Piano Learning And What Implications Can Piano Teachers Take Away From This Finding?, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
“Radical Protestors”: How Korean Popular Music Created Online Affinity Spaces Of Left-Wing Political Activists: Annotated Bibliography, Anna Mach
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Ludo-Musicological Typologies: Examining New Ways Of Classifying, Categorizing, And Organizing Music In Video Games: Annotated Bibliography, Nicholas Pierce
Ludo-Musicological Typologies: Examining New Ways Of Classifying, Categorizing, And Organizing Music In Video Games: Annotated Bibliography, Nicholas Pierce
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
“In Hysterics”, Examining The Mad Scene In Italian Opera: Annotated Bibliography, Lillian Ridout
“In Hysterics”, Examining The Mad Scene In Italian Opera: Annotated Bibliography, Lillian Ridout
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Schubert’S Compositional Development Reflected In Winterreise: Annotated Bibliography, Reid Wolch
Schubert’S Compositional Development Reflected In Winterreise: Annotated Bibliography, Reid Wolch
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Bad Boys: A Study Of Conservative Censorship And American Subcultures, Ally Dellgren
Bad Boys: A Study Of Conservative Censorship And American Subcultures, Ally Dellgren
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
The Influence Of Hip-Hop Music On The Social Justice Movement From 1990-2020: An Annotated Bibliography, Deborah J. Anderson
The Influence Of Hip-Hop Music On The Social Justice Movement From 1990-2020: An Annotated Bibliography, Deborah J. Anderson
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
The Myers-Briggs Of Quoting: A Typology Of Musical Borrowing In Jazz Improvisation, University Of Denver
The Myers-Briggs Of Quoting: A Typology Of Musical Borrowing In Jazz Improvisation, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.