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The Way We Were: A Review Of Early Efforts To Find Classical Guitar Music In Collections, Ellwood Colahan Dec 2017

The Way We Were: A Review Of Early Efforts To Find Classical Guitar Music In Collections, Ellwood Colahan

Soundboard Scholar

This article was originally copublished online with the author's article, "Guitar Music in Collections: A New Web-Based Index Is Launched," Soundboard Scholar, no. 3 (2017), https://digitalcommons.du.edu/sbs/vol3/iss1/6.


Soundboard Scholar No. 3: Editor's Letter, Thomas Heck Dec 2017

Soundboard Scholar No. 3: Editor's Letter, Thomas Heck

Soundboard Scholar

An introduction to the contents of this issue.


Soundboard Scholar No. 3: Cover Dec 2017

Soundboard Scholar No. 3: Cover

Soundboard Scholar

The color portrait of Fernando Sor which appears on the cover of this issue, not previously published as far as we know, is a hand-colored version of a printed (b&w) copy of a painting—an original portrait (now lost) of Sor—by one Innocent Louis Goubeau. Before it disappeared it was copied, in the mid-1820s, by both a lithographer and an engraver, probably in response to public demand. The lithograph, according to the British Museum exemplar now online and well documented (No. 1893,0123.45), bears the attribution “Goubeau pinxit / Lith de Engelmann / Lithod par Bordes,” which means that the original painter …


Soundboard Scholar No. 3 (Complete) Dec 2017

Soundboard Scholar No. 3 (Complete)

Soundboard Scholar

No abstract provided.


At The Center Of Things: How An Academic Library Built A Bridge Between Art And Science On Campus, Michelle Catalano, Catherine Essinger, Suzanne Ferimer, Stephanie Lewin-Lane, Porcia Vaughn Jul 2017

At The Center Of Things: How An Academic Library Built A Bridge Between Art And Science On Campus, Michelle Catalano, Catherine Essinger, Suzanne Ferimer, Stephanie Lewin-Lane, Porcia Vaughn

Collaborative Librarianship

The University of Houston Libraries sponsored an interdisciplinary event for students, faculty, and the public, titled the Artists’ Health and Wellness Colloquium and Resource Fair. Aspiring and working artists were instructed in how to maintain good health and to avoid overstressing their bodies as they practice their art. Scholars presented both historical and trending perspectives on the intersection of art and health science. The event was held in order to facilitate learning in two key research areas and to demonstrate the library's ability to bridge disparate disciplines and forge new partnerships with multiple academic units simultaneously. This article presents planning …


A Newly Discovered Letter Of 1827 By Fernando Sor, Erik Stenstadvold Jan 2017

A Newly Discovered Letter Of 1827 By Fernando Sor, Erik Stenstadvold

Soundboard Scholar

This article discusses a hitherto unknown letter, written by Sor in Saint Petersburg in April 1827. It provides new insight into the publishing and personal relationship between Sor and his Paris publisher, Antoine Meissonnier, to whom the letter was addressed. We learn about three airs with variations Sor was busy composing at the time; he was particularly pleased with the variations Meissonnier later published as op. 30. The letter also mentions some unknown Sor works, including a book of drafts at Málaga, and it reveals that Meissonnier had published, without Sor’s knowledge, music that he had received from sources other …


AndréS Segovia’S Unfinished Guitar Method: Placing His “Scales” In Historical Context, Andreas Stevens Jan 2017

AndréS Segovia’S Unfinished Guitar Method: Placing His “Scales” In Historical Context, Andreas Stevens

Soundboard Scholar

For over sixty years, guitarists of my generation have been familiar with the so-called Segovia Scales--the systematic scale fingerings advocated by the Andalusian maestro. They have been an influential--some might say a definitive--bestseller since their first USA publication in 1953. Countless guitar students have incorporated them into their daily practice routines. For the publisher, Columbia Music Co., they seem to be the goose that laid the golden egg. Are they everything that Segovia wanted them to be? Two books of recent date on guitar technique attest to their enduring value and relevance. Thomas Offermann wrote in 2015: "The fingerings of …


Guitar Music In Collections: A New Web-Based Index Is Launched, Ellwood Colahan Jan 2017

Guitar Music In Collections: A New Web-Based Index Is Launched, Ellwood Colahan

Soundboard Scholar

Is there any really good way to locate specific pieces of guitar music within published collections and anthologies? Might there be already a best way? Anyone who has taught or studied classical guitar is familiar with collections like Das Gitarrespiel or the Noad anthologies. But it is hard to remember with accuracy which pieces are in which of these editions or in dozens of others like them. Library and trade catalogs are not of much help. What is needed for this problem is in-depth indexing rather than traditional cataloging. These print indexes of song anthologies and collections have more recently …


NapoléOn Coste: Composer And Guitarist In The Musical Life Of 19th-Century Paris By Ari Van Vliet, Richard Long Jan 2017

NapoléOn Coste: Composer And Guitarist In The Musical Life Of 19th-Century Paris By Ari Van Vliet, Richard Long

Soundboard Scholar

Napoleon Coste: Composer and Guitarist in the Musical Life of 19th-Century Paris, by Van Vliet, Ari is reviewed.


Sinfonia Concertante By Luigi Boccherini, Edited By Matanya Ophee, Richard Long Jan 2017

Sinfonia Concertante By Luigi Boccherini, Edited By Matanya Ophee, Richard Long

Soundboard Scholar

Sinfonia concertante (G. 523), by Boccherini, Luigi is reviewed.


New Voices In Old Bodies: A Study Of “Recycled” Musical Instruments With A Focus On The Hahn Collection In The Deutsches Museum, By Panagiotis Poulopoulos, Richard Long Jan 2017

New Voices In Old Bodies: A Study Of “Recycled” Musical Instruments With A Focus On The Hahn Collection In The Deutsches Museum, By Panagiotis Poulopoulos, Richard Long

Soundboard Scholar

New Voices in Old Bodies: A Study of "Recycled" Musical Instruments with a Focus on the Hahn Collection in the Deutsches Museum, album by Poulopoulos, Panagiotis is reviewed.


La Guitare = The Guitar = La Chitarra, Paris, 1650-1950, Addendum, By Daniel Sinier And FrançOise De Ridder, Richard Long Jan 2017

La Guitare = The Guitar = La Chitarra, Paris, 1650-1950, Addendum, By Daniel Sinier And FrançOise De Ridder, Richard Long

Soundboard Scholar

La Guitare = The Guitar = La Chitarra, Paris, 1650-1950, Addendum, by Sinier, Daniel and Francoise de Ridder is reviewed.


The Russian Guitar 1800-1850 (Timofeyev And Schneiderman), Stanley Yates Jan 2017

The Russian Guitar 1800-1850 (Timofeyev And Schneiderman), Stanley Yates

Soundboard Scholar

The Russian Guitar 1800-1850, album by Oleg Timofeyev and John Schneiderman is reviewed.