Arts and Humanities Commons^™

Seeking A Uniform Approach To Trumpet Sound Concept, Coleman T. Scott

LSU Doctoral Dissertations

One of the most challenging aspects of trumpet playing that pedagogues must teach is how to produce a professional tone. Trumpet students are often good musicians, play correct notes and rhythms, and even have proficient technique. However, many are unable to consistently produce a tone comparable to that of a professional. There are a number of methods that can be utilized to improve a student’s tone quality. In my own teaching and in the teaching of many professionals, tone concept has been used as a catalyst for the improvement of tone quality. A students’ exposure to a professional-quality trumpet tone …

A Contextual History And Modern Edition Of J. Hyde’S 1799 English Trumpet Treatise: A New And Compleat Preceptor For The Trumpet & Bugle Horn: With The Whole Of Cavalry Duty As Approved Of And Ordered By His Royal Highness The Duke Of York … To Which Is Added A Selection Of Airs, Marches & Quick Steps For Three Trumpets, A Scale Of The Chromatic Trumpet With Airs Adapted For It, And A Collection Of Bugle Horn Duets, Clinton Gregory Linkmeyer

Theses and Dissertations--Music

For much of the trumpet’s long and varied history, it was considered a practical tool used for signaling more so than a music-making instrument. In 1614, Cesare Bendinelli wrote his Tutta L’arte Della Trombetta, which is often recognized as the first musical treatise written for trumpet. Scholars also recognize two other texts as being significant treatises: Girolamo Fantini’s Modo per imparare a sonare di tromba (1638), and Johann Ernst Altenburg’s Trumpeters’ and Kettledrummers’ Art (1795). The compilation and composition of A New and Complete Preceptor for the Trumpet and Bugle Horn by John Hyde in 1799 places it not only …

An Application Of Natural Learning Processes In The Preparation Of Edward Gregson's Trumpet Concerto, James Jenkins

Doctoral Projects

Concerto for Trumpet and Strings by Edward Gregson is a substantial work of the late twentieth century underperformed among trumpet players. The primary reasons for its relative neglect are its technical challenges and the demands of endurance it places on the player. A well-designed approach to the preparation of this work will benefit students and professional players wishing to prepare for a performance of the work. This project will combine the knowledge of researchers and teachers in formulating specific practice approaches for the concerto’s challenges.

The findings of neuroscientists and psychologists, gained through testing and measurement, will be consulted along …

The Apprenticeship Structure And The Applied Pedagogical Methods Of The Holy Roman Empire Imperial Trumpeters’ Guild During The 17Th And 18Th Centuries, Noa Miller

Theses and Dissertations

The Imperial Trumpeters’ Guild of the 17th and 18th centuries Holy Roman Empire implemented a remarkable and effective training program for its apprentices: an expedited two-year apprenticeship structure with a seven-year journeyman period when the training was applied. Studying the structure of the apprenticeship and how the expedited system was implemented gives a new insight into an effective and efficient teaching model. This training regimen was made possible because apprentices received the necessary musical foundation and pedagogical methods through attending the Latin school. This is evidenced through analysis and comparison of the Latin school primers (textbooks) and the trumpet treatises, …

An Annotated List And Searchable Database Of Works For Trumpet And Piano By Living American Composers, Shelby R. Carico

Dissertations, 2020-current

One of the hallmarks of a trumpet player’s performing experience is the thrill of playing solo works for trumpet and piano. Many of the works for solo trumpet and piano regularly performed today have long been considered canonical, and given the history of the trumpet, tend to be European in origin, and representative of past compositional trends and pedagogical approaches. Numerous players seek out works written by newer composers to include on solo recitals and juries. However, this is often a difficult endeavor to undertake, as the majority of existing trumpet repertoire databases and search engines contain older works. The …

A Musical Analysis Of Donald Byrd's Electric Byrd, Eric Snyder

Recital Papers

A Musical Analysis of Donald Byrd's Electric Byrd

Preparing And Performing A Trumpet Recital, Jesse Gibens

Honors Theses

The pieces are examined based on historical context and explained based on the practice notes that I journaled and reflected upon by comparing and contrasting standard recordings of each work. This thesis is divided into nine sections that explore the pieces that are performed, as well as the instruments used to perform them. The thesis also explores my repertoire choices based on instrumentation, style, composer, and genre, as well as how to deal with the challenges of approaching a diverse program. Historical information has been taken from articles, books, and other scholarly writings produced by experts within their fields of …

Recording A Solo Instrumental Album: A Methodology And Representative Album, John Nye

Dissertations, 2020-current

Contests and Collaborations is a trumpet album consisting of solo and collaborative works for trumpet. The album is aimed towards demonstrating diverse performance abilities in a variety of musical styles. The methodology for recording a solo instrumental album is discussed in detail and includes topics such as selecting repertoire, recruiting collaborative artists, hiring a recording engineer, selecting a producer, choosing a recording venue, allocating rehearsal and recording time, and royalties and licensing. Contests and Collaborations, along with the accompanying methodology, serves as a resource for other musicians by detailing various considerations and procedures involved in recording an album.

A Trumpet Player’S Performance Guide Of Three Selected Works For Trumpet, Cello, And Piano, Justin Wayne Robinson

Theses and Dissertations

This document explores, in detail, three works for trumpet, cello, and piano. These works were performed on a chamber recital before the writing of this document. The three selected works are Statements, Commanding by Robert J. Bradshaw, Elegy by Alex Shapiro, and Trio for Trumpet, Violincello, and Piano by Eric Ewazen. This document focuses on the musical performance of these three works, ways to prepare specific sections, and issues the author and his trio experienced during the preparation of these works. To the author’s knowledge, no previous documents have explored these three works. The field of study focusing on the …

The Language Of Music: Linguistics In Trumpet Pedagogy, Marisa B. Youngs

Theses and Dissertations--Music

For decades, many brass teachers have relied heavily upon speech as a means of conveying pedagogical concepts. Additionally, a significant number of teachers in the brass community continue to use speech sounds to teach specific kinesthetic responses (i.e. using specific vowels for tone production, particular consonants for articulation, and variations of vowels for different pitch registers). These teaching concepts have been perpetuated over time, though many intricate aspects of human anatomy were yet to be understood at the inception of these methods, including the physiological processes used during speech. As technology has evolved, researchers in the field of linguistics have …

Serial Techniques In Works For Unaccompanied Trumpet, William Anonie

Theses and Dissertations

Of the many compositions for unaccompanied trumpet, some of the most interesting are those that employ twelve-tone serialism. This study provides analyses of these works, including Robert Henderson’s Variation Movements, Charles Whittenberg’s Polyphony, Hans Werner Henze’s Sonatina, and Stanley Friedman’s Solus. Performance implications related to the twelve-tone analysis are examined for each piece. Where multiple editions of a piece exist, they are compared with each other and with the analysis to guide the performer in choosing an edition.

A Performer's Guide To Iosif Andriasov's "Concertino For Trumpet", Andrew K. Gerbitz

LSU Doctoral Dissertations

Iosif Andriasov’s Concertino for Trumpet is an excellent candidate for study and assimilation into the standard trumpet repertoire. A significant composer of Armenian descent from the former Soviet Union, Andriasov wrote his Concerto for Trumpet in 1960 and dedicated it to Yuri Usov. Timofei Dokshizer performed it on an album released in 1978 under the Melodya label. After immigrating to the United States in 1979, the composer revised the work and retitled it as Concertino for Trumpet in 1995. IMMA Publishing Company in New York made the revised work commercially available in 2001. This paper is presented to increase awareness …

The Creation Of A Skills-Based Grading System For Solo Trumpet Repertoire, Charles R. Ahlhorn

Dissertations, 2014-2019

This research organizes a sample of solo trumpet literature, selected from state music educators associations’ repertoire lists, into a bi-level, skills-based grading system. At the first level of classification, each work is assigned an overall difficulty rating of 1, 2, or 3, with the latter being the most demanding category. The second level of classification evaluates the requirements of each work in six particular skill areas: range, rhythm and meter, articulation, flexibility, endurance, and phrasing. The rating scale for these parameters ascends from 1 to 5, where 1 represents beginner-level skills and 5 connotes virtuoso-caliber challenges.

The goal of this …

A Progressive Guide To Commercial Trumpet Playing, Eric R. Murine

Theses and Dissertations--Music

The commercial genre of trumpet playing has been overlooked by educators for years. The goal of this project is to author a book, A Progressive Guide to Commercial Trumpet Playing, to address this issue. Commercial music can be defined as music for the mass consumer audience with the intent to produce monetary profits.

This approach will take a student stylistically from blues through the popular music of the 21st century. The ultimate goal of this book is to fill the pedagogical void in trumpet performance study material, providing a more complete foundation for the trumpet performer. Each chapter will …

Language As A Performance Parameter: The Marcel Bitsch Vingt Etudes, Evan Benjamin Duke

Theses and Dissertations--Music

The Bitsch Vingt Études are a significant part of the trumpet performers repertoire. They are taught in many university trumpet studios across the United States. David Baldwin, professor of trumpet at the University of Minnesota, has recorded all of them for the International Trumpet Guild. The editor, Raymond Sabarich, is considered the founder of the modern French school of trumpet playing.

Articulation is a significant component in performing on a brass instrument. By varying the attacks of the tongue, different timbres can be successfully achieved on the trumpet. Because of the volume the trumpet can generate, any defective articulation will …

Trends In Historic And Modern Performance Practice For The Trumpet In Richard Wagner’S Der Ring Des Nibelungen, Michael Ryan Ellzey

Dissertations

The purpose of this document is to compare the Alto F trumpet used by the players of Richard Wagner’s orchestra to the modem trumpet, with reference to specific excerpts from Der Ring des Nibelungen. It will discuss topics pertaining to transposition, range, keys, timbre, and crooking. Other elements that will be explored are the evolution of the valved trumpet and how it led to the Alto F trumpet. The document will also discuss the eventual replacement of the Alto F trumpet by the modem C and B-flat trumpets. Included in this section will be a historic study of the …