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Full-Text Articles in Arts and Humanities
Engaging The Public With New Music: The Roles Of The Public, The Composer, And The Educator, Maria Confer
Engaging The Public With New Music: The Roles Of The Public, The Composer, And The Educator, Maria Confer
The Research and Scholarship Symposium (2013-2019)
Concerning new music, when the public knows what to listen for, composers who wish to more directly involve the public with new music remain open to dialogue regarding it, and educators inform and engage the public about it, there is a higher chance of active public acceptance of new music. The tripartite relationship between the public, composers, and educators benefits from open communication and community education, in addition to each participant knowing their responsibility and contribution in the relationship. A history of this relationship since 1900, including a delineation of who and what qualifies as an “educator,” leads into a …
Red Note New Music Festival Composition Competition Announcement, 2017, School Of Music, Carl Schimmel, Roy Magnuson
Red Note New Music Festival Composition Competition Announcement, 2017, School Of Music, Carl Schimmel, Roy Magnuson
Red Note New Music Festival
The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.
Red Note New Music Festival Poster, 2017, School Of Music, Carl Schimmel, Roy Magnuson
Red Note New Music Festival Poster, 2017, School Of Music, Carl Schimmel, Roy Magnuson
Red Note New Music Festival
The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.
Grains Without Territory: Voicing Alexander Garsden’S [Ja] Maser And The De-Centralized Vocal Subject, Jessica Aszodi
Grains Without Territory: Voicing Alexander Garsden’S [Ja] Maser And The De-Centralized Vocal Subject, Jessica Aszodi
Directions of New Music
The singing subject is both site-of and author-of her practice. This practice-based, artistic research unpacks the entangled process of making new music, conscious that the performer-author is the site where embodied problem solving takes place. The principal focus of the paper is the author’s realization of Alexander Garsden’s [ja] Maser, for voice and electronics, created by recording and reconstituting vocal elements using traditional compositional and performative methods as well as studio recording and granular synthesis. The author approaches the realization of this new work as an experimental practice in dialogue with theoretical frames that inform and situate the research. …
Red Note New Music Festival Program, 2017, School Of Music
Red Note New Music Festival Program, 2017, School Of Music
Red Note New Music Festival
The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.