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Emulating The "Country Fiddler": A Performance Analysis Of Fiddle Parodies And Impressions In Charles Ives's Second Violin Sonata, Emily Vold Weiss

Dissertations, Theses, and Capstone Projects

In his violin sonatas, Charles Ives frequently parodies fiddling style, both through overt quotes of fiddle tunes, as well as inventive compositional devices that mimic the fiddler’s style of bowing, ornamenting a melody, or generally rustic performance. Given the breadth of these fiddling allusions, it is important that violinists who perform Ives’s sonatas understand the distinctive aesthetics of fiddle performance, including the numerous ways in which it diverges from classical performance. In this dissertation, I survey pedagogical writings on fiddling, notated tunes, and recorded fiddling performances in an effort to characterize the performance practices of fiddlers from Ives’s native New …

Charles Ives On The Nature Of Experience: The Compositional Designs And Aesthetic Programs Of Three Orchestral Works, Ashleé Michele Miller

Dissertations, Theses, and Capstone Projects

Charles Ives on the Nature of Experience: The Compositional Designs and Aesthetic Programs of Three Orchestral Works explores the hypothesis that Ives set in motion in many of his compositions a juxtaposition of temporal process (such as polyrhythm and polymeter) with the aim of exploiting a person’s innate abilities to entrain. Ives believed participants engaged in a juxtaposition of temporal processes are able to form personalized experiences by choosing which elements to attend to.

I present three analyses to explore the potential for multiple entrainment experiences in three works by Ives: The Unanswered Question, Central Park in the Dark, and …

Charles Ives And Musical Borrowing, Allison C. Luff

Electronic Thesis and Dissertation Repository

Charles Ives’s Piano Sonata No. 2 Concord Mass., 1840–1860 (1921) is considered by many scholars to be a transcendental work as it is dedicated to the four main transcendental scholars—Emerson, Hawthorne, Alcott (and his family), and Thoreau—who resided in Concord, Massachusetts in the mid-nineteenth century. Yet Ives’s writings reveal the Sonata to have been a much more personal narrative in which the transcendental scholars serve the greater purpose of illustrating values, morals, and characteristics Ives found desirable in his own culture. Through an interrogation of the musical borrowings in the Concord Sonata and their multiple layers of extramusical association, I …

Exploring The Multi-Generational Influence Of American Ragtime Music Through The Works Of Charles Ives, William Walton And William Bolcom, Rebecca E. Smith

Theses : Honours

Ragtime music is a style of popular music established in America that came to prominence between the years of 1896 and 1918. It is believed to have its roots in Blackface minstrel shows, it's defining feature, the heavily syncopated rhythm, quickly becoming a stereotype of African-American music. This thesis will explore the multi-generational influence of American Ragtime music on the art-music world through the works of Charles Ives (1874-1954), William Walton (1902-1983), and William Bolcom (1938-). It will timeline the undulating influence of Ragtime music on these subsequent generations of composers, noting in particular the revivals of the 1940's and …

Ives's Seasonal Songs, Warren Kimball

LSU Master's Theses

Throughout his career, Charles Ives composed eight songs on texts that in some manner concern the yearly seasons. Unexamined by scholars to any depth, and never heretofore considered as a group, these pieces have typically been treated in tandem with Ives’s other songs about nature. Studied as a set, however, they reveal the theme of seasonal change to be an artistic topic of significant, enduring appeal to the composer. Although these pieces are stylistically diverse, examining them as a group helps us to better understand Ives’s maturation as a composer, the seasonal topic serving usefully as a constant around which …