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The Effects Of Contextual Interference On The Acquisition, Retention, And Transfer Of A Music Motor Skill Among University Musicians, Leslie Paige Rose Jan 2006

The Effects Of Contextual Interference On The Acquisition, Retention, And Transfer Of A Music Motor Skill Among University Musicians, Leslie Paige Rose

LSU Doctoral Dissertations

The contextual interference hypothesis holds that simple motor skill tasks are best learned when practiced under blocked, or repetitive conditions, but that retention and transfer are best accomplished when the skill has been practiced in varied conditions. The purpose of this study was to measure the effects of contextual interference practice conditions on the acquisition, retention, and transfer of a complex task—right hand lead percussion sticking technique among university musicians. All participants (N = 120) demonstrated rhythmic competency for the task, and were necessarily unable to perform the sticking technique with accuracy at the start of treatment. Three treatment groups …


Summary Of Lecture Recital: Bright Sheng's Selected Chamber Music For Strings: Two Violin Solos, And Two String Quartets, Mei-Mei Wei Jan 2006

Summary Of Lecture Recital: Bright Sheng's Selected Chamber Music For Strings: Two Violin Solos, And Two String Quartets, Mei-Mei Wei

LSU Doctoral Dissertations

Bright Sheng was born in Shanghai, China, in 1955, and became one of America’s leading composers in the twentieth-century. Bright Sheng’s orchestral music, opera and chamber music is frequently performed throughout the world. His musical language combines Chinese folk music and Western techniques--the meeting of East and West. This essay will discuss Bright Sheng’s The Stream Flows for solo violin (1990), Three Fantasies for Violin and Piano (2006), String Quartet No.3 (1993), and String Quartet No.4 Silent Tempo (2000). These works represent Sheng’s chamber music for strings. This essay will be organized as follows: Chapter 1 will provide Bright Sheng’s …


Peter Christoskov's Twelve Caprices For Solo Violin, Opus 1: A Historical And Theoretical Analysis Of The Work And Its Connection To Bulgarian Folk Music, Borislava A. Iltcheva Jan 2006

Peter Christoskov's Twelve Caprices For Solo Violin, Opus 1: A Historical And Theoretical Analysis Of The Work And Its Connection To Bulgarian Folk Music, Borislava A. Iltcheva

LSU Doctoral Dissertations

This document is an analysis of Twelve Caprices for Solo Violin, op.1 by Peter Christoskov. The analysis concentrates on the theoretical and historical aspects of the work as well as its connection to Bulgarian folk music traditions. The cycle contains twelve caprices based on various song and dance models. Each caprice is analyzed separately, with detailed information regarding the structure, harmony, melody, rhythm and meter. In addition, it establishes the relationship between the instrumental writing in the caprice and the folk music model from which it is derived. This document does not go into extensive detail about the performance and …


The Choral Music Of Anthony Burgess And A Conductor's Study Of Four Anthony Burgess Choral Pieces, Randall L. Hooper Jan 2006

The Choral Music Of Anthony Burgess And A Conductor's Study Of Four Anthony Burgess Choral Pieces, Randall L. Hooper

LSU Doctoral Dissertations

Anthony Burgess, primarily known for his literary career, was also a prolific composer. Composition and music was his first love and passion. At the present time, there is no study specifically on the choral music of Anthony Burgess and there have been only a few performances of his music. The primary goal of this paper is to consider the choral compositions of Anthony Burgess. In a comparison of the works list produced by Anthony Burgess in This Man and Music, a works list complied by Paul Phillips and the inventory of holdings in the Burgess collection at the Ransom Center, …


A Conductor's Study Of Ruth Watson Henderson's Voices Of Earth, Ryan Jeffrey Hebert Jan 2006

A Conductor's Study Of Ruth Watson Henderson's Voices Of Earth, Ryan Jeffrey Hebert

LSU Doctoral Dissertations

Ruth Watson Henderson (b. 1932) has become one of Canada’s most prolific composers. She began her music study at a very early age and her career as a performer prospered as she received many awards and honors throughout her life. Her accomplishments as a performer and composer are numerous. Her work as the accompanist for the Toronto Children’s Choir has led to many pieces for children’s voices, and her involvement in church music as an organist has resulted in many sacred compositions for mixed choir. This research presents a brief biographical introduction of Ruth Watson Henderson and a conductor’s analysis …


The Violin Concerto And Its Development In Bulgaria, Mario Dimitrov Jan 2006

The Violin Concerto And Its Development In Bulgaria, Mario Dimitrov

LSU Doctoral Dissertations

My interest in the history and problems of the Bulgarian composers' school and specifically in the establishment and development of the Bulgarian violin concerto goes far back in my musical career. The Bulgarian composers and their concertos had essential contribution to my development as a violin player and greatly influenced me over the period of my formal education. It is important to notice the very specific and original nature of the Bulgarian music culture. Bulgaria did not exist on the political map of Eastern Europe because of the fact that it had suffered the turmoil of the Ottoman Empire for …


The Musical Journey Of Opera Singer Lenora Lafayette: A Louisiana Treasure, Kyla Dean Pitcher Jan 2006

The Musical Journey Of Opera Singer Lenora Lafayette: A Louisiana Treasure, Kyla Dean Pitcher

LSU Doctoral Dissertations

Lenora Lafayette (1926-1975) was an African-American opera singer who developed her professional path while facing tremendous racial, cultural, and economic barriers. She was a Louisiana native with great vocal potential who attempted to enroll at Louisiana State University in Baton Rouge, but was denied admission due to segregation. Lenora attended The Juilliard School as an alternative and earned scholarships that covered her tuition for an entire year. She studied with the prestigious faculty member Dusolina Giannini and developed her talent to the degree that she was able to win a John Hay Whitney Fellowship for study abroad. She traveled to …


The Transcription For Two Double Basses Of Selections From Pièces De Violes, Quatrème Livre, Deuxiême Partie: Suitte D'Un Goût Etranger By Marin Marais, Yong Hao Pan Jan 2006

The Transcription For Two Double Basses Of Selections From Pièces De Violes, Quatrème Livre, Deuxiême Partie: Suitte D'Un Goût Etranger By Marin Marais, Yong Hao Pan

LSU Doctoral Dissertations

Marin Marais (1656-1728) was one of the most celebrated bass viol composer-performers of the French school from the late seventeenth century to the early eighteenth century. The purpose of this project is to introduce some of his music to double bass players through transcriptions. The monograph starts with an overview on the importance of transcriptions in double bass literature. A historical background of the viol and its relation to the double bass are discussed in the second chapter. The third chapter reviews Marin Marais’s biographical sketch, and some of his most significant compositions. The transcription process of eight selected bass …


A Performer's And Conductor's Analysis Of Ingolf Dahl's For Alto Saxophone And Wind Orchestra, Christopher Scott Rettie Jan 2006

A Performer's And Conductor's Analysis Of Ingolf Dahl's For Alto Saxophone And Wind Orchestra, Christopher Scott Rettie

LSU Doctoral Dissertations

Ingolf Dahl’s Concerto for Alto Saxophone and Wind Orchestra was written in 1949 for the famous concert saxophonist, Sigurd Rascher and was then revised to its present state in 1953. The concerto, widely known by saxophonists and wind band conductors alike, is considered among the finest of repertoire for band as well as for saxophone. Although Dahl’s concerto is one of the most frequently performed saxophone concerti, there has been surprisingly little written about it. Available published sources deal directly with the concerto, but do not address harmonic implications, the saxophone solo part, or the published wind band score. This …


The Solo Piano Music Of Andrzej Dutkiewicz, Christine Burczyk Allen Jan 2006

The Solo Piano Music Of Andrzej Dutkiewicz, Christine Burczyk Allen

LSU Doctoral Dissertations

This purpose of this study was to examine the solo piano compositions of Polish composer and pianist, Andrzej Dutkiewicz (1942- ). These works include Toccatina (1969), Suite for Piano (1970), Three Sketches in Retrospect (1985), and À-la (1986). Although his compositions have been performed in festivals and concerts, there has been little written about his works. This is the first academic research presented by an American scholar. This monograph is divided into three chapters as follows: Chapter One includes background and biographical information on Dutkiewicz; Chapter Two presents a comprehensive analysis of À-la from an analytical and stylistic perspective; Chapter …


Formal Convention In Verdi's Falstaff, Joseph Salvatore La Rosa Jan 2006

Formal Convention In Verdi's Falstaff, Joseph Salvatore La Rosa

LSU Doctoral Dissertations

Falstaff (premiered in 1893) draws more explicitly on primo ottocento formal conventions for duets, arias, and central finales than scholars have previously argued. A description of those conventions (generally referred to as the solita forma) is followed by the analytical application of those conventions to selected passages from Falstaff. A general description of the solita forma for duets and arias is followed by a pertinent example from Rossini’s Semiramide. Three passages from Falstaff are then shown to have strong grounding in the solita forma. These passages include Falstaff’s “Honor” monologue in act I, part 1; the scene for Mrs. Quickly, …


An Introduction To The Music Of Tania León And A Conductor's Analysis Of Indígena, James Spinazzola Jan 2006

An Introduction To The Music Of Tania León And A Conductor's Analysis Of Indígena, James Spinazzola

LSU Doctoral Dissertations

The purpose of this research is to provide an introduction to the living American composer, Tania Leon, and a detailed analysis of Indigena, her work for large chamber ensemble. Chapter One includes Leon’s biographical information, focusing on her cultural heritage and her dual careers as a composer and conductor. Chapter Two details her compositional style, illustrated by examples from selected works. Subsections focus on her compositional practices with regard to rhythm, melody, harmony, texture, and form, as well as the prevalence of jazz and Latin American influences in her work. Chapter Three analyzes Indígena from a theoretical perspective and makes …


Compositional Techniques In Thomas Kerr, Jr.'S Anguished American Easter, 1968 And Their Application To The Theme Of African American Theology, Jane Fitz-Fitzharris Jan 2006

Compositional Techniques In Thomas Kerr, Jr.'S Anguished American Easter, 1968 And Their Application To The Theme Of African American Theology, Jane Fitz-Fitzharris

LSU Doctoral Dissertations

Thomas Kerr, Jr. (1915-1988), African-American organist, produced works for organ, piano, and choir. His most significant organ work, Anguished American Easter, 1968, was a musical reaction to the assassination of Martin Luther King, Jr. Powerful and dramatic, the work draws on all the forces of the modern pipe organ. Anguished American Easter, 1968, based on the spiritual He' Rose expresses the sorrow and horror of death and the power and hope of the resurrection. A profound composition, it reflects the anguish of an oppressed race. The purpose of this monograph is to examine the compositional techniques Thomas Kerr, Jr. used …


Mindfulness Meditation: Creative Musical Performance Through Awareness, Sheri Oyan Jan 2006

Mindfulness Meditation: Creative Musical Performance Through Awareness, Sheri Oyan

LSU Doctoral Dissertations

Musicians spend countless hours practicing their instruments over the course of a lifetime. These hours are primarily spent learning how to manipulate the instrument through scale studies, etudes, and repertoire. However, despite intense and diligent effort, many musicians find themselves unable to perform for an audience without some kind of interruption in creativity in the form of mental and/or physical distractions. The symptoms of such distractions can include heart palpitations, muscle tension, shaking, feelings of fear and panic, and an inability to focus on the task at hand. The presence of these symptoms, typically referred to as “performance anxiety,” is, …