Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 3 of 3

Full-Text Articles in Arts and Humanities

Harold Jones; Interpretation Of Big Band Swing Drumming, Danny Gottlieb Mar 2019

Harold Jones; Interpretation Of Big Band Swing Drumming, Danny Gottlieb

Showcase of Faculty Scholarly & Creative Activity

Multiple Grammy Award winning drummer Harold Jones is one of the greatest drummers in Jazz History. He has performed and recorded with Herbie Hancock, Ella Fitzgerald, Tony Bennett, Lady Gaga, Sarah Vaughan, Count Basie, Natalie Cole and many more. This volume work is akin depth study of Harold's drumming with the Count Basie Orchestra, of which he was a member from 1968 through 1972.


Cut A Rug (Score), Gary Smart Jan 2019

Cut A Rug (Score), Gary Smart

Music Faculty Research and Scholarship

“Cut a Rug” (2019) for flute, clarinet, violin, cello and piano

This one movement fantasy is dance music. More specifically, it is an homage to 1920’s American dance music. The piece works well as a concert music, but I think a choreographer might find it fun to work with. “Cut a Rug” is energetic, dramatic and abstract, often toying with the motive of an alternating third. But there’s more than that. I found four pop tunes from the 1920’s which feature that alternating third interval and incorporated these tunes into the mix. You might listen for “Has Anybody Seen My …


Three Fantasies On African American Songs For String Quartet (Score), Gary Smart Jan 2019

Three Fantasies On African American Songs For String Quartet (Score), Gary Smart

Music Faculty Research and Scholarship

I have been interested in mixing cultural aesthetics and musical styles for all of my life. Gunther Schuller coined the term “third stream” to describe the intertwining of American jazz with the Western European musical traditions. Of course there are so many branches to the trees of both African American music and the European traditions, that Schuller’s term can only have a very general meaning. Still, the “third stream” description does fit my Three Fantasies. In these three movements I combine different materials, styles, and developmental methods, mixing traditions freely, as I attempt to create a specifically American new music. …