Arts and Humanities Commons^™

Composition Portfolio, Gabriel I. Gonzales

Music ETDs

This composition portfolio consists of a series of works written during my master’s program at the University of New Mexico. Each chapter in this collection includes a brief description of its corresponding piece. The compositions featured in this portfolio are: Axaxaxas Mlö (2020), for live bass with fixed audio accompaniment; Conflagrations (2020), for fixed audio-visual media; Fumiko/Yukio, Mov. I (2021), for six voices, Preliminary Materials for a Piece About a Drum (2021), for live bodhran with fixed audio accompaniment and sound-processing; Everyday War, Pt. 1 (2022) for fixed audio, and Everyday War, Pt. 2 (2023) for live found percussion with …

"Azat, Ankakh, Artsakh": Music, Memory, And The Second Nagorno-Karabakh War, Sasha Linn Arteaga

Music ETDs

In this thesis, I examine a selection of music videos, from those created in 2015 at the centenary of the Armenian Genocide, to those created in response to the Second Nagorno-Karabakh War, considered by Armenians to be a continuation of the Armenian Genocide. To the Armenian people, Nagorno-Karabakh is part of their ethnic homeland and has maintained a majority-Armenian population and separatist government backed by the Republic of Armenia since the First Nagorno-Karabakh War. I apply a music-as-text approach in this thesis, examining these music videos through examination of the visual, musical, and lyrical elements. I then analyze these videos …

A Theory Of Text Setting Contour: A Proposed Theory That Places Text At The Structural Foreground Of The Analysis Of Vocal Music, Grace K. Weaver

Music ETDs

How can contour theory be used to analyze a composer’s setting of a poem? Can this approach provide insights that lead to an interpretation of the composer’s setting of the text? This study presents a new contour theory on text setting by examining two different settings of the same text. This theory examines one aspect of the music, the vocal line, and plots syllable’s locations in two dimensions of music: pitch space and duration. Using these data points, one can suggest an interpretation of the poem. Through the application of this theory to Fanny Hensel and Franz Schubert’s setting of …

Student Voice And Choice: Factors Influencing Student Participation In Secondary Arts Classes In An Urban Public School District, Alan D. Lambert Ed. D.

Teacher Education, Educational Leadership & Policy ETDs

The purpose of this study was to capture the student voice regarding the value, importance, and relevance of visual and performing arts education in public schools. The host institution for the study was an urban school district in the southern central United States serving 75,000 students, with 55% students identified as Hispanic, and 52% of students experiencing poverty. Graduating seniors responded via questionnaires with forced choice and open-ended items regarding several topics, including what they do in their free time, how they perceive the value of arts classes at school, access to arts classes and the match of their interests …

'Ahora Estamos Más Unidos': Claiming Resilience In The Musical And Visual Aftermath Of The El Paso Mass Shooting, Eduardo Garcia

Music ETDs

The El Paso Wal-Mart Mass Shooting on August 3, 2019, prompted swift response from the local community to create artistic spaces of remembrance. This study examines the musical (mariachi and corrido) and visual (altares, murals, and memorials) manifestations present at makeshift and formal memorials for the victims. I analyze how members of the El Paso-Ciudad Juárez borderland situated their artistic work in the aftermath of the shooting. I argue that these artists responded to the attack with symbolic acts of resilience rooted in cultural and collective memory, embodiment of trauma, and the lived experience of corporeal …

Composition Portfolio, Jose E. Orea Dominguez

Music ETDs

This composition portfolio consists of a series of works written during my master’s degree at the University of New Mexico. Each chapter in this collection includes a brief structural and aesthetic description as well as specific annotations regarding its instrumentation, writing style/system, and pitch collection (if existent). The compositions featured in this portfolio are: Orbits (Interstellar Cloud 1, 2021) for amplified large ensemble, Centaurus (2021) for amplified variable ensemble from 2 to 8 performers, Prisma (2020) for amplified modified Pierrot quintet, Sirius (2022) for amplified vocal ensemble, Wormhole (2021) for amplified solo violin, Space-Time Burst (2021) for amplified solo trombone …

Jesus Woodlą́Ą́Jí Sin: Sounding A Self-Determined Navajo Christian Church, Renata Yazzie

Music ETDs

Jesus Woodlą́ą́jí’ Sin: Navajo Hymns of Faith, the first and only extensive Navajo hymnal, was published in 1979. This hymnal contains 365 hymns for congregational singing, translated into the Navajo language. The Navajo Hymnal Committee, responsible for the seven years of intensive translation work, formed in 1972 under the direction of Reverend Dr. Paul Redhouse (1925-2019), an ordained Navajo minister within the Christian Reformed Church. Redhouse wholeheartedly believed that Navajo people had the right to worship in their own language and argued that pre-issued English hymnals by outside church leaders were not suitable for obvious reasons—a language barrier. Through …

Composition Portfolio, Joshua A. Aguiar

Music ETDs

A collection of music compositions, composed and imagined during study at the University of New Mexico.

Musical Wonder And Awe In Narnia: Comparing Two Related Emotions, Laura Steiner

Music ETDs

Wonder and awe are often considered to be synonyms. But though these emotions are similar, a more nuanced look at their musical representations reveals that they are not entirely the same. This thesis examines the difference between musical wonder and awe in music from The Lion, The Witch and the Wardrobe, a 2005 film about siblings who find a magical world in a wardrobe. After a review of the literature on musical wonder, the music from two scenes is analyzed. The wardrobe scene, in which the youngest child discovers the land of Narnia, depicts wonder visually. Certain musical characteristics, both …

Mindfulness, Flow And Self-Care For Double Bass Musicians, Samuel R. Brown

Music ETDs

In this qualitative multi-case study, three college-age music majors from the local state university were interviewed, observed, and asked to complete reflections in order to answer the following questions: How do mindfulness activities affect collegiate double bass music students’ perceptions of their own playing and practicing? My secondary questions were 1) how do mindfulness activities affect flow experiences among collegiate double bass music students, and 2) how do mindfulness activities affect students’ perception of self-care? The interviews were transcribed, coded using “concept coding” (Miler, Huberman, & Saldaña, 2020), and then grouped into categories, themes, and sub-themes. The themes were time, …

The Metamorphosis Of Marching Band: A Case Study Exploring The Evolution Of Marching Bands From A Specific State In The Southeastern United States, Addison Murphree

Music ETDs

ABSTRACT

How has the evolution of marching band in the Southeastern United states effected bands and their programs? This study investigates the many factors of marching band by gathering data in the form of interviews. The participants within this study are three band directors that are retired from high schools with a consistent record of superior ratings in marching band; the directors represent different levels of teaching from middle school, high school, and community college. After artifacts were compiled, the gathered information was transcribed, documented, and coded for common themes. The common themes explored the evolutionary factors of band between …

Sounding The Nile: River Politics, Environment And Nubian Musical Expression, Regan L. Homeyer

Music ETDs

ABSTRACT

In the mid 1960s, almost 100,000 Egyptian Nubians, people Indigenous to the Nile River Valley, were removed from their ancestral homeland due to the creation of the Aswan High Dam. In the years surrounding their displacement, Nubian musicians in Cairo and villages in new settlement areas gathered traditional Nubian songs and composed new songs to form a distinctive Nubian musical repertoire. This thesis addresses contemporary Nubian musical performance and the role of these reclaimed and newly-written songs in maintaining and revitalizing not only Nubian languages and culture, but especially senses of self in relation to place and, above all, …

Composition Portfolio, Levi Raleigh Brown

Music ETDs

The four pieces selected for this portfolio represent a variety of interests and pursuits over two years at UNM. Together they are unified through their attention to the universality of the daily human experience, particularly as it contrasts to human desire for control through constructed means such as art, although each approaches this relationship in a distinct way. Musically, these ideas are explored with a sense of spontaneity, drawing from a variety of musical styles, and experimenting with concepts of texture and form, with special attention to elements of live performance.

Included pieces are A Moment of Some Complexity, …

Freirean Pedagogy In Music Education, Tyler Slamkowski

Music ETDs

This is a qualitative, multiple case study rooted in grounded theory. It explores how music teachers might implement Paulo Freire’s theories in their classrooms, as well as best practices in Freirean music teaching. Paulo Freire was a Brazilian educational theorist who claimed that education, rooted in dialogue and co-creation of knowledge, could confront major structural injustices, such as inequality, exploitation, and violence.

The three participants in this study worked in the same large, Southwestern district. Participants were selected based on how their teaching fit with characteristics of Freirean Pedagogy. Three music educators, Robert, Eliza, and Jackie, the participants in this …

Npr's Tiny Desk Concert Series: Vocalities Of Outrage And Acts Of Gaiety, Aubrie M. Powell

Music ETDs

The Tiny Desk concert series features live video-recorded performances of artists at the desk of NPR Music’s Bob Boilen, the series’ main host. This thesis interrogates NPR Music’s values and the ways artists both manifest and queer those ideals in performance. I argue, in light of the 2016 election, performers challenge NPR Music’s taste system through two modes of subversion. The first mode considers vocalities of outrage specifically in the performances of Saul Williams and the Drive-By Truckers. These performers shift their social positions in expressions of outrage through vocality—as the embodied materiality of the voice and its constructed meanings …

A New Theory Of Musical Semiosis, Matthew Stanley

Music ETDs

Musical semiotics is the study of the various ways in which musical structures become meaningful. This thesis is an attempt to create a logical, systematized, transformational theory of musical semiotics that can elucidate the various ways in which music conveys meaning. While the semiotic exploration of music is by no means novel, this thesis presents a unique, highly rigorous, and truly theoretical approach to musical semiotics that differs significantly from previous theories. By combining all aspects of the semiotic theory of Charles Sanders Peirce with the metaphor theories of George Lakoff, Mark Johnson, and Zoltan Kovecses, a theoretical apparatus is …

Characteristics Of High Achieving High School Band Programs In Low Socioeconomic Settings, Steven W. Iliff

Music ETDs

The goal of this study is to determine several best practices for teaching high school band in low socioeconomic settings. University professors with over 25 years of experience teaching in the state were asked to recommend three high school band programs in different settings that exhibited the following characteristics: 1) a high level of musical skill and achievement, 2) an excellent teacher responsible for the program, and 3) a high number of program alumni continuing to play music after high school, and 4) eligible for federal Title 1 funds-at least 40% of the students qualify for free or reduced lunch. …

Selected Works Of Steven Matthew Gomez (Diaz) 2015-2018, Steven M. Gomez

Music ETDs

Abstract

The focus of my work as a composer during my Master’s program at the University of New Mexico from 2015 to 2018 has been multidisciplinary collaboration between artists and the exploration of timbre through the integration of improvisation and electroacoustic manipulation. Operating under the pseudonym of Steven Diaz, the musical scores contained within consist of five separate scores that exemplify this artistic pursuit. The four artists that I collaborated with over the span of three years ranged from instrumental performers to visual artists. The exploration of timbre through improvisation and electroacoustic integration stems from a desire to explore musical …

Indeterminacy As Social Practice In Contemporary Art Music, Lauren V. Coons

Music ETDs

This work examines the social practice element of contemporary indeterminate music. Through historical and critical research, and analysis of some contemporary indeterminate works, I provide a view of indeterminacy as a subversive experimental music practice that challenges both the forms of alienation present in Western art-music culture and the concepts and power structures that have contributed to them. I compare and contrast indeterminacy with other terms and concepts related to “open works,” specifically aleatory, chance, and improvisation. A discussion of various philosophical viewpoints regarding the concept of the musical “work” and the role of the composer reveal ways in which …

Mixing In Too Much Jewish: American Klezmorim In New York City From 1950-1970, Clara Byom

Music ETDs

In secular Jewish American music, the 1950s through 1970s are often viewed by scholars and musicians as a period of discontinuity. Building on Kirshenblatt-Gimblett’s (2002) call for a greater understanding of music from this time, I show that the work of second generation klezmorim, the children of immigrant klezmorim, maintained the traditional characteristics of their predecessors and foreshadowed the creative innovations of the klezmer revitalization beginning in the late 1970s. Drawing from recordings of select second generation klezmorim- Ray and Sammy Musiker, Sidney Beckerman, and Marty Levitt- and from interviews with Pete Sokolow, Dave Levitt, Margot Leverett, and other contemporary …

Selected Musical Works From 2013 - 2016, Christian M. Newman

Music ETDs

This manuscript is a collection of musical compositions written by Christian Newman while a graduate student at the University of New Mexico. Each musical work fulfills at least one composition portfolio requirement as stated in the 2012 – 2013 Music Theory/Composition Student Handbook: the basic requirements include a piece with large orchestration, a piece featuring the voice, a piece featuring electronics, and a collaborativepiece. Newman’s composition portfolio includes numerous works in addition to the requirements that illustrate the depth and consistency of his progress as a composer while a student in the program.

The pieces included in this collection are …

Weinen, Hagen [I.E. Klagen] Organ Transcription By Franz Liszt Arranged For Band, Richard Wayne Guidry

Music ETDs

Written for the piano in 1862, "Weiner Hagen" variations were transcribed in 1863 for organ by Franz Liszt. The transcription is really a large fantasia in the key of F minor that consists of groups of variations, all of which are based on two closely related themes. This arrangement for symphonic band was written for the intended use of any university or good high school level organization. There are many exposed solos and other sections and in various places, extreme ranges of instruments are realized. The arrangement imitates the sound achieved by a large church organ and this fact must …

An Analysis Of The Use Of Parody In Hervé'S Le Petit Faust, Sally J. Bissell

Music ETDs

The 19th-century genre of opera known as operetta has been commented upon since its appearance in the early 1830's, and most commentators credit the composer Hervé with the creation in 1848 of a particularly satirical, farcical type of operetta called opéra-bouffe. Hervé's contributions to the genre have not been fully explored, perhaps because Offenbach's contributions were so great. This paper analyzes Hervé's use of parody in Le petit Faust in order to add to the meagre coverage of his work.

Hervé creates a ''mock epic" in Le petit Faust based on the old Faust legend as retold by Goethe and …

The Manuel Areu Collection Of 19th Century Zarzuelas, Mary Caroline MontañO

Music ETDs

In November of 1952, a collection of musical and dramatic manuscripts were discovered on a garbage dump in the mountainside mining town of Jerome, Arizona. They were donated to the University of New Mexico and stored at Zimmerman Library until 1973 when they were transferred to the Fine Arts Library. The majority of the manuscripts were discovered to be handcopied orchestral parts and scores of 19th-century Spanish zarzuelas with handcopied or printed librettos. The original owner of the collection was Manuel Areu (1845-1944?), singer, director and producer of the zarzuelas.

This thesis attempts to provide an historical review of the …

Otello: Rossini - Verdi, Kathryn Eckart

Music ETDs

All art, whether visual, plastic, written, or aural, is experienced and criticized through a process of conscious and unconscious comparison. Trends, advances, and styles exist only in their difference from what has passed before. The study of artistic evolution is sometimes made easier when works with the same subject, such as paintings of the madonna, nude sculpture, architectural style of churches, of settings of the passion, by different artists and from different periods can be compared. The similarity of treatment of subject matter or the lack of it in contrasted artists or periods often provides a basis for the beginnings …

The Development Of A Method Book For Teaching Adults Beginning Piano, Carolyn Meier Flora

Music ETDs

There are few instruction books for teaching adults beginning piano. The scarcity of teaching material for adult students and the deficiencies of the available materials have led to this study. The purpose of this study was to develop a beginning piano instruction book for adults to include (1) a history of music; (2) the basic elements of music, i.e., melody, rhythm, harmony, and form; (3) basic chording; and (4) music from each of the principal periods of history. The objectives of the instruction book were to provide the student with enough musical experience to (1) be able to read music; …

A Social History Of Table Music From Ancient Egypt Through The Eighteenth Century, George Calvin Foreman

Music ETDs

The social practice of table music, i.e. music performed at banquets or meals, has not, apparently, been previously considered as a subject for organized research. The term is not even given an entry in many of the major musical dictionaries and encyclopedias; those which do include the term offer only surface and, in general, incomplete definitions. The present study, therefore, attempts to present a history of the social uses and types of table music from antiquity through the eighteenth century. The findings of the study are based on three sources of information: actual score examples of music composed for or …

Utilization Of Televised Music Instruction At The Fifth Grade Level In Albuquerque, New Mexico, Kathleen Mcvicker

Music ETDs

The Problem

It was the purpose of this study to investigate classroom procedures and practices in the utilization of televised music instruction at the fifth grade level as presented by KNME-TV, Channel 5 and the Albuquerque Public Schools, Albuquerque, New Mexico.

The primary goals or the investigation were to research the existing status of the televised music program and its utilization within the classroom and to examine significant relationships among the phenomena. The investigation sought to cover five primary areas of inquiry:

1. The extent of use of the televised music classes.

2. How the teleclasses are being utilized.

3. …

Impact Of A New Budgeting System On A Science Agency, Jeffery Thomas Kite-Powell

Music ETDs

This thesis presents transcriptions into modern notation of a group of organ Magnificats and organ hymns contained in an early seventeenth-century manuscript of liturgical keyboard music which belongs to the Library of the Cathedral Chapter, Visby, Sweden. The principal objective of this thesis is to present in modern notation, compositions of Hieronymous Praetorius, Jacobus Praetorius and Johann Bahr. Heretofore, these organ works have been accessible only in their original manuscript form, written in the obsolete ‘new German organ tablature.’ New German organ tablature was the type of notation used in Germany from the middle of the sixteenth-century through most of …

The Preclassical Symphony With An Analysis Of Representative Works By Georg Christoph Wagenseil, Michael Thomas Roeder

Music ETDs

The symphony evolved from the Italian opera overture called the sinfonia. The earliest concert-symphonies were written in the 1730’s and 1740’s and exhibit the same formal traits as the opera sinfonias written at the same time. Both consisted of three movements in contrasting tempi: fast-slow-fast. Occasionally a minuet was substituted for the last movement and aby 1765 or 1770 the minuet became the third movement of the then standard four-movement plan: fast-slow-minuet-fast.

Some movements, particularly the first in these symphonies demonstrate the growth of sonata form from the binary form common in Baroque dance movements. By the 1750’s and 1760’s …