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Full-Text Articles in Arts and Humanities
Concert Recording 2012-11-05, Mark Haney, Olga Zelevinskaja, Taylor A. Moore, Ashley Anne Watson, Jonathan Chavez, Allison Dean, Kristine Mezines
Concert Recording 2012-11-05, Mark Haney, Olga Zelevinskaja, Taylor A. Moore, Ashley Anne Watson, Jonathan Chavez, Allison Dean, Kristine Mezines
Concert Recordings
[Track 01]. Danse macabre / Camille Saint-Saens -- [Track 02]. Mazurka / Francis Poulenc -- [Track 03]. Now sleeps the crimson petal / Roger Quilter -- [Track 04]. O cessate di piagarmi / Alessandro Scarlatti -- [Track 05]. Widmung / Robert Schumann -- [Track 06]. Pique dame. Pauline's aria / Peter IIlyich Tchaikovsky -- [Track 07]. Don Giovanni. Deh vieni alla finestra / Wolfgang Amadeus Mozart -- [Track 08]. Manon. Epouse quelque brave fille / Jules Massenet -- Die tote Stadt. Tanzlied des pierrot / Erick Wolfgang Korngold -- [Track 09]. Die Forelle / Franz Schubert -- [Track 10]. Ici-bas …
Concert Recording 2012-10-10, Kristin Tenwolde, Robert Jordan, Kate Eakin, Kim Miller, Avril Claytor, Kathy Cooper, Mary Nan Jordan, Air Force Band Of Mid-America. Midwest Winds
Concert Recording 2012-10-10, Kristin Tenwolde, Robert Jordan, Kate Eakin, Kim Miller, Avril Claytor, Kathy Cooper, Mary Nan Jordan, Air Force Band Of Mid-America. Midwest Winds
Concert Recordings
[Track 01]. Concerto no. 2 after Vivaldi. Allegro / Johann Sebastian Bach ; arranged by Mordechai Rechtman -- [Track 02]. Concerto no. 2 after Vivaldi. Moderato / Johann Sebastian Bach ; arranged by Mordechai Rechtman -- [Track 03]. Concerto no. 2 after Vivaldi. Adagio / Johann Sebastian Bach ; arranged by Mordechai Rechtman -- [Track 04]. Divertimento. Allegro molto / Joseph Haydn ; arranged by Mordechai Rechtman -- [Track 05]. Divertimento. Menuetto I / Joseph Haydn ; arranged by Mordechai Rechtman -- [Track 06]. Divertimento. Adagio / Joseph Haydn ; arranged by Mordechai Rechtman -- [Track 07]. Divertimento. Menuetto II …
Concert Recording 2012-10-02, Ronald Radford
Concert Recording 2012-10-02, Ronald Radford
Concert Recordings
[Track 01]. Intro -- [Track 02]. Solares -- [Track 03]. Tarantas -- [Track 04]. Interlude -- [Track 05]. Rumba -- [Track 06]. Guajira -- [Track 07]. Tango.
An American In Paris: Musical Exoticism In The Solo Piano Works Of Louis Moreau Gottschalk, Jonathan Edward Verbeten
An American In Paris: Musical Exoticism In The Solo Piano Works Of Louis Moreau Gottschalk, Jonathan Edward Verbeten
Graduate Theses and Dissertations
Louis Moreau Gottschalk was a nineteenth-century American piano virtuoso and composer. In 1841, at the age of twelve, Gottschalk left his native New Orleans to pursue a formal musical education in Paris. During his sojourn, Gottschalk gained fame for his piano music, in which he claimed to portray creole culture, more specifically the songs, dances, and rituals of Louisiana slaves. Nineteenth-century music critics were all too eager to crown Gottschalk as the first great American composer. In the present era, his music is still a source of national pride. I propose that Gottschalk's music is not necessarily an accurate representation …
Pitch Perception In Changing Harmony, Cecilia Taher
Pitch Perception In Changing Harmony, Cecilia Taher
Graduate Theses and Dissertations
The role of harmony in the definition of tonality provides theoretical framework for the hypothesis that harmonic context affects pitch perception. In tonal music, the stability of individual notes depends on the harmonic setting. It seems then reasonable to expect harmonically guided variations in the cognitive representation of tones. With the purpose of enhancing current models of pitch perception, this thesis proposes an empirical investigation of the effects of harmony on pitch sensitivity. In two experiments, nonmusicians performed a same/different discrimination task on two pitches (a reference tone RT and a comparison tone CT) that were embedded in a melody …
Metrical Transition And Resolution In The Music Of Blindside, Patrick Sallings
Metrical Transition And Resolution In The Music Of Blindside, Patrick Sallings
Graduate Theses and Dissertations
Meter in rock cannot always be determined by the backbeat. I have adapted metrical analysis models developed by Harald Krebs and others to the music of the rock band Blindside to address the issue of identifying logical metrical schemes in a particular repertoire of rock music. Blindside's use of metrical dissonance necessitates expansion of the existing analytical models in that the meter in some of their songs is ambiguous at times, allowing for a period of transition from one metrical scheme to another. The ambiguity of the meter in songs such as "The Endings," combined with the message of the …