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- <p>Holocaust, Jewish (1939-1945) -- Songs and music.</p> (1)
- <p>Music -- United States -- 19th century.</p> <p>Art -- United States -- 19th century.</p> <p>Literature -- United States -- 19th century.</p> <p>Indians of North America -- 19th century.</p> (1)
- <p>Musicology.</p> <p>Poetry.</p> <p>Stanford, Charles Villiers,<strong> </strong>1852-1924.</p> <p>Whitman, Walt,<strong> </strong>1819-1892.</p> (1)
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- Guitar (1)
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Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
"Rossiniana", Wendell B. Dobbs Dma, Júlio Ribeiro Alves Dma
"Rossiniana", Wendell B. Dobbs Dma, Júlio Ribeiro Alves Dma
All Performances
No abstract provided.
20170628: Fine Arts, 1933-2011, College Of Arts And Media
20170628: Fine Arts, 1933-2011, College Of Arts And Media
Guides to University Archives
These items incl1933-2011. Items were received in 2017 and include notable materials from the Department of Music papers and programs, annual reports from faculty (a small select number), and program information. Please download the finding aid for a full list of contents.
Marshall University Music Department Presents An Eighth Annual Festival Of New Music, Steve Hall
Marshall University Music Department Presents An Eighth Annual Festival Of New Music, Steve Hall
All Performances
No abstract provided.
"United We'll Win Our Stand": The Role Of Focalization In Representing Solidarity In The Anthems Of Three Holocaust Concentration Camps, Hillary Louise Herold
"United We'll Win Our Stand": The Role Of Focalization In Representing Solidarity In The Anthems Of Three Holocaust Concentration Camps, Hillary Louise Herold
Theses, Dissertations and Capstones
Concentration camps during the Holocaust were populated by various groups of people imprisoned for reasons that were not always associated with religious beliefs. This diversity led to a natural segregation among these groups of prisoners, dependent upon the prisoner’s nationality, the camp’s classification, and its date of establishment. Because of overwhelming feelings of isolation in the majority of the prisoners, it was common to turn to music and music making as means of creating solidarity between the prisoners for survival of their day-to-day experiences. Some works became popular to such an extent through their performances by both prisoners and SS …
The "Noble Savage" In American Music And Literature, 1790-1855, Jacob Mathew Somers
The "Noble Savage" In American Music And Literature, 1790-1855, Jacob Mathew Somers
Theses, Dissertations and Capstones
In the aftermath of the War of 1812, America entered a period of unprecedented territorial expansion, economic growth, and political unity. During this time American intellectuals, writers, and musicians began to contemplate the possibility of a national high culture to match the country’s glorious social and political achievements. Newly founded periodicals urged American authors and artists to adopt national themes and materials to replace those imported from abroad, and for the first time Americans began producing their own literary, artistic, and musical works on a previously inconceivable scale. Though American writers and composers explored a wide range of “national themes,” …
Music Of The “Cult Of Whitman”: Charles Villiers Stanford's Elegiac Ode, Jacob Bird
Music Of The “Cult Of Whitman”: Charles Villiers Stanford's Elegiac Ode, Jacob Bird
Theses, Dissertations and Capstones
Between 1884 and 1914, English musical taste was completing a profound shift from the sentimentality of light drawing room ballads and popular songs toward more serious-minded works. Professionalized composers sought to express high moral and humanistic ideals— undoubtedly English—as opposed to continental values. One source for their works was the poetry of the American, Walt Whitman (1819-1892). Whitman had been one figure in the English-American cultural war which was waged since the early 19th century. Whitman was thought by most English as not a ‘proper poet’ because his works fall so far outside their tradition, thus making his poetry an …