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What Adorno Makes Possible For Music Analysis, Kofi Agawu

Publications and Research

Conceived as a commentary on four responses to Adorno’s 1928 essay, “Schubert,” by Esteban Buch, Jonathan Dunsby, Scott Burnham, and Beate Perrey, this article explores some of the implications of Adorno’s essay as they center on notions of hybridity, the interstitial and especially the provisional. It urges a critical strategy that is self-critical, that seeks to name without naming, and that draws on rigorous formal analysis without presenting its outcomes as ends but as means toward various narrative ends.

An Early Violin Sonata By Peter Cornelius: A Critical Edition And Study, Johannes P. Knijff

Dissertations, Theses, and Capstone Projects

The dissertation offers a critical edition of the Violin Sonata in E-flat Major (1844) by Peter Cornelius (1824–1874) based on the autograph manuscript (A-Wn Mus. Hs. 4752, fol. 31r–47r). An early work of a composer still in his student years, the sonata can nonetheless be considered one of the most ambitious instrumental compositions of Cornelius, who is well-known for his opera Der Barbier von Bagdad and his art songs. The sonata's four movements are: Allegro (340 mm.); Scherzo (B-flat major, 416 mm.); Fantasie (C minor, 35 mm.); and the finale (252 mm.).

In Chapter One, I describe Cornelius's family background …

Like Falling Off A Log: Rubato In Chopin's Prelude In Ab Major (Op. 28, No. 17), William Rothstein

Publications and Research

Rubato is widely regarded as a purely intuitive art. While it may be true that most performers rely solely on intuition for their rubato, a conscious approach may also be helpful. For the teacher of “analysis for performers,” a conscious approach is essential if rubato is to be discussed at all.

Rubato is a difficult subject to theorize. The late David Epstein made an admirable attempt in his book Shaping Time, using recordings by performers he admired to construct quantitative models. My approach here will be qualitative rather than quantitative, and introspective rather than empirical. Unlike Epstein, I will …

"You Better Work": Underground Dance Music In New York City By Kai Fikentscher, Eliot Bates

Publications and Research

You Better Work!: Underground Dance Music in New York City is arguably the first ethnography of electronic dance music culture; it is also one of the first ethnomusicologically-influenced monographs on mediated dance music. Kai Fikentscher deftly avoids the wealth of music industry genre tags (such as "deep house" or "two step garage") that plague many writings on electronic dance music, instead focusing on a specific dance community in New York City which began its social dance practice in the days of disco and continued the practice well into the 1990s. His study took place over the course of thirteen years, …

Review Of Analogías Musicales: Kandinsky Y Sus Contemporáneos, Antoni Pizà

Publications and Research

It is hard to believe that curators and scholars still find something to say about the relationship between music and art of the twentieth century. Still, in recent years there has been a relentless boom of exhibitions, scholarly studies, and books dedicated to this topic. This interest, to be sure, is due, in part, to the prestige that modernist art commands among wealthy collectors and institutions, but also to its immense popularity among the general public. Less popular in appeal, though equally revered among the happy few, is modernist music. When both manifestations – art and music – are brought …

The World Map Of Music: The Edison Phonograph And The Musical Cartography Of The Earth By Ulrich Wegner, Eliot Bates

Publications and Research

The Berlin Phonogram-Archive was founded in 1900 by Carl Stumpf and Otto Abraham with a collection of twenty wax cylinders of a Siamese theatre ensemble. Erich Moritz von Hornbostel became the head of the archive in 1905, and ever since, the archive—and its archivists—have held an important place in the histories f folklore, ethnomusicology, and recorded sound. Recognized in 1999 by UNESCO’s “Memory of the World” project, the archive now holds over 150,000 music recordings and recently released a comprehensive catalogue (Ziegler 2006) and the CD-ROM The World Map of Music: The Edison Phonograph and the Musical Cartography of the …

Negative Emotions And Music Revisited, Peter L. Manuel

Publications and Research

No abstract provided.