Arts and Humanities Commons^™

Musical Forces In Claude Vivier’S Wo Bist Du Licht! And Trois Airs Pour Un Opéra Imaginaire, Emilie L. Marshall

Electronic Thesis and Dissertation Repository

Claude Vivier’s (1947–1983) idiosyncratic and moving composition style often evades traditional, pitch-centred approaches to music-theoretical analysis; however, the somatic and sensual qualities of his style encourage a metaphorical appreciation of his music. This study analyses Wo bist du Licht! (1981) and the first two airs from Trois airs pour un opéra imaginaire (1982), which both feature his technique sinusoïdale, from the perspective of conceptual metaphor and musical forces. At the centre of this study are the dominant conceptual metaphors that linguist George Lakoff and philosopher Mark Johnson identify as being integral to our understanding of time, and which music …

Requiem, Wendell Glick

Electronic Thesis and Dissertation Repository

Requiem is a five-movement work for SATB chorus and chamber orchestra and is approximately 28 minutes in duration. The text is a compilation of traditional and adapted excerpts from the Roman Missal, combined with poetry by Tamar Zehr and Psalm 67 from the King James Version of the Bible. In this work, contemporary texts are intertwined with traditional ones to explore textual and musical narratives of doubt and faith, loss and gain, death and rebirth. This document contains the full score of the work, followed by three discussion chapters. The first chapter offers a glimpse into the background of the …

Namazu, Sean Kim

Electronic Thesis and Dissertation Repository

Namazu, for Orchestra is a three-movement composition for orchestra and women’s chorus inspired by various mythological accounts for the cause of earthquakes. The dissertation consists of two parts: the composition in full score and an analysis of the composition. The first movement is based on the Japanese myth and namesake for this piece, Namazu. The second and third movements refer to Greek and Norse myths, respectively. The discussion document introduces the synopses of these three myths. Additionally, the document not only outlines pre-compositional processes, including the development of a systematic approach to modifying modes and constructing harmonies, but also examines …

Girls, Rock Your Boys: Female Tribute Acts And The Reclamation Of Rock, Sandra J. Canosa

Electronic Thesis and Dissertation Repository

Female musicians who perform in tribute acts to male rock artists are an increasingly popular form of live musical entertainment, from Lez Zeppelin (Led Zeppelin) to Hervana (Nirvana). The purpose of this thesis is to explore the motivations for or rewards derived through tributing for women. Original interviews with artists and participant observation at performances are used for analysis alongside published interviews, videos, and website information. Discussions reveal how female tribute acts subvert the patriarchal dominance of rock music’s history by re-imagining canonical figures as women, as well as how archetypal signifiers of masculinity can be separated from male bodies …

Not In "Isolation": Joy Division And Cultural Collaborators In Popular Music, Briana E. Morley

Electronic Thesis and Dissertation Repository

There is a dark mythology surrounding the post-punk band Joy Division that tends to foreground the personal history of lead singer Ian Curtis. However, when evaluating the construction of Joy Division’s public image, the contributions of several other important figures must be addressed. This thesis shifts focus onto the peripheral figures who played key roles in the construction and perpetuation of Joy Division’s image. The roles of graphic designer Peter Saville, of television presenter and Factory Records founder Tony Wilson, and of photographers Kevin Cummins and Anton Corbijn will stand as examples in this discussion of cultural intermediaries and collaborators …

Bodies: Punk, Love And Marxism, Kathryn Grant

Electronic Thesis and Dissertation Repository

This thesis returns love to the purview of Marxism and punk, which had attempted to ban the interpersonal in respective critiques of abstractions. Love-as-sense—as it is figured by Marx— will be distinguished from the love-of-love-songs, and from commodity fetishism and alienation, which relate to this recuperated love qua perception or experience. As its musical output exhibited residue of free love’s failure, and cited sixties pop which characterized love as mutual ownership, American and British punk from 1976-80 will be analyzed for its interrogation of commodified love. An introductory chapter will define love as an aesthetic activity and organize theoretical and …

Ethos, William T. Nicolaou

Electronic Thesis and Dissertation Repository

Ethos – meaning the characteristic spirit of a culture, era, or community as manifested in its beliefs and aspirations – is a piece that explores Greek music from the 3^rd Millennium B.C.E. to the folk tunes and dances of the 16^th century C.E. Ethos incorporates multiphonics, quarter tones, ancient tonal systems and folk scales to show the differences and similarities between ancient and folk styles. The piece also features the traditional Greek drum ‘Daouli’ and mimics ancient instruments with those in a traditional orchestra. As the piece develops, ancient musical fragments can be heard thought the orchestra, chiefly …

On The Internet By Means Of Popular Music: The Cases Of Grimes And Childish Gambino, Kristopher R. K. Ohlendorf

Electronic Thesis and Dissertation Repository

What is the internet? It began as a military research experiment, but the internet has since become a sweeping cultural phenomenon. One of the most prevalent areas of the internet’s cultural dominance is in popular music, and this thesis addresses how the internet is being understood and discussed by popular music artists. I study the works of Grimes and Childish Gambino, two popular music artists who grew up alongside the internet’s rise to cultural dominance and explicitly address this experience as an integral component of their lives and works. I look specifically at discourse surrounding Grimes’ “post-internet” music and Childish …

"Whatever I Want:" Death Grips, Disobedience And The Music Industries, Grant M. Hawkins

Electronic Thesis and Dissertation Repository

The experimental hip-hop group Death Grips, formed in 2010, quickly rose to prominence and signed with the major label Epic Records in 2012. Their first Epic album, The Money Store, (2012) did well and the band appeared to be settling in to a profitable and productive relationship with the company. Yet in 2013 Death Grips released their second album, No Love Deep Web, online, for free, and without authorization from the label. Despite this breach of contract, Epic Records did not do the expected and seek to enforce their contract or sue for damages. Instead, Death Grips were …

Two Movements For Orchestra, Jeff Lupker

Electronic Thesis and Dissertation Repository

Two Movements for Orchestra, is a piece of music aimed at developing the use of the process of phasing. Used extensively as a device in minimalist music, this piece explores the process when applied to a wide variety of instruments using free chromaticism. When the process is applied to instruments of contrasting timbres, the results can include: increased resonance, echo-like effects and increased rhythmic complexities. As the piece unfolds, the avoidance of any strict pulse or beat found within the first movement is replaced by a desire for rhythmic clarity within the second movement. This dichotomy is essential to showing …

The Copyright Board And Tribunals Process: Users In The Balance, Louis J. D'Alton

Electronic Thesis and Dissertation Repository

The wholesale adoption of copyright collective management as public policy tool has had an extraordinary impact on the information landscape. The unfettered expansion of collective rights organizations throughout the 20^th century has resulted in increased social costs and a burgeoning bureaucracy surrounding the collective use of rights.

This thesis considers the role of copyright tribunals within that process, and more importantly within a critical historical frame. While some work has been done with respect to copyright tribunals and their role in the policy process, none of it has considered the tribunals within a critical frame. This thesis considers those …