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Full-Text Articles in Arts and Humanities
Tey (Aujourd’Hui) : L’Irruption Du Temps Dans L’Espace Filmique Schizophrène, Ute Fendler
Tey (Aujourd’Hui) : L’Irruption Du Temps Dans L’Espace Filmique Schizophrène, Ute Fendler
Présence Francophone: Revue internationale de langue et de littérature
This paper is a reflection on space in film and the experience of migration in the film Tey by Alain Gomis. Tey shows the temptations to overcome the painful cleavage between the schizophrenic perception of a space filled with feelings and memories on one side, and the structures of power and economic interests on the other one. The focalisation on space becomes evident in the reduction of time down to one single day and the waiting for death of the individual. In the process of negotiation between absence and presence, the film makes evident what neo-liberal politics mean to the …
Entre Expatriation Et Apatridie : Les Romans De Gaston-Paul Effa Et Henri Lopes, Yves Abel Feze
Entre Expatriation Et Apatridie : Les Romans De Gaston-Paul Effa Et Henri Lopes, Yves Abel Feze
Présence Francophone: Revue internationale de langue et de littérature
The stories of exile and return from exile of novelists Gaston-Paul Effa and Henri Lopes give themselves to read on how to register a double “desappartenance” and focuses in the heart of their narratives the figure of a now be stateless, alien to itself and to the Other. We propose, therefore, to study the reconstruction of identity as it is the result of emigration and return on the homeland. This leads thus to the conclusion that the stateless defies the nation in order to situate itself and his stories in a transnational space.
Mères Migrantes Et Fi Lles De La République : Identité Et Féminité Dans Le Roman De Banlieue, Mame-Fatou Niang
Mères Migrantes Et Fi Lles De La République : Identité Et Féminité Dans Le Roman De Banlieue, Mame-Fatou Niang
Présence Francophone: Revue internationale de langue et de littérature
This article examines the writings of female authors from the French suburbs, whose novels feature female protagonists born in immigrant families and engaged in a quest to redefine self. The novels explore the generational differences between these characters and the impact of the quest for self on mother-daughter relations. Their analysis brings light to the authors’ attempt at conjuring the stereotypes generally attached to the banlieue and to immigrant women. I argue that through the evocation of non-hegemonic visions, these novels present the banlieues as dynamic spaces allowing for a new discursive practice of identity and citizenship.