Arts and Humanities Commons^™

“Englishing” Horace: The Influence Of The Horatian Tradition On Old And Middle English Poetry, Justin A. Hastings

Dissertations

This dissertation explores the ways in which Old and Middle English poets made use of the poetic corpus of the Roman Augustan Age poet Horace (Quintus Flaccus Horatius) and the medieval commentary tradition that accrued around it. It considers especially the Late Antique commentaries of Porphyry and PseudoAcro as well as the scholia transmitted in Bern MS Bernensis 363 and Paris, BnF MS Latin 17897. The Old English elegies in the Exeter Book (Exeter Cathedral MS 3501) are the subject of the second chapter. Subsequent chapters focus on William Langland’s Piers Plowman, John Gower’s Confessio Amantis, and Geoofrey Chaucer’s Canterbury …

Re-Examining The Female Voice In Chaucer's Italian-Sourced Works: A Study In Paleography, Textual Transmission, And Masculinity, Stacee Bucciarelli

Dissertations

Research on women in medieval literature is abundant but often focused on broad questions of narrative and character development. Among the areas seldom examined is what I will term "female voice," a term that encompasses the thoughts and speech of women in literature. This project analyzes the representation of female voice in Chaucer's work, and it explores alterations to female voices within the largely male worlds (both actual and literary) in which they were created.

This study broadens the analysis from the restrictive and traditional realm of women's studies and contextualize these alterations on a grander scale of textual and …

Diplomatic Solutions: Land Use In Anglo-Saxon Worcestershire, Kevin Anthony Caliendo

Dissertations

My dissertation is a study of the charters of the Worcester diocese from its foundation in approximately 680 to the tenth century. Bishops of Worcester, men is control of one of the wealthiest sees in Anglo-Saxon England, used charters to acquire land, obtain rights and privileges for their existing estates, and manage trade within limits imposed by the king. Rights associated with bookland, land held by charter, gave bishops and their agents the ability to direct settlement and field systems in order to maximize estate productivity and encourage trade through a system of urban and rural marketing of timber, salt, …

Luxury Romanticism: The Quarto Book In The Romantic Period, Matthew Hale Clarke

Dissertations

This dissertation explores the cultural presence of the quarto book in Romantic-era Britain and argues that the format classed the period's defining literary ideologies--from sentimentalism, to liberalism, to Wordsworthian Romanticism, to orientalism--as luxuries meant exclusively for the nation's wealthiest consumers. Chapter 1 situates the quarto within the context of the period's luxury debates and advances a conception of the quarto as the era's predominant luxury format. Focusing on Oliver Goldsmith's The Deserted Village, Chapter 2 argues that early quarto editions of the poem classed the sympathetic feeling it celebrated as the unique privilege of a readerly elite and describes how …

Pirates Of Romanticism: Intellectual Property Ideology And The Birth Of British Romanticism, Jason Isaac Kolkey

Dissertations

This dissertation traces the role of unauthorized publication in the posthumous construction of British Romanticism as a literary movement. It argues that Romantic ideology emerged from conflicting claims about the nature of intellectual property and the circulation of political and artistic ideas, apparent in the texts and paratexts of pirated books. I examine how these disputes play out in reprints of the works by Percy Bysshe Shelley and Robert Southey that became cornerstones of radical culture. The dissertation goes on to discuss how the underground economy of literary piracy affected Sir Walter Scott and Lord Byron's publication strategies, the significance …

The Things That Remain: People, Objects, And Anxiety In Thirties British Fiction, Emily O'Keefe

Dissertations

This dissertation analyzes the appeal of things in thirties British literature. I argue that in a time in which a catastrophic and world-changing war seemed to be on the way, many writers saw seemingly unshakable material things as a source of comfort. Drawing on thing theory, I explore thirties writers' recognition of the duality of things, their alienness to human society even as people invest great significance in them. Therefore, I show that despite this frequent appeal to the material world as a place of stability and comfort, many of these writers also recognized conflicting aspects of things, knowing (and …

Uncommon Sense In Renaissance English Literature, Eric Byville

Dissertations

My project explores the distinctive union of Senecan tragedy and Elizabethan satire in Renaissance English drama, particularly the works of John Marston and William Shakespeare. Unlike Ben Jonson, who incorporated both Senecan tragedy and Elizabethan satire in his drama but did so in different plays (Catiline, Every Man Out), Marston and Shakespeare combined the two traditions in one and the same play, such as the former's Antonio's Revenge (1600) and The Malcontent (c. 1603) and the latter's Troilus and Cressida (1601) and Timon of Athens (c. 1606). They recognized and exploited a deep compatibility between the two traditions, a compatibility …

Your Change Is Still Behind: Futurity In Early Modern Literature, Tripthi Pillai

Dissertations

A study of Renaissance literature's engagement with temporality, my project is a critical evaluation of the concept of early modern futurity, of which I propose three categories: "Material futurity"; "Biological futurity"; and "Political futurity." In the moments that I identify in texts composed during the Tudor and early Stuart reigns in England, I demonstrate that the future--as an idea--structures individuals' actions and ruptures social formations. Futurity, which I define as a play of multiple desires that exist simultaneously within our present beings, is a volatile agent of imagination in early modern literature. Futurity collides with the cultural sites of memory …