Arts and Humanities Commons^™

Bi Erasure And Bi Invisibility In Media And Medicine: Moving Beyond, Lacy M. Telles

Dissertations, Theses, and Capstone Projects

This project examines the bisexual erasure and invisibility that is found in film, television, literature, and in the field of reproduction. Even though bisexual people make up a large portion of the LGBTQ community, because of bi invisibility, they tend to get lost in the cause. This website offers information about bi invisibility, highlights obstacles faced by bisexuals, provides resources for bisexuals, and includes some fun topics for bisexual people. It also has a page of bisexual testimonies: real bi people with real bi stories. There is evidence of erasure and invisibility, especially in children’s books and the field of …

Raised On Tv: A Queer Teen's Guide To Syndicated Sexualities, Francesca Petronio

Dissertations, Theses, and Capstone Projects

This thesis explores the contemporary landscape of LGBTQ adolescent television programming over the past decade. Applying a three-pronged approach to media content analysis—emphasizing a textual reading of the series, the networks’ political economy of production, and audience reception among scholars, culture critics and fans—the author provides both surface and symptomatic readings of Freeform’s Pretty Little Liars (2010-2017), MTV’s Faking It (2014-2016), and ABC’s The Real O’Neals (2016-2017). Thematically and chronologically, this period of programming spans the end of what has been called the gay-positive era, characterized by the politics of anti-bullying campaigns, and the emerging post-gay genre, born after the …

Not My Queer: Queer Representation In Contemporary Italian Serial Television, Julia Heim

Dissertations, Theses, and Capstone Projects

Contemporary Italian television, like many national televisions, has entered a period in which the relationships the producers and consumers of televisual content are increasingly indistinguishable. In this age of media convergence the new participants of this medium work across platforms to actively engage, consume, create, and recreate both televisual content and our understanding of the medium. These new relationships require a new understanding of the semiotic and discursive changes taking place in television so that we may reconceptualize the contemporary interplay between media and society.

This dissertation maps out a new understanding of the televisual economy through an elaboration of …