Arts and Humanities Commons^™

The Black Arts And Black Power Movements In The Artwork Of John T. Riddle, Jr., Isabella Vitti

Theses and Dissertations

This thesis examines the under-studied work of the Black sculptor John T. Riddle, Jr. and how he was influenced by the politics of Los Angeles in the 1960s and 1970s. Police brutality, the Vietnam War, the Black Power Movement, and the Watts uprising had a major impact on Riddle’s work.

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

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"How Is Photography?": Robert Heinecken's Photographic Concept At The University Of California, Los Angeles, 1960–1991, Noa Wesley

Theses and Dissertations

This thesis examines the photography program Robert Heinecken established at UCLA, highlighting his interest in teaching photography as an idea rather than a technologically inflected medium. This pedagogical model provides a lens through which I trace the work of three of his students: Maria Nordman, John Divola, and Uta Barth.

Out In Thin Air, Daiqing Zhang

Masters Theses

My work often takes form in experience-charged installations underscored by phenomenology. The whys and hows behind the work mostly remain unspoken, since I would rather my work speak for itself. This writing project offered me the opportunity to comb through and tell the stories and thoughts that informed the work.

I have built a collection of documentation about the experience of having a sensitivity to moments of wonder in everyday life. These archives recorded sensuous imprints in life composed of mundane phenomena. In the collection there are images/footage of a glimpse of light leaking through cloud crevices; a brush of …

The Great Unlearning, Catherine Mccrory Pears

Electronic Theses and Dissertations

The Great Unlearning is a conceptual exploration: sifting through experiences and objects to overcome psychological pain, expectations of society, individual upbringing, and outside influences in an ongoing quest for authenticity. To both embrace personal history and honor loved ones while letting go of lingering negativity is challenging. Using objects culled from my life, examining the past, and incorporating items gathered along my path through nature, the work seeks personal healing while promoting the power of all people to break from indoctrination, group think, and mob mentality to make better choices to live a satisfying and peaceful existence…hopefully in a democratic …

For Everyone's Eyes Only: Digital Art As Public Art (Agency, Accessibility, And Aura), Linda Dai

Pomona Senior Theses

Should digital art qualify as public art? This thesis aims to explore the significance of this question in a contemporary context by cross-examining the two genres in terms of creative agency, accessibility, and aura. Through various interviews and case studies with global artists, I examine similarities and differences in materiality and engagement in public and digital art and the implications of my findings under broader, theoretical frameworks. I further seek to understand how the relationship between technology, art, and society has shifted over time. Ultimately, I argue that the fluidity of digital art allows to exist in public and private …

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

Echoed Sites And The Unknowable Object, Joseph Canizales

MFA in Visual Art

This thesis will discuss the expanded field of sculpture, simulacra, digital technology, and two terms I’ve devised: the unknowable object, and echoed sites. Within these two terms, I’m concerned with the complicated relationship between humans and geology and how we extract material from the ground without reflecting on the geologic history of the site. In echoed sites I create sculptures with and without a geologic site or object, by way of digital technology. These forms display two states paradoxically in balance, where what’s presented leaves more questions than answers. Thus, as part of echoed sites, exists the unknowable object. …

A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera

Theses and Dissertations

This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.

Les Six Continents: An Exploration Of Political Visual Rhetoric In Public Sculpture, Olivia Liu Guillotin

Senior Projects Spring 2022

Les six continents series stands as remnants of the 1878 Exposition Universelle and as a visual marker of the cultural, social, and economic culture of the time period. The series, serving as public art, continues to inform and participate in its environment and space, as it is on display by the entrance of the Musée d’Orsay today. Personified representations of Europe, Asia, Africa, North America, South America, and Oceania as allegorical female figures, the series offers insight into the colonial world where it emerged, and how its impact has visually been ingrained in contemporary society. By using these six statues …

2+2=Cake: A Book Of Conversations About Possibilities In Business And Art, Elizabeth Ann Alspach

Graduate Theses and Dissertations

2+2=CAKE is a toolkit for people interested in creating their own economic container to support their livelihood. Calling upon the entrepreneurial experience of artists and creatives who founded or run organizations, the book and accompanying workbook and motivational posters serve as an incubator, buoy, and affirming resource for those looking to build the economic container in which they make their livelihood.

Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry

Theses and Dissertations

Situating Topher Lineberry's work, this paper offers a primer on institutional critique, preliminary developments of "kinstitutional critique," and the cultivation of family-derived art history through the work of the artist's grandmother, Helen Lineberry. Feeding into a working understanding of family-and-kin-as-institution, the paper ultimately locates Topher Lineberry's work between relations to place, historical archives, and speculative proposals.

In-Between Spaces, Trinity Kai

Graduate Theses and Dissertations

In-between Spaces is a paper based in personal narrative that uses Critical Race Theory and art to analyze the history of photography and systems of discrimination facilitated by hegemonic culture. Body is at the center as a symbol of the physical and psychological impacts systemic inequalities have on people that are classified as other and how one can be absent and present in institutional and public spaces.

Gut Feeling, Shelby Fleming

Graduate Theses and Dissertations

Through curated space and abstracted sculptures that reference the viewer’s body, Gut Feeling, acknowledges the viewer’s experience as the focal point of the exhibition. I designed the whole gallery as an art object using both positive and negative space. The sculptures act as one unified system that guides the viewer through the exhibition in a counterclockwise rotation inward. The viewer follows the forms as they puncture through the walls of the gallery, while considering their own body’s relationship to the forms being seen. The viewer directly engages with the scale of the forms, sculptural placement, and sensory experience; these elements …

Do You Wanna Go Dancing?, Anthony Kascak

Graduate Theses and Dissertations

The transdisciplinary art work within Do you wanna go dancing? unpacks the experience and perception of my interpersonal relationships, as well as the role that touch and introspection has in my visual arts practice and everyday life. I am interested in pairing the act of looking with the sensation of touching through specific installation and arrangement of intimate imagery, ceramic fragments and frames, and manual or digitally fabricated surfaces. The negotiation of these installations orient the viewer to consider their positionality within space, as well as the extent in which distance, intimacy, and vulnerability fluctuate inside these psychological spaces.

The …

Afterlife Of A Renaissance Sculpture: Reception History Of Michelangelo's Pietà, Yanhan He

Senior Projects Spring 2020

This project explores three significant moments in the history of reception of Michelangelo's Pietà, demonstrating changes of the Pietà's meaning according to that of its location, the era, and groups of spectators. The project first introduce reception of the Pietà around the time of its creation, focusing on the polemic opinions of Renaissance artists who have seen the sculpture in person. It then analyzes reception of the sculpture during the age of Grand Tour, when the audience group of British aristocrats shows notably limited interest in the sculpture. Finally, it talks about reception of the Pietà during the …

Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg

Theses and Dissertations

Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.

Sculpting In Marble And Fresco: Michelangelo's Julius Ii Tomb As Template For The Sistine Chapel Ceiling, Jillian Gates

Senior Theses and Projects

As a seminal artistic figure of the early Renaissance period, Michelangelo produced works of art that defined the canon of art. Through his early sculpted and painted works, the ambitions Michelangelo had for himself as an artist were evident. Not only were the works he created masterful for such a young age, but they also pushed the boundaries of existing artistic and stylistic techniques. Michelangelo used his sensibility towards the creation of sculpture, specifically the Julius II Tomb, to create figures and architectural elements in the Sistine Chapel Ceiling that reflected his vision of marble. He applied his approach in …

Everything We Touch Is Touching Us, Molly Markow

Theses and Dissertations

EVERYTHING WE TOUCH IS TOUCHING US

MOLLY MARKOW

22 Pages

Images shape both personal and collective experiences of place in the Anthropocene. I am interested in the relationship of landscape and representation to purity politics, longing, and escape. I am critical of the role of idealized depictions of “nature” and question how images shape our notions of paradise, desire, and fantasy. Who benefits from notions of paradise, and who doesn’t? I ask these questions while searching for a way to embrace impurity and the beauty in contamination. How might we come to an understanding of the post-pure that leaves room …

Constraint And Control, Patricia Ayres

Theses and Dissertations

I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.

How Is Global Postmodernism Globalized? Lee Seung-Taek’S Conceptual Art As The Methodology Of Survival For The Unrepresentable, Mi Hyun Oh

Theses and Dissertations

This thesis takes a comprehensive look at the integrated social context of South Korean artist Lee Seung-taek’s (b.1932) biography. I look at the ways in which Lee’s life experiences and practices capture the essential and critical influence of postwar South Korea’s strong anticommunist stance and his precarious status as a North Korean refugee in South Korea on the formation and development of his conceptual sculpture and performance work.

Skim, Joy Wong

Electronic Thesis and Dissertation Repository

This thesis dossier provides the theoretical structure to my art production, and is presented alongside my thesis exhibition skim at McIntosh Gallery. This document is comprised of three parts: a comprehensive artist statement outlining the methodology and theory to my work, a case study of painter Cecily Brown, and photographic documentation of my studio practice. These components illustrate the research and material engagement about skin, corporeality, the abject, the grotesque, the formless, and purity.

Layered Histories, Interpretive Desires, Rachelle Dang

Theses and Dissertations

I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.

Profanation, Tsahi Zac H. Hacmon

Theses and Dissertations

This paper attempts to provoke an Israeli American dialogue that comes through profanity of conventional architecture. I am creating this dialogue by displaying two main subjects in proximity to each other: border architecture from Israel and institutional architecture or non-places in New York.

Laminated Paint, Travis R. Austin

Theses and Dissertations

Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.

Object Language/On Defining Sculpture, Thaddeus Barak Moore Celia-Zoellner

UNLV Theses, Dissertations, Professional Papers, and Capstones

Object Language

In the current era we in the Western, developed world, have almost universal free and uninhibited access to almost every piece of information in existence. Increasingly, regardless of the source, material presented to us as fact has become increasingly suspect. Together, these two things mean this endless stream of data is useless. The question is how to combat this decline, how to reverse the process of a meaningless, constant data-dump. The answer lies in the language used to communicate information. Language is the means by which we communicate complex ideas and knowledge from person to person. Language is …

Beginner's Mind, Martin L. Benson

University of New Orleans Theses and Dissertations

My art distills my relationship to spirituality, digital culture, and the practices and side-effects therein, into a simplified visual language. The work manifests in the form of paintings, drawings, and light sculptures. Meditation and mindfulness training are a large part of my influence and interests. I often wonder how mindfulness practice can be mirrored in my artwork, not only in my process for creating the work, but also with what the resulting imagery does for the viewer. My intention is to provide an art form that invites one to look and experience one’s own capacity to observe, without the need …

Michelangelo Moving Time, James Philip Anno

Arts & Sciences Electronic Theses and Dissertations

Michelangelo's painting and sculpture have long been lauded for their clarity of form and force of expression. But his approach to figural narrative is far more elusive. Space and its representation in Renaissance art have enjoyed considerable attention; however, the corresponding problem of movement and its relationship to time remains understudied. A feature particular to Michelangelo's work is his compression of multiple narrative moments into one work of art. By asserting that the movement of Michelangelo's figures is an agent of temporal duration, this project investigates the interrelationship of time and movement in Michelangelo's art. Drawing upon the philosophy of …

Dinner, Daniel Reuben Baskin

Graduate Theses and Dissertations

Dinner is an interactive exhibition which presents appropriated works of art collected and hung in a clustered salon style, as well as a fully realized recreation based on a 16th century Dutch banquet still-life, which presents guests with meats, cheeses, fruits, vegetables, breads, and wine to share and imbibe. Dining ware is provided for guests at the entrance to the exhibit, as are suggested topics of conversation, which are presented on slips of paper for guests to carry with them throughout their time in the space. Within the collection of wall-mounted works are references to ancient Greek and Roman marble …

Transversal Approaches And Ecological Artwork., Madison Deanna Sevilla

Electronic Theses and Dissertations

This work explores systematic ecology as it relates to sculpture and language. This project exists in two parts: a written thesis and a thesis exhibition. Although both works explore ecological systems, Unseen: Visualizing Ecological Systems investigates visualizations and concepts of the ecological, whereas this thesis continues the exploration into the ramifications of disruptions in systems. Ecological systems such as the environmental, social/mental, economic, and political define the foundations of our known world and encapsulate all regions of society. No single system can function independently of the rest and all systems contain some aspect of human-system involvement. By using the work …