Arts and Humanities Commons^™

Realisms And The Body After War: Document, Truth, And Critique In Postrevolutionary Mexico And Weimar Germany, Eliana Blechman

Theses and Dissertations

This thesis examines realisms and representations of the body in postrevolutionary Mexico, using the critical framework surrounding Neue Sachlichkeit and post-World War I Weimar society as a comparative model. Through imagery of soldiers, women, and class disparity, artists utilized realisms to relay record, suggest truth, and create criticism.

Transgressing Time: Life And Death In The Portraiture Of Paula Modersohn-Becker, Elizabeth Ezekiel

Honors Program Theses and Projects

Paula Modersohn-Becker, 1876-1907, had a short, intense life – one in which death remained close by. This closeness is due to a high number of tragedies her family incurred, as well as her (correct) belief that she would die young. This apprehension for death, among other reasons that will be explored in this thesis, led her to be inspired by the Fayum mummy portraits, an ancient funerary art form dating back to 30-40 CE in the Greco-Roman period of Egyptian history. Aside from the exhibition entitled Paula Modersohn-Becker und die ägyptischen Mumienportraitsat the Museen Böttcherstraßethere there remains no scholarship directly …

Germania: The Nazi Party And The Third Reich Through The Lens Of Classical Architecture, Maggie L. Smith

Honors Theses

This thesis examines the influence of classical architectural styles and principles on architectural projects in Germany during the Third Reich. My research focuses on major projects completed by the state and does not delve into private buildings or other structures. All of the data was gathered from scholarly publications of repute and photographs to determine how Adolf Hitler’s regime utilized Greek and Roman stylistic elements in an attempt to revive the power and culture of Germany during a time of strife, as well as how Nazi architecture reflected Hitler’s personal ambition as dictator. Additionally, the thesis doubles as an expansion …

Die Ästhetik Des Dritten Reiches, Aidan Turek

Senior Theses and Projects

The specter of fascism haunts democracies the world over, leading to valuable new research into the criminal fascistic regimes of the past, most notably Germany’s experience with Nazism. However, scholarship regarding the Third Reich often tends towards institutional and biographical portraits, leaving underexamined the deep connection between Nazism and the arts. Architecture was at the heart of the Third Reich’s cultural Weltanschauung and serves not only to inform us of the social mores affecting and informing leaders of the time, but also as a masterful depiction of how space can be manipulated towards ideological ends. By working through the built …

Germany/ England: Inside/Outside, David Cast

History of Art Faculty Research and Scholarship

No abstract provided.

Adolf Wissel: Compliant Dissidence, A Nonbinary Reading Of Work Executed From 1933 – 1941, Jeremy Lyn Schrupp

Theses and Dissertations

Despite the vast amount of scholarship devoted to the Nazi era, there is very little dedicated to the analysis of its works of art. This paper aims to rectify that, by analyzing the work of Adolf Wissel. Aside from its didactic use amongst academia, there is only one academic analysis of his work. The intent of the present analysis is to build from that foundation and provide an additional layer of contextualization to an era that is relatively unexplored within our field. This analysis will establish that Adolf Wissel maintained specific subject, compositional, and stylistic choices that subtly opposed NSDAP …

The Importance Of Frankfurt Printing Before 1550. Sebald Beham Moves From Nuremberg To Frankfurt, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Five hundred years ago, Sebald Beham had reasons enough to leave Nuremberg and more than enough reasons to move to Frankfurt. That town's attraction as a printing center became one of the factors that resulted in Beham's settling permanently in the city on the Main in 1531, leaving behind his home town of Nuremberg, best known as the artistic center of the Renaissance master Albrecht Durer. Despite the high regard the Franconian town and Durer received, the authorities there did not treat other painters in Durer's circle particularlywell. The dubbing of Beham as 'godless painter' in 1525 constituted one of …

Sebald Beham And The Augsburg Printer Niclas Vom Sand: New Documents On Printing And Frankfurt Before 1550, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

This essay makes known two unpublished documents from the last years of the life of Sebald Beham (1500 Nuremberg–1550 Frankfurt) and uses them as a means to explore Beham’s relationship to printing, the town of Frankfurt, and the Augsburg printer Niclas vom Sand, who remains an unwritten part of the history of the period. The essay is organized as an autobiographical retrospective by an older man forced in prior decades to move from Nuremberg and seek employment and a new life elsewhere. The end of the essay evaluates the documents and aspects of them.

Freed From Fascism: Berlin's Gallery Culture In The Aftermath Of World War Ii, Brooke Fessler

Student Scholar Symposium Abstracts and Posters

In post-World War II Germany, the city of Berlin was left in ruin after six years of war. A nation ripped apart both physically and at its governmental core was finally freed from Nazi fascism in 1945, and the German people were finally able to reconstruct their culture. Born out of years of strict regulation of the German art world, a new type of art was put on display. Focusing specifically on gallery culture in Berlin in the post-war years, one can see how twelve years of classically influenced Nazi art gave way to a push towards the avant-garde. The …

Restoring The Gothic: The Fate Of Medieval Cathedrals In A Divided Germany, 1945 - Present, Haley Walton

Architecture Undergraduate Honors Theses

At the end of World War II, Germany faced some of the greatest levels of destruction of any country in Europe, leaving their historic cities and iconic architecture in ruin. Across the country, some monuments were restored with the upmost attention to detail, while others were maintained in a state of rubble for decades. Following the 1949 division of the state into West Germany (a democratic republic) and East Germany (a socialist autocracy), most of the rebuilding took place against the backdrop of strong ideological differences. But the two new nations shared a centuries-long history, and, after rehabilitating basic infrastructure …

Joseph Beuys And Social Sculpture In The United States, Cara M. Jordan

Dissertations, Theses, and Capstone Projects

Alongside the rise of the activist movements in the late 1960s, the German artist Joseph Beuys (1921–1986) proposed his concept of “social sculpture” — a method of fostering creativity, aimed at transforming society through interdisciplinary dialogue — as an alternative to the chaotic political, economic, and social life of postwar West Germany. He sought to heal society through a work of art with holistic and spiritual intentions, centered on the belief that art can include the entire process of living and therefore can be created by a wide range of people beyond artists. Although his ideas are understood and even …

Central Sacrifice And The Sacrificial Other: A Thematic Comparison Of Anti-Judaic And Anti-Semitic Artwork Emerging In Germany, Madison Elizabeth Tarleton

Electronic Theses and Dissertations

This study finds solace in image(s) more so than in written text(s) and the religious understanding of anti-Judaic and anti-Semitic distinction, rather than a historian's perspective. By utilizing both a religious and artistic lens, the images become the text from which the scholar(s) will study. Focusing exclusively on German image(s) and artwork, this study will span up to eight centuries, twelfth to nineteenth. A contemporary look at Medieval and later images will not explain the thoughts of those who originally saw them, but the images will raise their own set of emotions, understanding, and historical lineage, giving credence and validity …

Memorializing Absence: The Ambiguous Place Of Holocaust Legacy In The Memorials, Countermemorials, And Museums Of Berlin, Avery Matthew Mencher

Senior Projects Spring 2017

Senior Project submitted to The Division of Social Studies of Bard College.

Gerhard Richter: Recovery And Memory In Postwar Germany, Devin N. Garnick

Student Publications

Gerhard Richter explored themes of memory and national identity in a society with a controversial past and a difficult recovery. He broke the silence that permeated the country and created a dialogue about remembering, memorializing, and politics.

After World War II, Germany had difficulty facing the atrocities of the war and ignored the flaws in the country’s recovery. Richter witnessed first hand the social and political struggles of the country as a citizen of Nazi Germany and the German Democratic Republic, societies that required strict conformity to their ideologies. Upon his escape to West Germany, where he was exposed to …

The Artist's Lament In 1528. Exile, Printing, And The Reformation, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

The plight of painters and other artists was not an easy one when the Reformation made inroads into German-speaking lands. Commissions for Catholic subjects and altarpieces dried up as a result of Lutheran influence. Two laments dating from the early Reformation period address the artist's situation. Both are brief, date from 1526 and 1528, and appear in different contexts - one in a letter of introduction and the other in a printed pamphlet. The first concerns the painter Hans Holbein the Younger (1497/98- 1543) whose portraits painted for King Henry VIII and his court indicate that the pictorial genre of …

Man’S Best Friend? Dogs And Pigs In Early Modern Germany, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

When Jacob Seisenegger and Titian painted individual portraits of Emperor Charles V around 1532, a dog replaced such traditional accouterments of imperial power as crown, scepter, and orb.3 Charles placed one hand on the dog’s collar, a gesture indicating his companion’s noble qualities including faithfulness.4 At the same time, another more down-to-earth meaning for the dog had become prominent in the decades before the imperial portraits: the interest in and ability to eat anything in sight. This pig-like ability resulted in dogs, alongside pigs, becoming emblems of indiscriminate and gluttonous eating and drinking during the early sixteenth century when humanists, …

Rebuilding The Middle Ages After The Second World War: The Cultural Politics Of Reconstruction In Rothenburg Ob Der Tauber, Germany, Joshua Hagen

Joshua Hagen

Rothenburg ob der Tauber is one of Germany's most popular tourist destinations attracting over two and a half million visitors annually. Yet, many visitors do not realize that nearly half of Rothenburg's medieval architectural heritage was destroyed in 1945. Its reconstruction was characterized by complex negotiations and compromises as Rothenburgers attempted to balance contemporary preservation philosophies with the town's image as a national symbol and economic interests in a revived tourist trade. These diverse factors were generally complementary and resulted in a remarkably consistent and consensual effort, but the project was not without controversies and contradictions. This article examines the …

Historic Preservation In Nazi Germany : Place, Memory, And Nationalism, Joshua Hagen

Joshua Hagen

While numerous studies have examined the post-war contestation surrounding commemorative sites associated with the legacy of Nazi Germany, relatively little attention has been dedicated to the ways in which the Nazi regime itself sought to create places of memory congruent with the movement's political and cultural goals. Indeed, party leaders sponsored a variety of disparate, and at times contradictory, programs to re-orientate some of Germany's most prominent historic places to better serve the needs of the regime. To expand our understanding of this process, this article examines the practice and rhetoric of historic preservation in Bavaria during the Nazi period …

From The Attic To The Cosmos: Myth In The Art Of Anselm Kiefer 1973-2007, Isabel L. Roth

Scripps Senior Theses

Anselm Kiefer was born in Germany, 1945—the year of Adolf Hitler’s suicide, and subsequently, the end of World War II. His own beginnings were shrouded by a national “repression” of history. This repression was at odds with Kiefer’s needs to establish his own origin. For this reason, the spirituality in his earlier work is often overshadowed by its subject—Nazi Germany. This thesis will look back on Kiefer’s work through the lens of mythology in an effort to re-evaluate his earlier art within the context of his works since 1990. From the 1970s to the present, Kiefer has drawn from mythology …

Mauerkunst, Lebenskunst: An Anlysis Of The Art On The Berlin Wall, Magdalene A. Brooke

Scripps Senior Theses

The art on the Berlin Wall has been looked at often for its social and political meaning. Instead, I intend to look at the artwork and text which appeared on the Berlin Wall as art. In this paper I will discuss the formal aspects of the art on the Berlin Wall as well as its import as an example of public art and as a forum created through visual representation.

Expelling From Top And Bottom: The Changing Role Of Scatology In Images Of Peasant Festivals From Albrecht Dürer To Pieter Bruegel, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

During the first half of the sixteenth century, the earliest visual representations of peasant festivals in European art were produced in Germany. These works, all prints, showcase peasants expelling their drink with the result that art historians today, nearly 400 years later, have described these prints as gross and indecent. In their revulsion and distancing from sixteenth-century Germany’s insistently colorful visual and verbal vocabulary, art historians of Northern European art appear to have stressed both the values and preferences of their own twentieth-century culture and that of the sixteenth-century Netherlands rather than those of the society that produced them—sixteenth-century Germany. …

Distaffs And Spindles: Sexual Misbehavior In Sebald Beham’S Spinning Bee, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Sebald Beham from Nuremberg designed his Spinning Bee woodcut around 1524 (Figure 1) as a medium-sized work of approximately 1 ft by 1.5 ft, printed on two sheets of paper glued side by side. A large number of individuals are included and most are women, significantly so because spinning bees served as meeting places for rural girls and women where they would spin and amuse themselves during the fall and winter evenings. Beham’s print is the first surviving example of a spinning bee in visual art and one of the first substantive examples of the theme in any form. The …

Pennsylvania Folklife Vol. 27, No. 2, James Moss, Holly Cutting Baker, Robert A. Barakat, Karl J. R. Arndt

Pennsylvania Folklife Magazine

• Gentlemen of the Road: Outlaw-Heroes of Early Pennsylvania in Life & Legend
• Patent Medicine in Pennsylvania Before 1906: A History Through Advertising
• Raising a Tobacco Shed
• Bicentennial Exhibitions and Publications in Germany
• Work and Work Attitudes: Folk-Cultural Questionnaire No. 50

Pennsylvania Folklife Vol. 16, No. 1, George Peterson Iii, William Hannan, Victor C. Dieffenbach, Berton E. Beck, Jacob G. Shively, Lester Breininger, Friedrich Krebs, Don Yoder

Pennsylvania Folklife Magazine

• Indian Readers and Healers by Prayer
• Bayard Taylor's Portrait of Pennsylvania Quakerism
• Gypsy Stories from the Swatara Valley
• Stump-Pulling
• Occult Tales from Union County
• Beekeeping and Bee Lore in Pennsylvania
• New Materials on the 18th Century Emigration from the Speyer State Archives
• The Snake-Bitten Dutchman
• Notes and Documents: A Letter to Germany (1806) ; Midwestern Diary of Joel Vale Garretson (1863-1864)
• Questionnaire on Hominy

Pennsylvania Folklife Vol. 15, No. 3, Earl F. Robacker, Frank Brown, Don Yoder, Amos Long Jr., Marion Ball Wilson, Fritz Braun

Pennsylvania Folklife Magazine

• Stitching for Pretty
• New Light on "Mountain Mary"
• The Newspaper and Folklife Studies
• Pennsylvania Limekilns
• Mennonite Maids
• The Eighteenth-Century Emigration from the Palatinate: New Documentation

Blockprint October 10, 1962, Students Of Risd, Risd Archives

All Student Newspapers

Blockprint was a student newspaper published throughout the 1950s-60s. The October 10, 1962 issue features articles on a new RI liquor law, a new student center, faculty members' home renovation, student life, student club news, and various lectures and events around campus; editorials, opinion columns, and creative writing.

Blockprint October 3, 1962, Students Of Risd, Risd Archives

All Student Newspapers

Blockprint was a student newspaper published throughout the 1950s-60s. The October 3, 1962 issue features articles on a student council meeting, upcoming productions of the Designers in Drama, a program for students to work with the mentally ill, art in Germany, student life, student club news, and various lectures and events around campus; editorials, opinion columns, and creative writing.

Processional [Hu 9]

Medieval Manuscripts

• Country of origin: Germany
• Date: ca. 1475
• Citations: unknown
• Provenance: unknown

Missal (Hu 6)

Medieval Manuscripts

• Country of origin: Germany.
• Date: ca. 1320.
• Dimensions: 450 x 310 mm.
• Citations: Bond & Faye, no. 12.
• Provenance: Otto Ege, S. Herbert McVitty.

Breviary [Hu 7]

Medieval Manuscripts

• Country of origin: Germany
• Date: ca. 1225
• Citations: Bond, W. H. Supplement to the Census of Medieval and Renaissance manuscripts in the United States and Canada, no. 13.
• Provenance: McVitty