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Full-Text Articles in Arts and Humanities
Niki De Saint Phalle: The Female Figure And Her Ambiguous Place In Art History, Lucy Kay Riley
Niki De Saint Phalle: The Female Figure And Her Ambiguous Place In Art History, Lucy Kay Riley
Student Publications
Niki de Saint Phalle had a fearless approach in her representation of women and her invitation of audience interaction. Born in 1930, she lived through the years of very male dominated areas of art: Abstract Expressionism, Pop Art, and Neo-Dada. Niki de Saint Phalle provided a unique treatment of the female figure through drawing, painting, writing, found object sculpture, large public sculpture, and installation. One of the pieces I will primarily focus on embodies her fascination with audience interaction and the portrayal of the female figure: her controversial and temporary installation of 1966, ‘SHE – a cathedral.' In comparison to …
Make Love, Not War?: The Role Of The Chorus In Kokoschka’S “Murderer Hope Of Women”, Susan F. Russell
Make Love, Not War?: The Role Of The Chorus In Kokoschka’S “Murderer Hope Of Women”, Susan F. Russell
Theatre Arts Faculty Publications
In the summer of 1909, two one-acts by the twenty-three-year-old painter Oskar Kokoschka premiered in Vienna in an outdoor theatre built in the garden adjacent to the art museum as part of the second Kunstschau exhibit. The two Kunstschauen (of 1908 and 1909) were organized by Gustav Klimt and his friends in order “to expose the Viennese public to the most shocking and revolutionary forces in contemporary art,” and Kokoschka exhibited in both. The showing of Oskar Kokoschka’s art and his plays cemented his reputation as the most prominent enfant terrible of his day. These exhibitions helped ensure that, by …