Arts and Humanities Commons^™

Projecting Pornography And Mapping Modernity In Mexico City, Ageeth Sluis

Ageeth Sluis

Drawing on Elizabeth Grosz’s and Doreen Massey’s insights that place and gender are mutually constitutive, this article examines the articulation among the embodied city, sexual desire, and changing gender norms in the wake of the Mexican Revolution. At this time, a newly governing revolutionary elite sought to reinvigorate and “civilize” Mexico City through a series of urban reforms and public works, partly in response to their concern over women in public as a social problem. By analyzing depictions of female nudity as conversant with urban landscapes in the banned magazine Vea, the author argues that pornography connected Mexico City to …

Bataclanismo! Or, How Deco Bodies Transformed Postrevolutionary Mexico City, Ageeth Sluis

Ageeth Sluis

In the spring of 1925, Santa Anita's Festival of Flowers seemed to follow its tranquil trend of previous years. The large displays of flowers, the selection of indias bonitas (as the contestants of beauty pageants organized in an attempt to stimulate indigenism were known) and the boat-rides on the Viga Canal, all communicated what residents of neighboring Mexico City had come to expect of the small pueblo in the Federal District since the Porfiriato: the respite of a peaceful pastoral, the link to a colorful past, and the promise that mexicanidad was alive and well in the campo. Unfortunately, wrote …

My Journey To Locate The Genesis Pentapolis North Of The Dead Sea, David E. Graves Phd

David E. Graves PhD

Two archaeological sites have recently been identified as Sodom (Genesis 19), but which is the best candidate for the location of Sodom: Tall el-Ḥammâm, at the northern end of the Dead Sea in the Jordan Valley, or Bâb edh-Dhrâ, at the southern end of the Dead Sea in the Ghor? This article argues that of the two popular candidates Tall el-Hammam is the best candidate.

Influence Of The Ancient Near Eastern Vassal Treaties On The Hippocratic Oath, David E. Graves Phd

David E. Graves PhD

This Bridge Called Imagination: On Reading The Arab Image Foundation And Its Collection, Dore Bowen

Faculty Publications

This essay examines the benefits and disadvantages of using imagination as a method of historical research in the archive. Employing Jean-Paul Sartre's notion of “image-consciousness” in The Psychology of Imagination, imagination is defined and explored as a form of perception based upon temporal absence or suspension. This method is then discussed in relation to the exhibition “Not Given: Talking of and Around Photographs of Arab Women” (2006), curated by the author with artist Isabelle Massu. The installation was assembled with the cooperation of the Arab Image Foundation in Beirut and traveled from Marseille (2005-06) to San Francisco (2007). The author …

This Bridge Called Imagination: On Reading The Arab Image Foundation, Dore Bowen

Faculty Publications

No abstract provided.

This Bridge Called Imagination: On Reading The Arab Image Foundation, Dore Bowen

Dore Bowen

No abstract provided.

The Function Of Dysfunction, Dore Bowen

Dore Bowen

No abstract provided.

The Function Of Dysfunction, Dore Bowen

Faculty Publications

No abstract provided.

Identification Of Tall El-Hammâm On The Madaba Map., David E. Graves Phd, Scott Stripling Dmin

David E. Graves PhD

No abstract provided.

Photography In The Mix: Flora-Fauna-Photo, Dore Bowen

Faculty Publications

The article examines the SF Camerawork exhibition Agitate: Negotiating the Photographic Process, which was co-curated by the author.

Photography In The Mix: Flora-Fauna-Photo, Dore Bowen

Dore Bowen

The article examines the SF Camerawork exhibition Agitate: Negotiating the Photographic Process, which was co-curated by the author.