Arts and Humanities Commons^™

“Everybody Loves A Conjurer:” The Fake Artworks Of Elmyr De Hory (1906-1976) And Their Consequences On The Art World, Caroline Grinstead

Student Scholar Symposium Abstracts and Posters

Art institutions such as museums, galleries, and auction houses have for many years been characterized as reliable and trustworthy. The act of art forgery threatens this integrity and causes these institutions to rethink how they acquire artworks. My research focuses on a specific art forger, Elmyr de Hory, who became notorious for being able to reproduce works in the style of notable artists such as Picasso, Matisse, and Modigliani. By successfully selling his forgeries to multiple museums and galleries, only to be discovered later, de Hory forced institutions to reconstruct their approaches in authenticating and acquiring works of art. As …

Hilma Af Klint's Divine Commission, Paintings For The Temple : Modern Western Esotericism Embodied And Art Historical Norms Redfined, Hilary Cianciolo

MA Theses

Swedish occultist, scholar, and artist, Hilma af Klint (1862-1944), produced a series of 193 paintings after receiving a commission in 1906 from a divine spirit who offered complex iconographic insight into human ontology. The resulting series of colorful abstract paintings would not only alter her life, but also redefine contemporary perceptions of the Western art historical canon. Although all works of art are inherently spiritual to a degree, af Klint’s, commission Paintings for the Temple, is an example of Modern Western Esotericism. The commission maintains the six principle characteristics the construct is defined by, including: Role of Mediations and Imagination, …

Visual Teaching Of Geometry And The Origins Of 20th Century Abstract Art, Stephen Luecking

Journal of Humanistic Mathematics

As a group, the artists educated near the turn of the 19^th and 20^th centuries possessed greater mathematical knowledge than expected of artists today, especially regarding constructive skills in Euclidean geometry. Educational theory of the time stressed such skills for students in general, who needed these to enter the workplace of the time. Mathematics teaching then stressed the use of manipulatives, i.e., visual and interactive aids thought to better fix the student’s acquisition of mathematical skills. This visual training, especially in geometry, significantly affected the early development of abstraction in art. This paper presents examples of this visual …

Nothing To Do With Politics, Only Art? On Wassily Kandinsky's Work In Paris, From 1934 Until The Outbreak Of The War, Kate C. Kangaslahti

Artl@s Bulletin

Following his move to Paris at the end of 1933, Wassily Kandinsky clung to his conviction that art must remain free of politics. The purpose of this essay is to consider both the limitations and advantages of this position in the polarized political climate of the French capital and to chart the aesthetic path he embarked on after his arrival, with particular reference to the personal ties and artistic alliances that he forged (or not) in this complex cultural terrain. Far from having nothing to do with politics, the transformation his painting underwent in Paris, the period he dubbed “synthetic,” …

Joan Thorne, Analytic Ecstasy, Vittorio Colaizzi

Art Faculty Publications

The article focuses on American artist Joan Thorne. The author examines several of her abstract panitings, including "Squazemo," "Aahee, and "Ananda," explores how her work relates to minimalism, non-composition, and postmodernism, and discusses her role in the women's art movement of the 1970s in New York City.

Kandinsky's Nonrepresentational Art: Finding Meaning Through Aesthetic Experience, Kandice Nikkole Diaz

Open Access Theses & Dissertations

The art world is not one in which much scholarship has been conducted from a communication perspective. As such, this study attempts to add to the very little body of work that exists in the realms of both art and visual rhetoric. Abstract art, such as that of Wassily Kandinsky, is full of meaning despite the fact that it is nonobjective, and therefore considered meaningless. Using a rhetorical method, I argue that by examining the artwork of Wassily Kandinsky in certain contexts, it is possible to discover the meaning embedded in his abstract paintings, in particular his Compositions and Improvisations.

Getting At The Rapture Of Seeing: Ellsworth Kelly And Visual Experience, Leo J. O'Donovan Sj

Research Resources

Leo J. O'Donovan offers an art-critical account of the American artist Ellsworth Kelly including a comprehensive overview of his career and his attention to color and to vision. O'Donovan explores context and situation to raise questions of painterly color and atmosphere:

Citation:

Leo J. Donovan, "Getting at the Rapture of Seeing: Ellsworth Kelly and Visual Experience." In: Babette Babich, ed., Philosophy of Science, Van Gogh’s Eyes, and God: Hermeneutic Essays in Honor of Patrick A. Heelan, S.J., (Dordrecht: Kluwer, 2002), pp. 295—300.

Warm Journal Volume 2 Issue 3, 1973-2021 Women's Art Registry Of Minnesota

WARM Journal

This journal issue includes art, poetry, art reviews, exhibition listings, the WARM calendar and articles with a focus on displaying art by WARM members. The articles are on a variety of art related topics, including the impact of federal funding on art, criticism and developments in organizing in art.

Keywords: Works Progress Administration, Federal Art Project, Feminist criticism, criticism, national endowment for the arts, anti-patriarchy, abstract art

Creators included: Greta Berman, Pat Aufderheide, Nancy Paddock, Nancy Robinson, Meridel Le Seuer, Joyce Lyon, Sally Brown, Susan Mundale, Elizabeth Erickson, Patricia Olson, Diane Hellekson, Mary Anne Schutte, Sylvia Paine, Gail W. Bamber, …