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The Barricade, Rue De La Mortellerie, June 1848: A Reflection Of Class Tension In Nineteenth-Century Paris, Chelsea Werner

The Corinthian

Scholars have previously maintained that Meissonier’s painting pays homage to the many working-class Parisians that died during the uprising. For example, Constance Cain Hungerford contends, “Meissonier thus dignifies the rebels with devotion to a nation ideal that he shared, even if he defied republican values less radically and disapproved of violence as a means to pursue them.”3 Hungerford and other scholars have explored the possibility that The Barricade represents a dedication to those who died during the rebellion, but few have explored the contention that this painting is not only a warning to future rebels, but also a manifestation of …