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Full-Text Articles in Arts and Humanities
Religious Iconography In "Twilight": Veneration And Fandom, Jacqueline E. Swaidan
Religious Iconography In "Twilight": Veneration And Fandom, Jacqueline E. Swaidan
LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University
The mysterious and dark atmosphere, the overwhelming focus on the main characters, and the constant contrast of dark and light in Twilight (2009) recall traditional Christian religious imagery. But more that that, this paper will argue that Twilight, the first of the romantic fantasy films adapted from the successful book series by Stephenie Meyer, draws explicitly on traditional Catholic religious imagery and ceremony to engender religious devotion in its fans. Images from the first Twilight film suggest that the creators of Twilight used religious imagery to captivate their audience. Christian constructs such as Eden’s eternity, Edward’s Christ-like abstinence, and …
Tiki Kitsch, American Appropriation, And The Disappearance Of The Pacific Islander Body, Daniel Mcmullin
Tiki Kitsch, American Appropriation, And The Disappearance Of The Pacific Islander Body, Daniel Mcmullin
LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University
After Greenberg's famous analysis of kitsch in terms of aesthetics, Art critic James Gaywood, reasserted the question of kitsch in terms of market. (Gaywood 1997) Here Picasso and cultural appropriation were supplanted by Marcel Duchamp and the readymade. The products of art became completely non-native on all fronts, the world so reflected was postcultural. In that sense, cultural appropriation was no longer an aesthetic, it was a commodity for production, and as much as possible, production by machines. The form of such commodity, of Pacific Islander cultures, was highly variable, from a 17th century English play by John Clarke, to …
Wpa Projects In Anaheim, Ca, During The Great Depression, Laura Enomoto
Wpa Projects In Anaheim, Ca, During The Great Depression, Laura Enomoto
LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University
The Works Progress Administration (WPA), served as a catalyst for public works programs, specifically in the area of providing work to the unemployed. In cities all over the nation, the WPA provided grants that either paid employees directly or allocated funds to private firms. These programs were fundamental not only to the individuals they employed, but to the future of the cities themselves. Through the construction of public buildings, art projects, parks, and roads, American cities endured, remained intact, and even flourished as a result of the WPA.