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Full-Text Articles in Arts and Humanities

Challenging The Ideal: A Comparative Study Of Suzanne Valadon And William Bouguereau, Mary Sheehy Dec 2012

Challenging The Ideal: A Comparative Study Of Suzanne Valadon And William Bouguereau, Mary Sheehy

Honors Theses

The female nude has been represented in art for millennia. From the Paleolithic Woman of Willendorf fertility symbol (22,000 to 24,000 BCE, Fig. 1), to Titian's Venus of Urbino (1538 Fig. 2), women have frequently been depicted as sexualized creatures. Standard ideal body types have been established for each era through the thousands of pieces of art picturing nude women. Archaic women were expected to have large breasts and hips in order to show their fertility. Medieval representations of Mary Magdalene were usually nude and provocative. Women were supposed to see these images of Mary Magdalene and remember to keep …


Elke Krystufek And The Obessive Production Of Person, Melanie E. Emerson Oct 2012

Elke Krystufek And The Obessive Production Of Person, Melanie E. Emerson

Mid-America College Art Association Conference 2012 Digital Publications

Elke Krystufek’s artistic practice has centered almost wholly on duplicate and substitute images of herself, specifically emphasizing the female body and its position within the discourses of art history and gendered identity. While an earlier generation of feminist artists used their bodies as subject and object of their work in order to critique stereotypes and forcefully dismantle barriers that excluded women from the public sphere or labeled them objects of desire, Krystufek uses similar tactics to point to the fact there is no longer a private space. Identity is not solely the property of an individual, but rather an open …


Ganesha: A Study Of Personal Worship To A Personal God, Madeline Taylor, Katherine Garner, Naomi Purnell Oct 2012

Ganesha: A Study Of Personal Worship To A Personal God, Madeline Taylor, Katherine Garner, Naomi Purnell

Featured Research

Hindu devotees worship Ganesha when they are beginning a new phase or faces obstacles in their lives. In investigating the personal devotion of Hindu gods in India, we have found that there is a difference between the ways a Hindu worships the god Ganesha at a public shrine than in their own home. The main difference in worship style is that in the home, the worshiper acts as his or her own priest. There is room for greater interpretation in worship style and offerings made to the deity. Since our topic is personal devotion, we were drawn to the private …


The Gods Come For Play: Visualizing The Divine In Balinese Theatre, Chandler Payne, John Park Oct 2012

The Gods Come For Play: Visualizing The Divine In Balinese Theatre, Chandler Payne, John Park

Featured Research

Playwrights, practitioners, and art historians have been shocked and inspired by Balinese theatre time and time again because it reveals the extent of devotion the Balinese have for their religion. Although many researchers have investigated the functionality through the performance aspect of the play, there is a lack of published research devoted how the functionality of the ritual and play are influenced by the physical aesthetic properties of the Barong and Rangda mask. The theatrical aspects are to be considered through investigating these masks in relation to the temple space of the Taman Aran. By investigating the aesthetic properties of …


Haniwa: Constructing A Sacred Place For The Afterlife, Ashlyn Rawls, Clarissa Aliberti, Rylee Baisden Oct 2012

Haniwa: Constructing A Sacred Place For The Afterlife, Ashlyn Rawls, Clarissa Aliberti, Rylee Baisden

Featured Research

Haniwa are small, hollow terracotta statues that were placed on aristocratic graves during the Kofun period of Japan, which translates as “old tomb.” These unique figures were rather simple at the beginning of their creation, but over time they became increasingly complex taking the forms of people, animals, and other objects. These fascinating funerary objects serve a greater purpose than just ordinary tomb decorations. The haniwa tie into the Confucianist tradition of being made to be used and to protect the spirits of the dead. Influenced by Confucian tradition, in which “filial piety” is recognized as a high level of …


Jayavarmin Vii: Achieving Kingship, Ross Seeman, Mckay Whitacre, David Oppenheim Oct 2012

Jayavarmin Vii: Achieving Kingship, Ross Seeman, Mckay Whitacre, David Oppenheim

Featured Research

Jayavarmin VII (r. 1181-1218) exemplifies the nature of achieving divine kingship through his life achievements modeled after the life of Buddha. He was viewed by many as a divine-like figure, through his acts of philanthropy and good deeds for the city. Through this philosophy, Jayavarmin VII facilitated the construction of hospitals, several roads and rest houses. The height of Jayavarmin’s reign was during the construction of the Bayon Temple. By this time, Jayavarmin VII believed he had completed his journey to kingship. This is shown through the massive faces carved in the temple representing either Jayavarmin or Buddha himself. From …


Torii And Water: A Gateway To Shinto, Hannah Imson, Amy Kahng, Victoria Lekson Oct 2012

Torii And Water: A Gateway To Shinto, Hannah Imson, Amy Kahng, Victoria Lekson

Featured Research

Water symbolizes purity in the Shinto religion and thus holds utmost importance as a method of religious purification. Additionally, scholars and worshippers recognize the role of torii as gateways to the kami, or deities of nature. However, there has not been a documented survey of the relationship between torii and their placement in water, a relationship we feel is significant in understanding Shintoism. We intend to bridge this gap in scholarship by displaying the prevalence of torii placed in or right next to water. We will explore torii from various parts of the world as well as different time periods …


Mapping Shikoku: Picturing Buddhist Pilgrimage In Contemporary Japan, Anna Maria Ortiz, Chloe Walton, Cody Mcmanus Oct 2012

Mapping Shikoku: Picturing Buddhist Pilgrimage In Contemporary Japan, Anna Maria Ortiz, Chloe Walton, Cody Mcmanus

Featured Research

In this research, we will address this question: Do the modern methods of practicing the Shikoku Pilgrimage stay true to the ancient intent of the pilgrimage? People who embark on the journey to each of the 88 Shikoku temple sites do so to escape to another world of peace and tranquility that they cannot obtain in their regular daily lives. Unfortunately, there is a large gap in scholarship on the topic of the Shikoku Buddhist Pilgrimage: little is written about how the shift from ancient to modern practices of the pilgrimage has changed pilgrims’ experiences. Little is known by Westerners …


Stone In The Center, Amy Lubke Jul 2012

Stone In The Center, Amy Lubke

All Student Theses

Before the rise of the Incan Empire, there was an ancient civilization living throughout the Andes that thrived for several years. This civilization inhabited the region near the basin of Lake Titicaca known as the city of Tiahuanaco, presently in modern day Bolivia. Located at the site are many remnants of architectural structures and artwork made of stone. Little definitive knowledge is known about the peoples that created these enigmatic works.

This study is an examination of the stonework at the site of Tiahuanaco. These structures display the exquisite masonry skills and artistic capabilities that the ancient civilization attained. Each …


Judy Chicago: Visions For Feminist Art, Francesca Debiaso Apr 2012

Judy Chicago: Visions For Feminist Art, Francesca Debiaso

Student Publications

Controversy, awe, and revelation distinguish Judy Chicago's now 40 year career in the art world. Chicago's large body of work is inseparable from her ideologies pertaining to women's crippling exclusion from male dominated disciplines within art, history, and society overall. Her work is characterized by a desire to establish feminine iconography ("central-core imagery") and create a feminist lexicon applicable to the arts as to validate and celebrate women's experience. Viewing her artwork as a tool for social change and dialogue, Chicago has incorporated collaboration and consciousness-raising into her art making process. Thus, her collaborators gain not only the participation of …


The Cult Of The Monstrous: Caricature, Physiognomy, And Monsters In Early Modern Italy, Sandra Cheng Jan 2012

The Cult Of The Monstrous: Caricature, Physiognomy, And Monsters In Early Modern Italy, Sandra Cheng

Publications and Research

Caricature emerged as a pictorial genre in early modern Italy and became a potent form of social satire practiced by the period’s foremost draftsmen, including the Carracci and Guercino. The deformed and misshapen subjects of caricature drawings coincided with a fascination with monstrosity. Monsters, aberrations, and anomalies reflected a cultural appreciation for the curious. The monster that slowly took shape in scientific literature was first alluded to in comparative physiognomic texts that related man to beast, then made brief appearances in the discourse on medical conditions, and finally became the primary focus of specialty publications. The attention given to physical …