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Constructing The Real: The New Photography Of Crewdson, Gursky And Wall, Melissa A. Schwartz Jan 2011

Constructing The Real: The New Photography Of Crewdson, Gursky And Wall, Melissa A. Schwartz

University of Kentucky Master's Theses

A new class of photographs that relies on digital processes, best exemplified by the works of Gregory Crewdson, Andreas Gursky and Jeff Wall all exhibit a ‘not quite right’ quality that calls into question some of the most closely held truisms of photographic thought. Through novel technological processes combined with the elements of the new photography—new scale, fabulist imagery, and implied narrative—these images challenge the nature of photography as a documentary process and, beyond that, the nature of what we understand to be ‘the real’ that is supposedly documented. A visual analysis of these images through the lens of Roland …


Pragmatic Modernism: Project [Projekt] And Polish Design, 1956-1970, Mikolaj Czerwinski Jan 2011

Pragmatic Modernism: Project [Projekt] And Polish Design, 1956-1970, Mikolaj Czerwinski

University of Kentucky Master's Theses

Recently Scholars of design history began to recognize the phenomenon of Socialist Modernism, the return to modernist aesthetics to Eastern Europe and the Soviet Union during the thaw, the disavowal of Stalinist policies by Nikita Khrushchev after the 20th Party Congress of the Communist Party in February of 1956 and the resulting turn away from Socialist Realism, a historicist method in architecture that expressed socialist values, which the Stalinist favored. Scholars of art and design argued that Socialist Modernism in Poland constituted an affirmation of the party’s authority and that of the political system because designers who practiced it …