Arts and Humanities Commons^™

Review Of Unthinking The Greek Polis: Ancient Greek History Beyond Eurocentrism, By K. Vlassopoulos, James C. Wright

Classical and Near Eastern Archaeology Faculty Research and Scholarship

No abstract provided.

Review Of From Arrival To Incorporation: Migrants To The U.S. In A Global Era, Edited By Elliott R. Barkan, Hasia Diner, And Alan M. Kraut; Letters Across Borders: The Epistolary Practices Of International Migrants, Edited By Bruce S. Elliott, David A. Gerber, And Suzanne M. Sinke, Gary W. Mcdonogh

Growth and Structure of Cities Faculty Research and Scholarship

No abstract provided.

Review Of El Alto, Rebel City: Self And Citizenship In Andean Bolivia, By Sian Lazar, Juan Arbona

Growth and Structure of Cities Faculty Research and Scholarship

No abstract provided.

Review Of Meaning And Identity In A Greek Landscape: An Archaeological Ethnography, By Hamish Forbes, Camilla Mackay

Library Staff Research and Scholarship

No abstract provided.

Old Friends, Dale Kinney

History of Art Faculty Research and Scholarship

No abstract provided.

Art, Trade, And Patronage In Seventeenth-Century Lima: Francisco De Zurbarán's Commission For The Convent Of La Encarnación, Lori Kata

Bryn Mawr College Dissertations and Theses

Francisco de Zurbarán (1598-1664) was the most famous of the Sevillian painters who participated in the overseas art trade. The artist sent several hundred works to destinations in the viceroyalty of Peru during his career. While his participation in this long-distance endeavor can be documented between 1636 and 1662, a time span which covers the majority of his career, to date this aspect of the artist’s production has remained a minor focus of scholars.

This dissertation uses the lost commission of 1646-47 that Zurbarán produced for the nuns of the convent of La Encarnación in Lima to help formulate a …