Arts and Humanities Commons^™

The Slide: Image And Object, Cindy D. Abel Morris

Art & Art History ETDs

Through an extensive review of the literature of the history and methodology of art history and visual resources, this thesis charts the effect of the use of slides for the discipline of art history.

The three chapters examine the conjunction between slides and art history. Chapter one gives an account of the pedagogical and practical reasons for the current predominance of the slide as the reproduction of choice in art history, concluding with a discussion of the relative importance of the text and image for art history. The second chapter briefly traces the evolution of magic lantern to 35mm format …

Rethinking Martín Chambi, Michele M. Penhall

Art & Art History ETDs

This dissertation examines the photographs of Peruvian photographer Martín Chambi. A successful photographer and celebrated artist during much of his life, Chambi and his work was largely forgotten about since the 1950s and unknown outside of South America. During the 1970s he was rediscovered and his photographs made known to audiences around the world. As a result, new interpretations of him as an artist have emerged which are different from those during his life. The photographs he is known for today are not those he considered his artistic work.

Giving Birth To Onions, Stefanie London Feld-Galbraith

Art & Art History ETDs

I have always questioned the authority of Art History. I was taught that the historians gave a true, unbiased examination of art, while the critics and the artists created works wrought with subjectivity. But experience has taught me that nothing can be looked upon objectively. Even as we look, we are changing what we see.

There is not just one truth, one voice; there are many, and this is mine. The stories you are about to see are real, except for the ones I made up, which are also real. I think the truth must be something that wraps around …