Arts and Humanities Commons^™

Ivan Mestrovic Comes To Syracuse University, William P. Tolley

The Courier

This article, written by former Syracuse University Chancellor William P. Tolley, tells the story of his efforts to secure a professorship for famous Yugoslavian sculptor Ivan Mestrovic, who at the time had legal and health problems while living in Europe.

Ivan Mestrovic: The Current State Of Criticism, Dean A. Porter

The Courier

Few artists have had careers as long and prolific as Ivan Mestrovic's, and even fewer have known as much success and recognition. It would require volumes of print to document completely and properly, to discuss, and to evaluate the quality and scope of his sculptural, architectural, and literary accomplishments, and then additional volumes to duplicate the many monographs, essays, and articles that have been written about him. A brief mention of these accomplishments and a short review of the art-historical and critical comments on them will provide us with a point of reference from which to consider his position, as …

Ivan Mestrovic, Laurence Schmeckebier

The Courier

This article is an amalgamation of two pieces written by Professor Schmeckebier: "The Art of Mestrovic", which prefaced the catalogue of the spring 1984 exhibition of Mestrovic's work at The Joe and Emily Lowe Art Gallery at Syracuse University, and an as yet unpublished paper entitled "Mestrovic as a Sculptor in America," which he gave at Columbia University in November 1982 at a seminar sponsored by The Institute on East Central Europe.

The article details Mestrovic's life and contributions to art, whose monumental sculptures are on the same level as other greats such as Rodin and Michelangelo.

William Lescaze And Hart Crane: A Bridge Between Architecture And Poetry, Lindsay Stamm Shapiro

The Courier

This article expounds upon the unique relationship between the architect William Lescaze and poet Hart Crane after Lescaze's emigration to the United States during the early twentieth century. Lescaze's knowledge of European modernism influenced Crane's poems, which sought to counteract the pessimism of modern poets (for example T.S. Eliot's "The Wasteland"), and provide affirmation of the Machine Age.

The "Modern" Skyscraper, 1931, Carol Willis

The Courier

This article details the history of The Philadelphia Saving Fund Society (PSFS) building, constructed through the partnership of William Lescaze and George Howe in 1932. The author argues the building to this day remains "modern", displaying complexity and a varitey of color and materials. The building is also, the author says, the first skyscraper designed in the International Style. The author also examines the PSFS in the context of other tall buildings of the period, usually described as belonging to the Art Deco style.

William Lescaze And The Machine Age, Arthur J. Pulos

The Courier

In this article, the author talks about the history of modern architecture, and in particular William Lescaze's contributions. He gives the reader background about the Machine Age in America, and how Lescaze evolved in his art, eventually dedicating his life to Formalism and the International Style.

The William Lescaze Symposium Panel Discussion, Dennis P. Doordan

The Courier

This article is an adapted form of a panel discussion that took place discussing the architect William Lescaze. Overall, the panel seemed divided between those who judged Lescaze's achievements acoording to the established tenets of orthodox modernism and those who sought a new critical framework for evaluating Lescaze's contribution to the rise of modern design in American based upon typological, professional, and commercial criteria.

European Modernism In An American Commercial Context, Robert Bruce Dean

The Courier

This article seeks to explain why architect Willaim Lescaze's career proceeded the way it did. The author also makes observations about Lescaze's life in America during a secular, materialist age.

William Lescaze And Cbs: A Case Study In Corporate Modernism, Dennis P. Doordan

The Courier

During the period 1934 to 1949, the Columbia Broadcasting System provided William Lescaze with a series of commissions that, considered together, constitute one of the largest, most varied, and most important bodies of work in his entire career.

Lescaze was responsible for the design of a major new broadcasting facility, the interior design of studio and office spaces, the design of a variety of studio furnishings such as microphones and clocks, the design of a mobile broadcasting vehicle, and the graphic design for CBS facilities across the country. A careful review of the material indicates that Lescaze made a major …

A Brief Survey Of Architectural Holdings At The Syracuse University Libraries, Werner Seligmann

The Courier

This article gives a brief look at the various holdings regarding modern architecture located at Syracuse University. Among special note are the Lescaze papers, which the rest of this Courier issue examines in detail.

William Lescaze Reconsidered, William H. Jordy

The Courier

This article gives a critical look to William Lescaze's architectural career. While he had early success, his later career seems to pale in comparison. Regardless, the author praises Lescaze for remaining eclectic and not adhering too strongly to the orthodoxy of modernism.