Arts and Humanities Commons^™

The Understanding Of The Other In Orientalist And Primitivst Art, Jasmine Groves, Jasmine A. Groves

Honors College Theses

In 1978, Edward Said published Orientalism, a seminal book that shed light on one of the “leftovers” of European colonialism. In it, he describes the West’s attempts to exotify and romanticize the non-Western world. While the Near East, the Far East, and East/Southeast Asia are geographic terms that correspond to specific countries and cultures, the “Orient” is a Euro-American fantasy that only exists to contradict the West. The term is intentionally vague in order to satisfy any and all exotic desires that a consumer may have.

A great deal of European and American artists found inspiration in the exotic …

Oversexualization In Primitivism, Morgan Maureen Fleetwood

Regis University Student Publications (comprehensive collection)

This essay examines how Primitivist artwork of the late 1800s and early 1900s by Matisse, Gauguin, and Picasso oversexualized colonized women. White European male artists viewed colonized women as the ‘other’ through a biased racialized and gendered lens. Fatimah Tobing Roby’s theory of Ethnographic Spectacle and Kimberlé Crenshaw’s theory of intersectionality are evident in these Primitivist works. Through a deeply rooted colonial mindset, European male artists exploited the image of colonized women because they are considered outside of history and unevolved. Colonized women experienced this unfair treatment due to their unique intersectional position of gender and race, as well as …

Brutal Encounters: Primitivity, Politics, And The Postmodern Revolution, Archer Thomas

Honors Projects

The switch from late modernism to postmodernism in Western aesthetic theory and criticism took place in the mid-to-late 20th century, radically changing the face of cultural criticism. Much has been written on how postmodernism broke from modernism, but what factors paved its way in the decades following the Second World War? This paper argues that postmodernism represents both a reaction to and a necessary evolution of late modernism, specifically as it manifests in architecture, politics, and the politics of architecture. It focuses on the crisis of confidence among Western left-wing circles following the upheaval of the Second World War and …

Northwest Coast Native Art Beyond Revival, 1962–1992, Christopher T. Green

Dissertations, Theses, and Capstone Projects

Histories of “primitivism” in the avant-garde show that Euro-American modernism was always engaged in the appropriation of nonwestern and Indigenous art, with particular interest in Northwest Coast Native art forms by the Surrealists, Abstract Expressionists, and Indian Space Painters. However, there has been little consideration for how Northwest Coast Native artists chose to engage with the styles and tenets of Western modern art. To date, the history of post-war Northwest Coast Native art has been dominated by what is known as the Renaissance, a narrative in which artists pursued a neo-traditional style in modern times through the recovered and revival …

Iconographic Complexes Of American Art In Relation To Current Art Education, Arthur J. Schneider

Art & Art History ETDs

The problem of this study is to locate the principal images employed in the art of the New World with the purpose of reestablishing the function of such elements integral to a modern realism in American art.