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Articles 1 - 30 of 156
Full-Text Articles in Arts and Humanities
Taking Chardin's Kitchen Maids Seriously, Danielle Ezor
Taking Chardin's Kitchen Maids Seriously, Danielle Ezor
ABO: Interactive Journal for Women in the Arts, 1640-1830
Historically, Jean-Siméon Chardin’s The Kitchen Maid and Return from the Market have been characterized as austere images of middle-class virtue. However, the engravings made after these paintings include verses that place the paintings within the satirical tradition. Thus, there is a misalignment between the canonical interpretation of Chardin’s kitchen maids as virtuous and the satirical understanding of these paintings. I reconcile these two contradictory interpretations by offering a feminist reinterpretation of Chardin’s The Kitchen Maid and Return from the Market, juxtaposing the prints and their satirical verses and considering the female viewer. In my analysis, I focus on small, …
Hannah Humphrey, London’S Leading Caricature Printseller, Ersy Contogouris, Béatrice Denis
Hannah Humphrey, London’S Leading Caricature Printseller, Ersy Contogouris, Béatrice Denis
ABO: Interactive Journal for Women in the Arts, 1640-1830
Hannah Humphrey (ca. 1745-1818) was the exclusive publisher of James Gillray's (1756-1815) caricatures from 1791 until Gillray's death. His achievements were made possible in large part thanks to Humphrey and her innovative business acumen. But while Gillray has been celebrated and studied by art historians, Humphrey’s contribution to his success and to the history of graphic satire has remained unexamined. This article is a first attempt to shift the focus onto her in the story of the “golden age” of British caricature. It outlines Humphrey’s career, takes a closer look at her relationship with Gillray, and finally considers some of …
Michelangelo Buonarroti And Homophobia In The Renaissance, Grace T. O. Ray
Michelangelo Buonarroti And Homophobia In The Renaissance, Grace T. O. Ray
The Confluence
Tommaso de’ Cavalieri was a young man with an aristocratic background when he first met famous artist Michelangelo Buonarroti in Rome. Tommaso was known to be an incomparable physical beauty, with intelligence and elegant manners, as well as being a member of one of the most illustrious families of Rome—the Orsini. Some have said this is what drew the artist to Cavalieri from the start. Though not much is known about their encounter, it is confirmed that Cavalieri remained a close and loyal companion to Michelangelo for thirty-two years until the artist’s death in 1564. Furthermore, throughout their years together …
Creating A 1940s Costume: A Historical Investigation, Jennifer Mott
Creating A 1940s Costume: A Historical Investigation, Jennifer Mott
The Confluence
The purpose of this Art History research investigation was to create a costume from the 1940s by immersing myself in a time period when people often made their own clothing. This was done to better understand what it means to have a personal connection to the items I wear. Our experiences as consumers in the twenty-first century are vastly different than those belonging to the people that lived during the mid-twentieth century because almost all of our clothing is purchased from corporations and created by people that we will likely never meet. For this investigative study, I shopped for and …
Propagation Vs Intrusion: Islamic Influences In Medieval Georgia, Jake Hubbert
Propagation Vs Intrusion: Islamic Influences In Medieval Georgia, Jake Hubbert
Studia Antiqua
No abstract provided.
Artistic Novelties Or Political Tools? Circulating Cold War Art Exhibitions In Finland, Maija Koskinen
Artistic Novelties Or Political Tools? Circulating Cold War Art Exhibitions In Finland, Maija Koskinen
Artl@s Bulletin
The cultural Cold War was a global phenomenon, but how was it fought in Finland, on the periphery of Northern Europe? The essay brings a previously insufficiently known Finnish perspective into the study of cultural Cold War by introducing a research project, Mission Finland – Cold War cultural diplomacy at the cross roads of East and West, 1945–1991. The essay discusses study methods of international art exhibitions as soft power and introduces – with concrete Finnish examples – the concept of “state- run exhibition” as a means to comprehend the role of circulating art exhibitions as Cold War cultural …
Exhibiting Across The Iron Curtain: The Forgotten Trail Of Danish Artists Exhibiting In The Context Of State Socialism, Ca. 1955–1985, Kristian Handberg, Yulia Karpova
Exhibiting Across The Iron Curtain: The Forgotten Trail Of Danish Artists Exhibiting In The Context Of State Socialism, Ca. 1955–1985, Kristian Handberg, Yulia Karpova
Artl@s Bulletin
The article presents the research project “Exhibiting across the Iron Curtain: The forgot-ten trail of Danish artists exhibiting in the context of state socialism, ca. 1955–1985” (The University of Copenhagen, 2021–24). Project researchers Kristian Handberg and Yulia Karpova introduce the project and its most important ambitions, especially those related to the theme of cross- border connectivity in the Nordic region through a few examples taken from their most recent work. These case studies illustrate how they approach this particular material and will tackle the questions and challenges that may rise.
Exhibiting Art In A European Periphery? International Art In Sweden During The Cold War, Katarina Wadstein Macleod, Marta Edling, Pella Myrstener
Exhibiting Art In A European Periphery? International Art In Sweden During The Cold War, Katarina Wadstein Macleod, Marta Edling, Pella Myrstener
Artl@s Bulletin
The project Exhibiting Art in a European Periphery? International Art in Sweden during the Cold War aimed to investigate international exhibitions in Sweden during the postwar period from circa 1945 to the end of the 1980s. The main objective was to find information beyond preconceived ideas of what is important, interesting, or simply good art. In this article, we present our method for searching through the archives and some of the findings and insights generated.
Exhibiting Contemporary Art In The Early 1990s Nordic–Baltic Realm, Annika Öhrner
Exhibiting Contemporary Art In The Early 1990s Nordic–Baltic Realm, Annika Öhrner
Artl@s Bulletin
This article investigates exhibitions of Baltic contemporary art in the Early 1990s, that were directed towards an international audience. Notions of an art life finally freed from the heavy institutional power of the Soviet occupation has served to obscure the arrival of other inter-national and political presences, the ones from Norden. While new Baltic art practices were widely made public in the three Baltic capitals after 1991, the fact that the highest political level of Nordic foreign policy provided an infrastructure for this, was not. “The Nordic–Baltic realm,” is here suggested as a notion of interactions between the contemporary art …
Art Contre/Against Apartheid At Lunds Konsthall: An Entangled History Of Art And Solidarity From Paris To Pretoria, Katarina Wadstein Macleod
Art Contre/Against Apartheid At Lunds Konsthall: An Entangled History Of Art And Solidarity From Paris To Pretoria, Katarina Wadstein Macleod
Artl@s Bulletin
This article concerns the international touring exhibition Art contre/against Apartheid originating in France and which reached Lunds konsthall, Sweden in 1984 and was to tour the world for ten years. The aim with this exhibition was to raise awareness of the apartheid regime, cause international protest and ultimately remove the repressive political system. Using histoire croisée as a method this article investigates the different interests and stake-holders in the exhibition at Lunds konsthall, including the critique of the exhibition as resting on white supremacy. The purpose of the article is to locate the different intersections regarding international art, international politics …
The Afterlife Of Danish Modern: Design Exhibition In Moscow, 1969–70, Yulia Karpova
The Afterlife Of Danish Modern: Design Exhibition In Moscow, 1969–70, Yulia Karpova
Artl@s Bulletin
The exhibition Contemporary Danish Design arrived in Moscow in December 1969, when Danish design was undergoing a crisis. The popularity of “Danish Modern,” the notion centered on excellent artisanship, natural materials, and a balance between tradition and modernity, was diminishing due to shifting tastes in home furnishing and consumer society critiques. This article considers the Moscow exhibition as a twin effort to include design in Danish- Soviet cultural diplomacy and to revive the cultural importance of Danish Modern in the era of waning techno-optimism and student protests.
Exhibiting Cobra Across The Iron Curtain: Exhibition Diplomacy And Modernism As Ostpolitik Across Borders In Northern Europe During The Cold War, Kristian Handberg
Exhibiting Cobra Across The Iron Curtain: Exhibition Diplomacy And Modernism As Ostpolitik Across Borders In Northern Europe During The Cold War, Kristian Handberg
Artl@s Bulletin
The article examines how the Danish artists of the group Cobra appeared in front of exhibitions organized by the Danish state touring the state socialist countries during the Cold War from the early 1960s to the late 1980s. This unknown aspect of the international circulation of the artists were part of the official cultural diplomacy of the Danish state and can contribute to a new understanding of art exhibitions in the Cold War as “Ostpolitik” and the commitment of the artists in these efforts. The article observes the importance of cultural diplomacy in relation to border- crossing exhibitions and the …
Art For All! Nordic Art And Cultural Democracy, 1945–1959, Marta Edling
Art For All! Nordic Art And Cultural Democracy, 1945–1959, Marta Edling
Artl@s Bulletin
The article will by emphasizing a transnational and geopolitical approach, investigate eight exhibitions of modern art from Denmark, Finland, Iceland, Norway and Sweden presented in Nordic cities 1946–1959. The text highlights the importance of this regional context and argues that the artworks can be seen as socially interconnected signs mediated through the communicative agency of the exhibitions. By focusing on subject matter and artwork titles presented, the article suggests that the exhibitions can be viewed as part of interacting artistic, civic, and political agendas aiming to democratize culture in the postwar Nordic welfare states.
Charting The Beyond. On The Two “First” International Surrealist Exhibitions In Scandinavia, Andrea Kollnitz
Charting The Beyond. On The Two “First” International Surrealist Exhibitions In Scandinavia, Andrea Kollnitz
Artl@s Bulletin
This article examines two exhibitions introducing international surrealism in the North: Paris 1932 in Stockholm 1932 and Kubisme = Surrealisme in Copenhagen in 1935. Focusing on contents, networks and agents, the analysis shows competitive negotiations of national and local identities in interaction with the promotion of surrealism as a universal international phenomenon. Using a decentralising approach, the article reflects on the role of Paris and other cities as stations as well as elucidates national, transnational and transcultural processes and interactions in the international dissemination of surrealism.
Routes And Ruptures. Swedish Artistic Mobility In The Early Twentieth Century, Jessica Sjöholm Skrubbe
Routes And Ruptures. Swedish Artistic Mobility In The Early Twentieth Century, Jessica Sjöholm Skrubbe
Artl@s Bulletin
This article presents the results of an empirical study of Swedish artistic mobility during the first decades of the twentieth century, a period associated with the emergence of modernism in Swedish art and with Paris as an unquestionable point of reference. Without questioning Paris as an artistic node, it highlights the discrepancy between art history’s narrativisation of transnational mobility and the diverse artistic itineraries that empirical material evidences. Focusing on Swedish artists’ travels in France, Germany, Denmark, and Italy, it offers a geohistorical trajectory that differentiates established narratives.
Entanglements And Cross-Border Connectivity Of The Nordic–Baltic Region, Marta Edling, Annika Öhrner
Entanglements And Cross-Border Connectivity Of The Nordic–Baltic Region, Marta Edling, Annika Öhrner
Artl@s Bulletin
At the center of attention of this issue is trans-local, transnational, regional, and worldwide contacts inside and outside the Nordic-Baltic region from the late 1800s to the late 1900s. As an introduction, this text attempts to give an overview of some of its major themes and findings. It highlights how the interactive function of cross-border contacts is demonstrated by cases of art and design transfers, artistic travels, Scandinavian intellectual contacts, and cross-border connections over 100 years. Together, the texts published in this issue reflect the interdependent nature of international relations and the vital function of intermediate positions.
Networked: The Portal Of San Leonardo Al Frigido, Dawn Cunningham
Networked: The Portal Of San Leonardo Al Frigido, Dawn Cunningham
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Reconsidering “Romanesque” Art Through The Pilgrim’S Body: The Migrating Art Historians Project Five Years Later, Ivan Foletti, Martin F. Lešák
Reconsidering “Romanesque” Art Through The Pilgrim’S Body: The Migrating Art Historians Project Five Years Later, Ivan Foletti, Martin F. Lešák
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Saint-Gabriel Chapel, Provence: A Study Of Spolia, Gesture, And Sacred Drama, Anna-Maria Moubayed
Saint-Gabriel Chapel, Provence: A Study Of Spolia, Gesture, And Sacred Drama, Anna-Maria Moubayed
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Angels And Lombard Identity In The Romanesque Sculpture Of San Michele Maggiore In Pavia, Gillian Elliott
Angels And Lombard Identity In The Romanesque Sculpture Of San Michele Maggiore In Pavia, Gillian Elliott
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Creating Gargoyles, Joseph Lo Pinto
Creating Gargoyles, Joseph Lo Pinto
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Review Of The Edinburgh Companion To Sidonius Apollinaris, Gavin Kelly And Joop Van Waarden, Editors, Lena Walhgren-Smith
Review Of The Edinburgh Companion To Sidonius Apollinaris, Gavin Kelly And Joop Van Waarden, Editors, Lena Walhgren-Smith
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Review Of Marcia Kupfer, Adam S. Cohen, And J. H. Chajes, Editors. The Visualization Of Knowledge In Medieval And Early Modern Europe, Reed O'Mara
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Review Of Medieval Bologna: Art For A University City, Stephanie Azzarello
Review Of Medieval Bologna: Art For A University City, Stephanie Azzarello
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Review: Cleaver, Laura, Alixe Bovey, And Lucy Donkin, Eds. Illuminating The Middle Ages: Tributes To Prof. John Lowden From His Students, Friends And Colleagues, Alexandra Kaczenski
Review: Cleaver, Laura, Alixe Bovey, And Lucy Donkin, Eds. Illuminating The Middle Ages: Tributes To Prof. John Lowden From His Students, Friends And Colleagues, Alexandra Kaczenski
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
An Assessment Of The Hinges From Sutton Hoo, Mound 1, Jamie Hall
An Assessment Of The Hinges From Sutton Hoo, Mound 1, Jamie Hall
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
The Welles Personal Collar: Evidence Of A Unique Personal Collar Worn During The Fifteenth-Century Civil War In England, Kim Lifton
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Pilgrims In The Parish: A Method And Two Herefordshire Case Studies, Catherine E. Hundley
Pilgrims In The Parish: A Method And Two Herefordshire Case Studies, Catherine E. Hundley
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Review Of Adrián Maldonado, Crucible Of Nations: Scotland From Viking Age To Medieval Kingdom, Millie Horton-Insch
Review Of Adrián Maldonado, Crucible Of Nations: Scotland From Viking Age To Medieval Kingdom, Millie Horton-Insch
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Photo Essay: Painted Masonry And Ornament In English Romanesque Architecture, Malcolm Thurlby
Photo Essay: Painted Masonry And Ornament In English Romanesque Architecture, Malcolm Thurlby
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.