Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons™

Open Access. Powered by Scholars. Published by Universities.®

History of Art, Architecture, and Archaeology

Journal

2014

Institution
Keyword
Publication

Articles 1 - 30 of 194

Full-Text Articles in Arts and Humanities

Art As Political Struggle: George Grosz And The Experience Of The Great War, Jeff Michael Ocwieja Dec 2014

Art As Political Struggle: George Grosz And The Experience Of The Great War, Jeff Michael Ocwieja

Grand Valley Journal of History

The Great War was a highly traumatic event that rocked the Western world and beyond and had a tremendous effect on the professional lives of those who served in the conflict. Included among those profoundly changed by the experience of the war was George Grosz, whose art grew increasingly subversive in light of the horrors of what he had seen both on the battlefield and in the tumultuous political atmosphere of post-war Germany. This article uses the individual experience of Grosz to speak more generally about the German experience during and after the conflict, particularly through engagement with artist's illustrations …

Go to article

Ken Jacobs, Alchemist, Ara C. Osterweil Oct 2014

Ken Jacobs, Alchemist, Ara C. Osterweil

Criticism

Optic Antics: The Cinema of Ken Jacobs edited by Michele Pierson, David E. James, and Paul Arthur. Oxford: Oxford University Press, 2011. Pp. 312; 48 photographs. $99.00 cloth, $39.95 paper, 26.99 E-book.

Go to article

In A Bind: Artificial Cranial Deformation In The Americas, Aaron Fehir Oct 2014

In A Bind: Artificial Cranial Deformation In The Americas, Aaron Fehir

Laurier Undergraduate Journal of the Arts

No abstract provided.

Go to article

A Mediterranean Mosaic: The Archaeological Evidence For Ethnic Diversity At Pithekoussai, Rachel Dewan Oct 2014

A Mediterranean Mosaic: The Archaeological Evidence For Ethnic Diversity At Pithekoussai, Rachel Dewan

Laurier Undergraduate Journal of the Arts

No abstract provided.

Go to article

Expanding Art's Audience, Tony Connors Sep 2014

Expanding Art's Audience, Tony Connors

Journal of Undergraduate Research at Minnesota State University, Mankato

This paper investigates the need for contemporary art museums to expand their audience to fit their role as educational institutions. It is based on research that looks at ways museums have typically been operated in the past and then focuses on newer modes of operation, using the Brooklyn Museum as an example of a museum that educates and reaches a greater audience. Lastly, the paper looks at how particular artists have broken the mold of presenting art in order to interact with and relate to audiences in new ways. This research explains ways that art can be made accessible to …

Go to article

Reflections On Canvas: Caravaggio And The Development Of Optical Stype, Eleanor Rae Harper Aug 2014

Reflections On Canvas: Caravaggio And The Development Of Optical Stype, Eleanor Rae Harper

Journal of Undergraduate Research at Minnesota State University, Mankato

At the height of his career, Baroque painter Michaelangelo de Mersi Caravaggio was revered for his ability to foster a heightened sense of realism never before seen upon the canvas. However as recent scholarship and a renewed interest in the history of artistic methodology reveal, the artist may have utilized optical devices such as a single lens to project reflections of his subjects upon the canvas. Due to the limitations of such devices, spatial discontinuity and unnatural proportion are just two of the discrepancies which have affected the realism and overall unity of his artwork. Caravaggio worked with naturalism in …

Go to article

Political Art Of The Black Panther Party: Cultural Contrasts In The Nineteen Sixties Countermovement, Melissa Seifert Aug 2014

Political Art Of The Black Panther Party: Cultural Contrasts In The Nineteen Sixties Countermovement, Melissa Seifert

Journal of Undergraduate Research at Minnesota State University, Mankato

The Black Power Movement found its beginning in the late fifties with sit-ins and freedom rides, which conveyed a new racial consciousness within the black community in the United States. However, these initial forms of protest were non-violent. The civil rights movement did not see a great deal of violence until nineteen sixty five when Huey P. Newton and Bobby Seale founded the Black Panther Party. Through the pages of the Party's newspaper the Black Panther, resident artist Emory Douglas used his drawings to persuade action and vengeance. His work is similar in style to the work of Pop artist …

Go to article

The Art Of Being: A Study Of The Relationship Between Daoism And Art, Jessica Ortis Aug 2014

The Art Of Being: A Study Of The Relationship Between Daoism And Art, Jessica Ortis

Journal of Undergraduate Research at Minnesota State University, Mankato

Ever since the beginning of time, artists have been inspired by the religion they choose to follow. Sometimes religion was the subject, but more often than not, one had to really dig deeper into a work of art to understand the religious meaning. In my paper, I focused on contemporary Chinese artist Song Dong, who uses his artistic abilities to reflect the ideals of Daoism. Focusing on a couple of more well known works by Song Dong, one can see that he shows how one is able to move down the path to lead a more full life through the …

Go to article

A Contemporary Spin On Tradition: Xu Bing's Cultural Exploration, Karen Obermeyer-Kolb Aug 2014

A Contemporary Spin On Tradition: Xu Bing's Cultural Exploration, Karen Obermeyer-Kolb

Journal of Undergraduate Research at Minnesota State University, Mankato

This paper analyzed the artwork of Xu Bing and his exploration of cultural values, specifically of language in China. Chinese is one of the oldest written languages of the world, with forms established by 1000CE. One of the purposes of classical Chinese calligraphy was self expression. The Cultural Revolution of the 1960s and 70s brought a shift to this tradition by using large characters as propaganda. Xu Bing uses prominent symbols of culture and language, stemming from the classical teaching of his parents and his work experience during the Cultural Revolution, to convey views of society, as well as to …

Go to article

National Museum Of Iraq: A Case For Curating A New Identity, Ajay Kapadia Aug 2014

National Museum Of Iraq: A Case For Curating A New Identity, Ajay Kapadia

Journal of Undergraduate Research at Minnesota State University, Mankato

In April 2003, the National Museum of Iraq was plundered and the substantial majority of its artifacts were looted. The Iraqi people have lost important elements of their socio-cultural identity; the recovery of these priceless items has been slow. By drawing on examples from past and current museum installations, this paper investigates how art has been used for formation of a new identity. Adolf Hitler‘s 1937 ―Temple of Art, for example, showed Germans that they could be descendants of a Classical ―master race.‖ The transformation of the Louvre into a public space of equality and tolerance demonstrated people‘s perseverance and …

Go to article

Mona Hatoum And The Biographical Influence On Cross-Cultural Exchange, Nicole Shelton Aug 2014

Mona Hatoum And The Biographical Influence On Cross-Cultural Exchange, Nicole Shelton

Journal of Undergraduate Research at Minnesota State University, Mankato

Artist Mona Hatoum, a Palestinian born in Beirut and educated in London, has experienced the boundaries and displacement of exile. These have become influential in her work and are implied within some of her statements. Compared are the external experiences of a double-exile directly to her subjectivity, culminating in a discussion of works of art such as Light Sentence (Fig. 3) and Homebound (Fig. 7), and highlighting the issue of cross-cultural exchange. This artist is one of many exhibiting cultural exchange within art as a manifestation of hybridization of different cultures, even if the artist does not acknowledge this multiplicity. …

Go to article

The Hierarchy Of Rococo Women Seen Through Fashion Paintings, Sanda Brighidin Aug 2014

The Hierarchy Of Rococo Women Seen Through Fashion Paintings, Sanda Brighidin

Journal of Undergraduate Research at Minnesota State University, Mankato

The style of Rococo evokes a variety of feminine attributions; women were usually depicted in works of art in a decorative manner. Many of the interpretations of these paintings focus on the luxurious clothes and lavish backgrounds. Artists like Jean-Antoine Watteau and Francois Boucher were responsible for elevating a very elegant view of Rococo women of Rococo within the public’s eyes. But there were also depictions of non-aristocratic women that were geared more to the middle class (bourgeois). After reading a number of articles and book chapters on Jean-Baptiste- Simeon Chardin, and visiting the Louvre museum in Paris, I became …

Go to article

Satire And Stoicism: Pieter Bruegel The Elder's Triumph Of Death, Susan K. Gisselberg Jul 2014

Satire And Stoicism: Pieter Bruegel The Elder's Triumph Of Death, Susan K. Gisselberg

Kaleidoscope

In Bruegel and the Creative Process, 1559 – 1563, Margaret Sullivan explains how the religious and political disorder of the Reformation in the Netherlands influenced Pieter Bruegel’s most original works, including The Triumph of Death. During this period, Bruegel combined classical elements and vernacular traditions. As a result of this process, he was able to depict similar imagery to his contemporaries, yet convey a vastly different concept. In a review, Todd Richardson argued that her claim relied heavily on classical literary sources with inadequate visual evidence in the work itself, and her correlations to antiquity rely solely on the …

Go to article

Imperialism, Economics And Sacred Experience In The Golden Mosaics Of San Marco, Alexandra Steadman Jul 2014

Imperialism, Economics And Sacred Experience In The Golden Mosaics Of San Marco, Alexandra Steadman

Art Journal

No abstract provided.

Go to article

The Places Between Events: “Architectural Interest” And The Shifting Cultural Definition Of America In Stephen Shore’S Uncommon Places, John Ronalter Jul 2014

The Places Between Events: “Architectural Interest” And The Shifting Cultural Definition Of America In Stephen Shore’S Uncommon Places, John Ronalter

Art Journal

No abstract provided.

Go to article

The Significance Of Walker Evans’ Many Are Called In Two Distinct Moments, Margaret North Jul 2014

The Significance Of Walker Evans’ Many Are Called In Two Distinct Moments, Margaret North

Art Journal

No abstract provided.

Go to article

The Impropriety, Informality And Intimacy In Vigee Le Brun's Marie Antoinette En Chemise, Kelly Hall Jul 2014

The Impropriety, Informality And Intimacy In Vigee Le Brun's Marie Antoinette En Chemise, Kelly Hall

Art Journal

No abstract provided.

Go to article

Gino Severini's Dancers And His Theatrical Milieu, Maria Haidinger Jul 2014

Gino Severini's Dancers And His Theatrical Milieu, Maria Haidinger

Art Journal

No abstract provided.

Go to article

Prostitution And Prayer: An Examination Of Ruega Por Ella From Francisco Goya’S Los Caprichos, Eileen Donovan Jul 2014

Prostitution And Prayer: An Examination Of Ruega Por Ella From Francisco Goya’S Los Caprichos, Eileen Donovan

Art Journal

No abstract provided.

Go to article

Art Journal 2014 - Bound Jul 2014

Art Journal 2014 - Bound

Art Journal

No abstract provided.

Go to article

Story Guided Virtual Cultural Heritage Applications, Selma Rizvic Jun 2014

Story Guided Virtual Cultural Heritage Applications, Selma Rizvic

Journal of Interactive Humanities

Virtual cultural heritage applications, particularly virtual museums, nowadays include various forms of storytelling. Every object, site or artifact is better perceived and understood through the adjoining story. Interactive applications naturally request the storytelling to become interactive as well. This paper describes the concepts of interactive digital storytelling in our virtual museums and cultural heritage presentations and discusses their advantages and drawbacks recognized through user evaluation. We used digital stories not only to introduce visitors with the context and information on the objects, but also to enhance their navigation through virtual environments with purpose of learning and perceiving maximum amount of …

Go to article

To Drip Or To Pop? The European Triumph Of American Art, Catherine Dossin Jun 2014

To Drip Or To Pop? The European Triumph Of American Art, Catherine Dossin

Artl@s Bulletin

This paper considers the so-called triumph of American art from the perspective of what Western Europeans could actually see and know of American art at the time. Relying on a database of exhibitions, purchases, and publications of American art in Western Europe from 1945 to 1970 created in the framework of Artl@s, it reconstructs the precise chain of events and circulations that marked the dissemination and reception of American art in Europe. It consequently draws a more refined and complex understanding of postwar artistic exchanges out of the entangled historical perspectives of the European peripheries, which challenges the retrospectively dominating …

Go to article

Italian Art In Yugoslavia From 1961 To 1967: An Overlooked Chronicle, Giovanni Rubino Jun 2014

Italian Art In Yugoslavia From 1961 To 1967: An Overlooked Chronicle, Giovanni Rubino

Artl@s Bulletin

In the 1950s and 1960s, the relationship between Italy and the Socialist Federal Republic of Yugoslavia improved despite the Cold War. For the Italian artists involved in the New Tendencies, this new situation provided opportunities for recognition as an alternative to Art Informel, the dominant style in the international art market. Getulio Alviani, Enzo Mari and Eugenio Carmi, are three of the key Italian artists in this period who exhibited in Yugoslavian museums and galleries. Using new archival material, this paper sheds light on a unique postwar revival of Constructivism within a peripheral artist network far from New York and …

Go to article

To Each His Own Reality: How The Analysis Of Artistic Exchanges In Cold War Europe Challenges Categories, Mathilde Arnoux Jun 2014

To Each His Own Reality: How The Analysis Of Artistic Exchanges In Cold War Europe Challenges Categories, Mathilde Arnoux

Artl@s Bulletin

How to reconstruct artistic relationships among four European countries, situated on both sides of the Iron Curtain, during the period that commenced post-Stalin and lasted until the fall of the Berlin Wall? This is one of the questions that faces the research program To Each His Own Reality: The notion of the real in the art of France, West Germany, East Germany and Poland between 1960 and 1989, which was initiated in January 2011. The paper discusses syntheses of the questions that the research team is facing, descriptions of its methodology, an analysis of preliminary results and what they allow …

Go to article

Modernism, Seen From Prague, March 1937, Derek Sayer Jun 2014

Modernism, Seen From Prague, March 1937, Derek Sayer

Artl@s Bulletin

Focusing on the period 1890-1939, this paper explores exchanges between three generations of Prague artists and international—especially Parisian—avant-gardes. Documenting the extraordinary receptiveness of Prague to modernism, particularly in the applied arts, it argues for a thorough rethink of the conceptual geographies of art history.

Go to article

The Uses And Abuses Of Peripheries In Art History, Béatrice Joyeux-Prunel Jun 2014

The Uses And Abuses Of Peripheries In Art History, Béatrice Joyeux-Prunel

Artl@s Bulletin

Introduction to the Artl@s Bulletin's issue on "Peripheries" (vol. 3, issue 1).

Go to article

Testing And Data Recovery Excavations At 11 Native American Archeological Sites Along The U.S. Highway 271 Mount Pleasant Relief Route, Titus County, Texas Volume Ii, Ross C. Fields, Virginia L. Hatfield, Damon Burden, Eloise Frances Gadus, Michael C. Wilder, Karl W. Kibler May 2014

Testing And Data Recovery Excavations At 11 Native American Archeological Sites Along The U.S. Highway 271 Mount Pleasant Relief Route, Titus County, Texas Volume Ii, Ross C. Fields, Virginia L. Hatfield, Damon Burden, Eloise Frances Gadus, Michael C. Wilder, Karl W. Kibler

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

Register of Historic Places and State Antiquities Landmark testing of 11 prehistoric sites that will be impacted by construction of the proposed U.S. Highway 271 relief route around Mount Pleasant in Titus County, Texas. The work was done in 2005 for the Texas Department of Transportation’s Environmental Affairs Division under Contract No. 575XXSA006, Work Authorization No. 57501SA006. This research design provides support for a scope of work for testing, prepared as a separate document. The primary relevant historic context for future work on this project is The Development of Agriculture in Northeast Texas Before a.d. 1600 (Kenmotsu and Perttula 1993). …

Go to article

Testing And Data Recovery Excavations At 11 Native American Archeological Sites Along The U.S. Highway 271 Mount Pleasant Relief Route, Titus County, Texas Volume I, Ross C. Fields, Virginia L. Hatfield, Damon Burden, Eloise Frances Gadus, Michael C. Wilder, Karl W. Kibler May 2014

Testing And Data Recovery Excavations At 11 Native American Archeological Sites Along The U.S. Highway 271 Mount Pleasant Relief Route, Titus County, Texas Volume I, Ross C. Fields, Virginia L. Hatfield, Damon Burden, Eloise Frances Gadus, Michael C. Wilder, Karl W. Kibler

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

This report deals with three episodes of archeological work that began in 2005 and concluded in 2010 for the proposed U.S. Highway 271 Mount Pleasant relief route in Titus County, Texas. The early part of the work was done for the Texas Department of Transportation (TxDOT), Environmental Affairs Division. The later part was done for PTP, LP, acting on behalf of Titus County. The work was done to address the requirements of Section 106 of the National Historic Preservation Act and the Texas Antiquities Code and was governed by the terms of Texas Antiquities Permit Nos. 3786, 4303, and 5495. …

Go to article

The Saint Of Llanbadrig: A Contested Dedication, Deborah K.E. Crawford Apr 2014

The Saint Of Llanbadrig: A Contested Dedication, Deborah K.E. Crawford

e-Keltoi: Journal of Interdisciplinary Celtic Studies

Located on the Isle of Anglesey in northwest Wales, the medieval church of Llanbadrig is the pride of the nearby village of Cemaes, on Cemaes Bay. There is a strong local tradition that the church is dedicated to Patrick, Apostle of the Irish. However, reporting of that dedication has been divided between the patron saint of Ireland and one Padrig ab Alfryd, a saint associated with northern Wales. The issue of the dedication is important to the community of Cemaes. A resolution is also needed for scholarly purposes.

Go to article

Tapestry Of Space: Domestic Architecture And Underground Communities In Margaret Morton’S Photography Of A Forgotten New York, Irina Nersessova Apr 2014

Tapestry Of Space: Domestic Architecture And Underground Communities In Margaret Morton’S Photography Of A Forgotten New York, Irina Nersessova

disClosure: A Journal of Social Theory

This article addresses the impact urban space has on individuals through the use of Situationist International theory and psychogeography. Representations of homelessness in New York in Margaret Morton's photography are used to demonstrate the interconnectedness among space, people, and social issues. Social issues manifest themselves in urban decay, and the inhabitants react to this phenomenon emotionally and artistically. Some inhabitants demonstrate their relationship with space by responding with material production of housing and art, which they accomplish by building without exploiting the environment the way the manufacturing of commodities often does.

Go to article

Next Last