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The Feminine Personification Of Death In Gustave Moreau’S Evening And Sorrow, May Johnson
The Feminine Personification Of Death In Gustave Moreau’S Evening And Sorrow, May Johnson
The Corinthian
This paper will argue that Moreau’s depiction of the female embodies the seductive and destructive nature of death which preoccupied the arts and literature of the late nineteenth-century. Moreau’s Evening and Sorrow, effectively conveys the increased interest in emotions, and psychology, as a counter-action to the predominance of natural sciences, during the late-nineteenth century.
The Socioeconomic Significance Of Maximilien Luce’S Morning, Interior 1890, Stephanie Reagan
The Socioeconomic Significance Of Maximilien Luce’S Morning, Interior 1890, Stephanie Reagan
The Corinthian
Using the painting, Morning, Interior, as a platform for discussion, we delve into the technical prominence and political ideals of Maximilien Luce. Luce’s individual authenticity is an intriguing, often overlooked point of discussion.