Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 5 of 5

Full-Text Articles in Arts and Humanities

Clyfford Still In The 1930s: The Formative Years Of A Leading Abstract Expressionist, Emma Richan Dec 2014

Clyfford Still In The 1930s: The Formative Years Of A Leading Abstract Expressionist, Emma Richan

Electronic Thesis and Dissertation Repository

In 2011, Clyfford Still’s painting 1949-A-No.1 sold for $61.7 million at Sotheby’s auction house. This painting was one of four up for auction by the artist that night, fetching a total of $114 million to build the Clyfford Still Museum in Denver to house his entire estate. Still was among the most celebrated and notorious of the Abstract Expressionists, receiving the highest praise from Mark Rothko, Jackson Pollock, and Clement Greenberg during his lifetime. Still’s legacy has faltered since his death in 1980. Until 2011, 95% of his life’s work was stored in a barn in Maryland, hidden from view. …


Casta Painting And The Characterization Of Colonial Mexican Identities, Natalia Caldas Sep 2014

Casta Painting And The Characterization Of Colonial Mexican Identities, Natalia Caldas

Electronic Thesis and Dissertation Repository

This thesis will examine the emergence of the casta painting genre in eighteenth century New Spain and elements of identity formation in the characterization of colonial subjects. Through the use of a database and close reading of paintings, a corpus of 370 paintings were studied and analyzed. A total of 1471 casta characters were extracted from said paintings and the relationship between actions performed, objects, and to each other was analyzed. In using this methodology results point to the significant historical division between the social communities and colonial society. By focusing on the study of particular characters fractures in imposed …


A Space Without Memory: Time And The Sublime In The Work Of Janet Cardiff And George Bures Miller, Margherita N. Papadatos Sep 2014

A Space Without Memory: Time And The Sublime In The Work Of Janet Cardiff And George Bures Miller, Margherita N. Papadatos

Electronic Thesis and Dissertation Repository

The central question of my investigation is: how do artists present the unpresentable when presentation itself is impossible? Concentrating solely on Janet Cardiff and George Bures Miller’s artworks Opera For a Small Room (2005) and The Killing Machine (2007), I redevelop Jean François Lyotard’s concept of the sublime as put forth in his The Inhuman: Reflections on Time, in order to ask how Cardiff and Miller give shape to the unpresentable in their work. Opera and Killing are works that dynamically problematize and play with ideas of presentation, subjectivity, memory, and time. Thus, I explore my central question of …


A Photographer Develops: Reading Robinson, Rejlander, And Cameron, Jonathan R. Fardy Sep 2014

A Photographer Develops: Reading Robinson, Rejlander, And Cameron, Jonathan R. Fardy

Electronic Thesis and Dissertation Repository

This study examines the historical emergence of the photographer by turning to the writings of three important photographers of the nineteenth century: Henry Peach Robinson (1830-1901), Oscar Gustave Rejlander (1813-1875), and Julia Margaret Cameron (1815-1879). The photographic works of each of these photographers has been the subject of much historical and interpretive analysis, but their writings have yet to receive significant scholarly attention. It is the claim of this study that this archive opens a new set of questions: What did it mean to claim: “I am a photographer” at photography’s advent? How did these individuals come to identify themselves …


Creative Interventions And Urban Revitalization, Nicole C. Borland Jun 2014

Creative Interventions And Urban Revitalization, Nicole C. Borland

Electronic Thesis and Dissertation Repository

My thesis critiques Richard Florida’s notion of the creative class and Charles Landry’s ideas about the creative city to explore how these formulaic, homogenous approaches fail to adequately advance urban regeneration and community enhancement. In contrast to these approaches I examine the importance of interventionist, vernacular creative practices for urban revitalization. Considered are such vernacular endeavours as public artworks, community gardening, and arts and culture festivals. Specifically, I look to the example of London, Ontario to illustrate the ways in which communities can see, use, and appreciate their city differently. The concepts of placemaking and sense of place factor significantly …