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Full-Text Articles in Arts and Humanities
La Méditerranée Des Artistes: Ouverture Sur Le Présent, Maria Grazia Messina
La Méditerranée Des Artistes: Ouverture Sur Le Présent, Maria Grazia Messina
Artl@s Bulletin
Ce texte, conçu comme un épilogue au colloque La Méditerranée des artistes, entend faire le point sur les méthodes de travail des artistes qui ont abordé le thème de l’identité méditerranéenne dans leurs œuvres au cours des cinquante dernières années. A la lumière de quelques récents points de repère bibliographique, des thèmes majeurs sont envisagés, tels que le genius loci, la crise induite par une remise en cause des identités due à la mondialisation, le risque du folklore et d’un orientalisme introjecté, les différences entre les artistes des rives Nord et Sud de la Méditerranée.
Women Artists' Salon Of Chicago (1937-1953): Cultivating Careers And Art Collectors, Joanna P. Gardner-Huggett
Women Artists' Salon Of Chicago (1937-1953): Cultivating Careers And Art Collectors, Joanna P. Gardner-Huggett
Artl@s Bulletin
This article reconstructs the history of the Women Artists’ Salon of Chicago, which was founded as an exhibition society in Chicago in 1937, and argues that the Board of Directors turned to the 19th century precedents of the Palette Club and the Woman’s Building at the World’s Columbian Exhibition as models for their organization. The essay also traces how members of the Women Artists’ Salon deliberately exhibited traditional artworks associated with the feminine and domestic and coordinated social events in order to cultivate greater sales and a new generation of female art collectors.
An Exhibition Of One’S Own: The Salón Femenino De Bellas Artes (Buenos Aires, 1930s-1940s), Georgina G. Gluzman
An Exhibition Of One’S Own: The Salón Femenino De Bellas Artes (Buenos Aires, 1930s-1940s), Georgina G. Gluzman
Artl@s Bulletin
From the late 1920s on, Buenos Aires witnessed the emergence of exhibition spaces of a separatist character for women artists. In spite of their importance, these regular shows have not received any attention from art history literature. Their vast development, the extensive coverage by the press, and their links to feminist institutions have gone completely unnoticed. Focusing on the Salón Femenino organized by the Club Argentino de Mujeres, the purpose of this article is to reconstruct the organization of these events, to examine their reception by art critics, and to analyze the careers of some of the participating women …