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Full-Text Articles in Arts and Humanities
Review: The Landscapes Of Adam Harrison, Damon Willick
Review: The Landscapes Of Adam Harrison, Damon Willick
Art & Art History Faculty Works
No abstract provided.
Calligraphy, Aesthetics, And Character In "The Tale Of Genji", Tomoko Sakomura
Calligraphy, Aesthetics, And Character In "The Tale Of Genji", Tomoko Sakomura
Art & Art History Faculty Works
No abstract provided.
Review Of "Ancient Mythological Images And Their Interpretation: An Introduction To Iconology, Semiotics, And Image Studies In Classical Art History," By Katharina Lorenz, Amanda Herring
Art & Art History Faculty Works
No abstract provided.
Review Of Ancient Luxury And The Roman Silver Treasure From Berthouville At The Getty Villa, Amanda Herring
Review Of Ancient Luxury And The Roman Silver Treasure From Berthouville At The Getty Villa, Amanda Herring
Art & Art History Faculty Works
No abstract provided.
Joseph’S Dream In The Thomson Collection: Reconsidering The Reconstruction Of The Infancy Of Christ Window From Suger’S Saint-Denis, Michael Watt Cothren
Joseph’S Dream In The Thomson Collection: Reconsidering The Reconstruction Of The Infancy Of Christ Window From Suger’S Saint-Denis, Michael Watt Cothren
Art & Art History Faculty Works
No abstract provided.
Vern Blosum’S Fifteen Minutes, Damon Willick
Vern Blosum’S Fifteen Minutes, Damon Willick
Art & Art History Faculty Works
No abstract provided.
In The Valley With Jeffrey Vallance, Damon Willick
In The Valley With Jeffrey Vallance, Damon Willick
Art & Art History Faculty Works
No abstract provided.
Japan: 1400-1600, Tomoko Sakomura
Japan: 1400-1600, Tomoko Sakomura
Art & Art History Faculty Works
No abstract provided.
Japan: 1600-1750, Tomoko Sakomura
Japan: 1600-1750, Tomoko Sakomura
Art & Art History Faculty Works
No abstract provided.
Some Personal Reflections On American Modern And Postmodern Historiographies Of Gothic Stained Glass, Michael Watt Cothren
Some Personal Reflections On American Modern And Postmodern Historiographies Of Gothic Stained Glass, Michael Watt Cothren
Art & Art History Faculty Works
No abstract provided.
Considering Eden, Damon Willick
Everyman’S Infinite Art: Introduction And Harold Gregor Interview, Damon Willick
Everyman’S Infinite Art: Introduction And Harold Gregor Interview, Damon Willick
Art & Art History Faculty Works
No abstract provided.
L.A.’S Art Historian: Henry T. Hopkins, 1928-2009, Damon Willick
L.A.’S Art Historian: Henry T. Hopkins, 1928-2009, Damon Willick
Art & Art History Faculty Works
No abstract provided.
Unfolding Narratives: Visualising The Tales Of Genji And Heike On The Folding Screen, Tomoko Sakomura
Unfolding Narratives: Visualising The Tales Of Genji And Heike On The Folding Screen, Tomoko Sakomura
Art & Art History Faculty Works
No abstract provided.
Holding Hands In The Virgin Chapel At Beauvais Cathedral, Michael Watt Cothren
Holding Hands In The Virgin Chapel At Beauvais Cathedral, Michael Watt Cothren
Art & Art History Faculty Works
No abstract provided.
Criticism After Art: Comments On The ‘Crisis’ Of Art Criticism, Damon Willick
Criticism After Art: Comments On The ‘Crisis’ Of Art Criticism, Damon Willick
Art & Art History Faculty Works
No abstract provided.
Still-Live And The Theatrics Of The Everyday, Damon Willick
Still-Live And The Theatrics Of The Everyday, Damon Willick
Art & Art History Faculty Works
No abstract provided.
1 Image 1 Minute, Damon Willick
Good Morning, My Name Is Ed Kienholz…:' Rethinking The Artist's Self-Presentation, Damon Willick
Good Morning, My Name Is Ed Kienholz…:' Rethinking The Artist's Self-Presentation, Damon Willick
Art & Art History Faculty Works
No abstract provided.
Picturing The Celestial City: The Medieval Stained Glass Of Beauvais Cathedral, Michael Watt Cothren
Picturing The Celestial City: The Medieval Stained Glass Of Beauvais Cathedral, Michael Watt Cothren
Art & Art History Faculty Works
The cathedral of Saint-Pierre in Beauvais, France, is most famous as a failure - its choir vaults came crashing down in 1284 - and only secondarily for its soaring beauty. This illustrated book represents the first serious look at the stunning collection of Gothic stained glass windows that has always dominated the experience of those who enter Beauvais Cathedral.
Ooh L.A. L.A.: Los Angeles Art In Paris And Pasadena, Damon Willick
Ooh L.A. L.A.: Los Angeles Art In Paris And Pasadena, Damon Willick
Art & Art History Faculty Works
No abstract provided.
Reading Jean-Michel Basquiat, Damon Willick
Reading Jean-Michel Basquiat, Damon Willick
Art & Art History Faculty Works
No abstract provided.
Review Of "The Revival Of The Olympian Gods In Renaissance Art" By L. Freedman, Patricia L. Reilly
Review Of "The Revival Of The Olympian Gods In Renaissance Art" By L. Freedman, Patricia L. Reilly
Art & Art History Faculty Works
No abstract provided.
Drawing The Line: Benvenuto Cellini On The Principles And Method Of Learning The Art Of Drawing And The Question Of Amateur Drawing Education, Patricia L. Reilly
Drawing The Line: Benvenuto Cellini On The Principles And Method Of Learning The Art Of Drawing And The Question Of Amateur Drawing Education, Patricia L. Reilly
Art & Art History Faculty Works
No abstract provided.
"The Recollection Of The Past Is The Promise Of The Future": The Medieval Heritage Of Philadelphia's Sacred Windows, Michael Watt Cothren
"The Recollection Of The Past Is The Promise Of The Future": The Medieval Heritage Of Philadelphia's Sacred Windows, Michael Watt Cothren
Art & Art History Faculty Works
No abstract provided.
Ernest Meissonier: Master In His Genre, Constance Cain Hungerford, J.L. E. Meissonier
Ernest Meissonier: Master In His Genre, Constance Cain Hungerford, J.L. E. Meissonier
Art & Art History Faculty Works
This study documents the career of one of the most widely known French artists of the nineteenth century. The embodiment of mainstream taste, Jean-Louis-Ernest Meissonier was scorned by the avant-garde, but his jewellike genre paintings were highly regarded by his middle-class audience. Examining his art in detail, Constance Cain Hungerford follows Meissonier from his formation as a wood engraving designer to his virtuous production of small scale genre scenes, his larger battlefield paintings, and his several images of modern revolution and war. Also analyzed are the state administered exhibition system, which Meissonier worked to his advantage, and developments in the …
Production Practices In Medieval Stained Glass Workshops: Some Evidence In The Glencairn Museum, Michael Watt Cothren
Production Practices In Medieval Stained Glass Workshops: Some Evidence In The Glencairn Museum, Michael Watt Cothren
Art & Art History Faculty Works
Two examples of technical and physical evidence of early-medieval stained-glass workshop practices are examined. The examples comprise a group of 13 panels of French grisaille from various buildings, which date from the 1250s to the 1270s, and panels representing three standing bishops from the band windows in the Norman abbey church of Evron, which date from the second decade of the 14th century. All of the panels are now housed in the Glencairn Museum in Bryn Athyn, Pennsylvania. The first group seems to provide an example of “ghost images”—corrosive imprints resulting from vaporized deposits transferred from one piece of glass …
Fragments Of An Early Thirteenth-Century St. Peter Window From The Cathedral Of Rouen, Michael Watt Cothren
Fragments Of An Early Thirteenth-Century St. Peter Window From The Cathedral Of Rouen, Michael Watt Cothren
Art & Art History Faculty Works
This article introduces three fragments from a stained-glass cycle of the life of St. Peter, once part of the nave aisle glazing of the cathedral of Rouen. Although the evidence they offer is diminished by their partial preservation, when these panels are associated with a previously recognized panel depicting St. Peter in the Glencairn Museum, a narrative cycle can be documented and firmer conclusions can be drawn concerning stylistic relationships among the "Belles Verrières" of the Rouen nave aisle. The examination of these fragments from technical and physical--as well as stylistic--standpoints confirms an assessment of the early thirteenth-century stained-glass workshop …
Remembrances Of Jane Hayward, Michael Watt Cothren
Remembrances Of Jane Hayward, Michael Watt Cothren
Art & Art History Faculty Works
No abstract provided.
Meissonier’S "1806, Jena”, Constance Cain Hungerford
Meissonier’S "1806, Jena”, Constance Cain Hungerford
Art & Art History Faculty Works
No abstract provided.