Arts and Humanities Commons^™

Not-I/Thou: The Other Subject Of Art And Architecture, Gavin W. Keeney

Gavin W Keeney

Not-I/Thou: The Other Subject of Art and Architecture is a series of essays delineating the gray areas and black zones in present-day cultural production with, in Part One (The Gray and the Black), an implicit critique of neoliberal capitalism and its assault on the humanities through the pseudo-scientific and pseudo-empirical biases of academic and professional disciplines. Initially surveying the shift from Cultural Ecology to Cultural Studies to Cognitive Capitalism, the essays of Part Two (What is “Franciscan” Ontology?) return to certain lost causes in the historical development of modernity and post-modernity, foremost the recourse to artistic production as both a …

5th Annual Afro-Latino Lecture Series - Dr. Guillermina Ramos Cruz, Aajay Murphy

Aajay Murphy

A poster for "Afro-Cuban Art from the Diaspora," a lecture by Dr. Guillermina Ramos Cruz, in conjunction with the 5th Annual Afro-Latino Lecture Series.

"Else-Where": Essays In Art, Architecture, And Cultural Production 2002-2011, Gavin W. Keeney

Gavin W Keeney

“Else-where” is a synoptic survey of the representational values given to art, architecture, and cultural production from 2002 through 2011. Written primarily as a critique of what is suppressed in architecture and what is disclosed in art, the essays are informed by the passage out of post-structuralism and its disciplinary analogues toward the real Real (denoted over the course of the studies as the “Real-Irreal” or “Else-where”).

The essays collected in “Else-where” cross various disciplines, inclusive of landscape architecture, architecture, and visual art, to develop a nuanced critique of an emergent formal regard in the arts that is also an …

Art As "Night": An Art-Theological Treatise, Gavin W. Keeney

Gavin W Keeney

Art as “Night” proposes a type of a-historical dark knowledge (a-theology and theology, at once) crossing painting since Velázquez, but reaching back to the Renaissance, especially Titian and Caravaggio. As a form of formalism, this “night” is also closely allied with forms of intellection that come to reside in art as pure visual agency or material knowledge while invoking moral agency, a function of art more or less bracketed in modern art for ethical and/or political agency.

Not a theory of meta-painting, Art as “Night” restores coordinates arguably lost in painting since the separation of natural and moral philosophy in …

Shirley Moskowitz At Seventy-Five, Samuel D. Gruber Dr.

Samuel D. Gruber Dr.

Essay about the life and art of Shirley Moskowitz for catalog of retrospective exhibit.

The Work Of Ai-Hasan B. Muhammad, Die Engraver At Isbahan And Al-Muhammadiyya, Carol Bier

Carol Bier

Four Buyid coins in t he collection of t he American Numismatic Society, struck between 358- 68H. /A.D. 968- 79 at two mints in Jibal province, illustrate a phenomenon unique in the history of Islamic coinage.! They concern the status of a die engraver named al-Hasan b. Muhammad. A silver dirham bearing his signature was first noted by George C. Miles and published in 1938. It was at that time the only Islamic coin known to bear t he signature of a die engraver. More recently, four additional coins have been located which shed more light upon the career of …