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History of Art, Architecture, and Archaeology

Selected Works

Photography

Articles 1 - 14 of 14

Full-Text Articles in Arts and Humanities

The Face Of Our Wartime, Sharon Sliwinski Dec 2014

The Face Of Our Wartime, Sharon Sliwinski

Sharon Sliwinski

This paper considers a turn toward portraiture amongst contemporary photojournalists who have covered the War on Terror. A series of wartime faces is examined in order to consider the way prolonged conflict flattens our visual landscape.

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New York Transfixed: Notes On The Expression Of Fear, Sharon Sliwinski Dec 2012

New York Transfixed: Notes On The Expression Of Fear, Sharon Sliwinski

Sharon Sliwinski

What does fear look like? What can photography reveal of the unconscious dimensions of terror? Working with the largest photographic archive devoted to the 9/11 terrorist attacks on New York City, this chapter studies the visual inscription of terror in the bodily gestures of eyewitness, gestures that were captured by citizen photographers.

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A Painful Labor: Photography And Responsibility, Sharon Sliwinski Dec 2011

A Painful Labor: Photography And Responsibility, Sharon Sliwinski

Sharon Sliwinski

This paper considers the tension between photography and responsibility despite the avalanche of objections regarding documentary’s false promise to awaken social conscience. By examining the encounter with images of suffering through a psychoanalytic register, the paper tries to articulate what Barthes describes as the ‘painful labour’ of responding to the photographic other – an encounter that illuminates the limit of the spectator’s ability to respond. Photographs provide an occasion to register this limit, which, I argue, opens up the spectator’s traditional notions of responsibility from a set of moral duties towards a questioning of the ethical relation.

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The State Of Being Single: Justyna Badach's Bachelor Series, Pamela Warner Jun 2011

The State Of Being Single: Justyna Badach's Bachelor Series, Pamela Warner

Pamela J. Warner

No abstract provided.

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Human Rights In Camera, Sharon Sliwinski Dec 2010

Human Rights In Camera, Sharon Sliwinski

Sharon Sliwinski

From the fundamental rights proclaimed in the American and French declarations of independence to the 1948 Universal Declaration of Human Rights and Hannah Arendt’s furious critiques, the definition of what it means to be human has been hotly debated. But the history of human rights—and their abuses—is also a richly illustrated one. Following this picture trail, Human Rights In Camera takes an innovative approach by examining the visual images that have accompanied human rights struggles and the passionate responses people have had to them.

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Icarus Returned: The Falling Man And The Survival Of Antiquity, Sharon Sliwinski Dec 2010

Icarus Returned: The Falling Man And The Survival Of Antiquity, Sharon Sliwinski

Sharon Sliwinski

This chapter examines the so-called "Falling Man" photograph: Richard Drew's infamous image of an anonymous man in free fall, following his jump from the World Trade Center on September 11, 2001. Using Aby Warburg's iconographical method, I read this figure as a latter-day Icarus, putting Drew's photograph in dialogue with other representations of Icarus as a way to explore the image's unconscious force.

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Autobiography And The Family Frame: Jaret Belliveau's “Dominion Street” At Gallery Tpw, Matthew Ryan Smith May 2010

Autobiography And The Family Frame: Jaret Belliveau's “Dominion Street” At Gallery Tpw, Matthew Ryan Smith

Matthew Ryan Smith, Ph.D.

Documented over a period of five years, “Dominion Street” presents a visual narrative of love, loss, and life encapsulated within an East Coast milieu. Privy to the Belliveau family’s emotional and physical plights, the artist utilizes an autobiographic frame offering up strikingly informal glimpses of his family.

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Internet Killed The Copyright Law: Perfect 10 V. Google And The Devastating Impact On The Exclusiive Right To Display, Deborah B. Morse Dec 2008

Internet Killed The Copyright Law: Perfect 10 V. Google And The Devastating Impact On The Exclusiive Right To Display, Deborah B. Morse

Deborah Brightman Morse

Never has the dissonance between copyright and innovation been so extreme. The Internet provides enormous economic growth due to the strength of e-commerce, and affords an avenue for creativity and the wide dissemination of information. Nevertheless, the Internet has become a plague on copyright law. The advent of the digital medium has made the unlawful reproduction, distribution, and display of copyrighted works essentially effortless. The law has been unable to keep pace with the rapid advance of technology. For the past decade, Congress has been actively attempting to draft comprehensible legislation in an effort to afford copyright owners more protection …

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On Photographic Violence, Sharon Sliwinski Dec 2008

On Photographic Violence, Sharon Sliwinski

Sharon Sliwinski

This paper explores the significance of photographic violence in relation to a single defaced image found during the Bosnian War. The single example of pictorial violence opens a set of questions interrogating the nature of human aggression: What is the status of violence carried out in effigy? Can this particular example of defacement open understanding into the other forms of violence that took place during the dissolution of the former Yugoslavia? How does the image come to be marked by affect but also serve as the medium of its transmission? And finally, why does photography lend itself so easily to …

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A Note On Punctum, Sharon Sliwinski Dec 2005

A Note On Punctum, Sharon Sliwinski

Sharon Sliwinski

A note on Roland Barthes' punctum.

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A Painful Labor: Photography And Responsibility Dec 2003

A Painful Labor: Photography And Responsibility

Sharon Sliwinski

Despite the avalanche of objections regarding documentary's false promise to awaken social conscience, this paper considers the tension between photography and responsibility. By examining the encounter with images of suffering through a psychoanalytic register, the paper tries to articulate what Barthes describes as the ‘painful labour’ of responding to the photographic other – an encounter that illuminates the limit of the spectator's ability to respond. Photographs provide an occasion to register this limit, which, I argue, opens up the spectator's traditional notions of responsibility from a set of moral duties towards a questioning of the ethical relation.

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Picturing Efficiency: Precisionism, Scientific Management, And The Effacement Of Labor, Sharon L. Corwin Oct 2003

Picturing Efficiency: Precisionism, Scientific Management, And The Effacement Of Labor, Sharon L. Corwin

Sharon L. Corwin

In the early decades of the twentieth century, the pursuit of efficiency came to dominate instances of industrial and artistic production: the engineering consultants Frank and Lillian Gilbreth attempted to visualize a language of minimal waste, while Precisionist art achieved its own aesthetic of efficiency. This essay examines the Precisionist project alongside the discourses of the rationalized factory and suggests a relationship between the formal economy of Precisionism and the rhetoric of scientific management. For Precisionist art and the Gilbreths' time-motion studies, the representation of efficiency ultimately entailed the elision of artist and worker as producers of labor.

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Le Numéro Barbette: Photography And The Politics Of Embodiment In Interwar Paris, Amy Lyford Dec 2002

Le Numéro Barbette: Photography And The Politics Of Embodiment In Interwar Paris, Amy Lyford

Amy Lyford

No abstract provided.

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Lee Miller’S Photographic Impersonations, 1930-1945, Amy Lyford Dec 1993

Lee Miller’S Photographic Impersonations, 1930-1945, Amy Lyford

Amy Lyford

No abstract provided.

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