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Full-Text Articles in Arts and Humanities
Apollo Hypoakraios Reconsidered, Peter Nulton
Apollo Hypoakraios Reconsidered, Peter Nulton
Peter E. Nulton Ph.D.
In 1897, the excavations of P. Kabbadias uncovered ten votive plaques in a cave on the northwest slope of the Athenian Acropolis, thereby fixing the location of the "sanctuary of Apollo in a cave" mentioned by Pausanias (I.28.4). The inscriptions indicated that they were meant as dedications to Apollo Hypoakraios or Hypo Makrais, and that the dedicants were invariably members of the college of archons. Although the corpus has increased steadily since then, the inscriptions have not been treated together since Kabbadias's original publication.
In this paper, I will offer some conclusions drawn from a thorough re-analysis of the corpus. …
The Frontispiece Miniatures Of The Stammheim Missal, Elizabeth Teviotdale
The Frontispiece Miniatures Of The Stammheim Missal, Elizabeth Teviotdale
Elizabeth C Teviotdale
Examines the frontispiece miniatures of Los Angeles, J. Paul Getty Museum, MS 64, proposing that the direct reflection of the art patronized by Bishop Bernward of Hildesheim (d. 1022) is a key component in the manuscript's role as a testament to Bernward.
Illuminating Words: The Artist's Books Of Christopher Gausby, Véronique Plesch
Illuminating Words: The Artist's Books Of Christopher Gausby, Véronique Plesch
Véronique Plesch
No abstract provided.
Who Was Gevehard?, Elizabeth Teviotdale
Who Was Gevehard?, Elizabeth Teviotdale
Elizabeth C Teviotdale
Discusses the relationship between the Stammheim Missal (Los Angeles, J. Paul Getty Museum, MS 64) and the Ratmann Missal (Hildesheim, Dom-Museum, MS DS 37), a pair of manuscripts produced at and for the Abbey of St. Michael's, Hildesheim, in the second half of the 12th century, focusing on a certain Gevehard, a contemporary monk and priest pictured in the Getty manuscript.
The Getty Anglo-Saxon Leaves And New Testament Illustration Around The Year 1000, Adam Cohen, Elizabeth Teviotdale
The Getty Anglo-Saxon Leaves And New Testament Illustration Around The Year 1000, Adam Cohen, Elizabeth Teviotdale
Elizabeth C Teviotdale
A study of the two surviving leaves of an Anglo-Saxon gospel book (Los Angeles, J. Paul Getty Museum, MS 9), concluding that the text was based on an Irish-influenced recension of the text transmitted to England by Breton manuscripts of the late Carolingian period and that a Carolingian model can also be proposed for the illustrations of the parent manuscript.