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Full-Text Articles in Arts and Humanities
Originality And Jones' The Grammar Of Ornament Of 1856, John Jespersen
Originality And Jones' The Grammar Of Ornament Of 1856, John Jespersen
Kresten Jespersen
Two years ago (2006) was the 150th anniversary of the publication of The Grammar of Ornament by Owen Jones (1809�1874). This bible of ornament remains his best-known contribution to visual culture. This article looks at how the Grammar came about and also at its design intentions. The folio itself is really more famous for what it is than what it really is about. Jones' intention for ornamental designs of carpets, ceilings, wall elevations and fabrics was to create a field which was frequently conditioned by borders, panels or dados, cornices and covings.The field's ornaments consist of secondary motifs�dots, fragments, elements, …
Owen Jones And The Conventionalization Of Ornament, John Kresten Jespersen Ph.D.
Owen Jones And The Conventionalization Of Ornament, John Kresten Jespersen Ph.D.
Kresten Jespersen
Owen Jones, an architect and theorist of ornament, is best remembered as an ornamenter of distinction. His theory and practice of conventional ornament, his powerful color, and his original forms which had their origins in the ornament of the Alhambra substantiate the claim that he was the greatest ornamenter of his age. The book analyzes the theory of conventionalization as it applies to ornament, color, architecture and interior design. In particular, the book explores repose as the psychological and spiritual outcome of his ornament.
Owen Jones' The Grammar Of Ornament: Field Theory In The Post-Modern Studio, Kresten Jespersen
Owen Jones' The Grammar Of Ornament: Field Theory In The Post-Modern Studio, Kresten Jespersen
Kresten Jespersen
A suggested use of Owen Jones's great encyclopedia of ornament for the contemporary architectural studio. the article is the outcome of a course given for the students in the Undergraduate Architecture Program by Prof. Kent Bloomer and myself in 1984.
Form And Meaning: The Conventionalization Of The Leaf Ornament, Kresten Jespersen
Form And Meaning: The Conventionalization Of The Leaf Ornament, Kresten Jespersen
Kresten Jespersen
As did Owen Jones, Bloomer argues for a modern style of ornament to decorate a modern architecture. Based on formal laws rather than theories of classical or naturalistic imitation, conventionalization can be seen as being explicitly modern. Moreover, deriving from the work of ornament, these laws are dependent on intrinsic rather than extrinsic principles.