Arts and Humanities Commons^™

Stained Glass Windows Of Trinity Cathedral, Cleveland, Ohio, Produced By Wilbur H. Burnham Studios, Michael Tevesz

Michael J. Tevesz

Trinity Episcopal Cathedral has over forty large stained glass windows that range in age from the 15 to the 20th Century. The medieval windows were produced in England and Germany, while the more contemporary windows were produced by such prominent studios as those directed by Willet, Connick, Tiffany, Heaton, Young, and Burnham. The more contemporary windows are of considerable artistic and historical interest, but there is very little information available about them. This monograph specifically focuses on the windows of Trinity Cathedral produced by the Wilbur H. Burnham Studios. The Burnham Studios windows are the most accessible windows within the …

York Art: A Subject List Of Extant And Lost Art, Clifford Davidson, David O'Connor

Clifford Davidson

A list, classified by subject, of extant and lost art from pre-Reformation York originally compiled by Clifford Davidson and David E. O'Connor in 1978 and updated by Clifford Davidson, apparently in 2003. This digital reprint was created in 2014 for ScholarWorks at WMU.

Iconography: A Checklist Of Some Useful Sources For Scholars And Students Of Medieval Art And Drama, Clifford Davidson

Clifford Davidson

A classified bibliography of scholarship on medieval drama, art, and music compiled by Clifford Davidson in 2002. This reprint was created in 2014 for ScholarWorks at WMU, with some corrections to the content and the formatting of the 2002 version.

The Early Drama, Art, And Music Project: Publications 1977-2002, Timothy Christiansen, Clifford Davidson

Clifford Davidson

A bibliography of publications of the Early Drama, Art, and Music project at Western Michigan University, originally compiled by Timothy Christiansen and updated in 2002 by Clifford Davidson. This digital reprint was created in 2014 for ScholarWorks at WMU, with an addendum, an update, and a few corrections to the formatting of the 2002 publication.

City Of Felt And Concrete: Negotiating Cultural Hybridity In Mongolia's Capital Of Ulaanbaatar, Joshua Hagen, Alexander Diener

Joshua Hagen

Capital cities play an integral role in the construction of national identity. This is particularly true when the capital is the country's only major urban center. Over the course of its history, Mongolia's capital of Ulaanbaatar has been periodically reshaped to reflect competing trajectories of national culture. This article examines the evolving symbolism of architecture, urban design, and public space in Ulaanbaatar as a means of exploring Mongolia's complex negotiation between its traditional culture (mobile pastoralism and Shamanism/Buddhism), its socialist legacy, and globalization. Amidst the rampant social change of the last two decades, rather ambiguous national narratives have emerged in …

From Socialist To Post-Socialist Cities: Narrating The Nation Through Urban Space, Joshua Hagen, Alexander Diener

Joshua Hagen

The development of post-socialist cities has emerged as a major field of study among critical theorists from across the social sciences. Originally constructed under the dictates of central planners and designed to serve the demands of command economies, post-socialist urban centers currently develop at the nexus of varied and often competing economic, cultural, and political forces. Among these, nationalist aspirations, previously simmering beneath the official rhetoric of communist fraternity and veneer of architectural conformity, have emerged as dominant factors shaping the urban landscape. This article examines patterns, processes, and practices concerning the cultural politics of architecture, urban planning, and identity …

Furnishing The Soul: Medieval Maps, Meditation, And Metaphor, Daniel Terkla

Daniel Terkla

Professor Dan Terkla with Illinois Wesleyan University provides a new context in which to think about how some world maps from the twelfth and thirteenth centuries were used. He argues that these maps worked in concert with the architectural layouts and furnishings of Gothic churches—especially tableau, painted and lettered informational tablets—to guide visitors through the terrestrial realm while pointing them toward its celestial counterpart.

Re-Thinking Burial Dates At A Graeco-Roman Cemetery: Fag El Gamous, Fayoum, Egypt, Kerry Muhlestein, R. Evans, David Whitchurch

Kerry Muhlestein

The Fag el-Gamous cemetery is a 125 hectare Graeco-Roman necropolis on the eastern edge of the Fayoum Depression. The 1000 + burials excavated to date at the cemetery are found largely in rectangular shafts at 0.3–3.0 m deep and oriented on an east–west axis. The high burial density, varying between 1.3 and 3.0 burials per square meter, is due in part to multiple burials in the same shaft. The stratigraphically deepest burials in a shaft are buried head east and later burials in the same shaft are buried head west. It has been argued that this directional shift occurred as …

Mythical Figures & Mucawas: Ceramics From The Ecuadorian Amazon, Joe Molinaro, Richard Burkett

Joe Molinaro

Pottery in the Ecuadorian Amazon Basin is rapidly disappearing as plastic and aluminum containers replace the traditional pottery. Mythical Figures focuses on three of the best indigenous potters from the Kichwa culture: women who both make traditional pottery vessels such as the intricately decorated chicha drinking bowl called a mucawa, and who also create fascinating figurative work that comes from Kichwa mythology and their imaginations. The book contains photographic portfolios of mucawas and also figurative work made from clay, along with a wealth of images of pottery making and other cultural and environmental images. The authors have worked together for …

The Color Of Christ In Haiti, Elizabeth Mcalister

Elizabeth McAlister

Ten Years After Iraq: Archaeology, Archaeologists, And U.S. Foreign Relations, Morag Kersel, Christina Luke

Morag M. Kersel

No abstract provided.

Podcast With Morag M. Kersel, Morag Kersel

Morag M. Kersel

No abstract provided.

Diplomatic Gifts On Henri Iii's Visit To Venice In 1574, Evelyn Korsch, Nicola Imrie, Pamela Warner

Pamela J. Warner

Appendix 1 (pp. 101-6) translated from the French by Pamela J. Warner.

Nietzsche And Lou, Eros And Art : On Lou’S Triangles And The « Exquisite Dream » Of Sacro Monte, Babette Babich

Babette Babich

No abstract provided.

Words In Blood, Like Flowers: Philosophy And Poetry, Music And Eros In Hölderlin, Nietzsche, And Heidegger, Babette Babich

Babette Babich

No abstract provided.

Rebuilding The Middle Ages After The Second World War: The Cultural Politics Of Reconstruction In Rothenburg Ob Der Tauber, Germany, Joshua Hagen

Joshua Hagen

Rothenburg ob der Tauber is one of Germany's most popular tourist destinations attracting over two and a half million visitors annually. Yet, many visitors do not realize that nearly half of Rothenburg's medieval architectural heritage was destroyed in 1945. Its reconstruction was characterized by complex negotiations and compromises as Rothenburgers attempted to balance contemporary preservation philosophies with the town's image as a national symbol and economic interests in a revived tourist trade. These diverse factors were generally complementary and resulted in a remarkably consistent and consensual effort, but the project was not without controversies and contradictions. This article examines the …

Historic Preservation In Nazi Germany : Place, Memory, And Nationalism, Joshua Hagen

Joshua Hagen

While numerous studies have examined the post-war contestation surrounding commemorative sites associated with the legacy of Nazi Germany, relatively little attention has been dedicated to the ways in which the Nazi regime itself sought to create places of memory congruent with the movement's political and cultural goals. Indeed, party leaders sponsored a variety of disparate, and at times contradictory, programs to re-orientate some of Germany's most prominent historic places to better serve the needs of the regime. To expand our understanding of this process, this article examines the practice and rhetoric of historic preservation in Bavaria during the Nazi period …

Stammheim Missal, Elizabeth Teviotdale

Elizabeth C Teviotdale

Restricted Access.

What Matters/What's Matter, Samuel Solomon

Samuel Solomon

No abstract provided.

Selectedworks Part Ii: Conducting A Compelling Selectedworks Demo, Ann Taylor

Ann Connolly

The State Of Being Single: Justyna Badach's Bachelor Series, Pamela Warner

Pamela J. Warner

No abstract provided.

Einsiedeln, Stiftsbibliothek Ms 199 (638), Jenny Ataoguz

Jenny Kirsten Ataoguz

No abstract provided.

Einsiedeln, Stiftsbibliothek Ms 281 (886), Jenny Ataoguz

Jenny Kirsten Ataoguz

No abstract provided.

Review Of Catherine Johns, The Hoxne Late Roman Treasure: Gold Jewellery And Silver Plate. London: British Museum Press, 2009, Jenny Ataoguz

Jenny Kirsten Ataoguz

No abstract provided.

A Nineteenth-Century Copy Of Giovanni Bellini’S Madonna Degli Alberetti From The Collection Of Théophile Gautier, Paolo Tortonese, Pamela Warner

Pamela J. Warner

Translation of Paolo Tortonese's article from French to English.

Who Owns The Biblical Past? We All Can, Morag Kersel

Morag M. Kersel

No abstract provided.

Maitland’S ‘Mesa’ Reassessed: A Late Prehistoric Cemetery In The Eastern Badia, Jordan, Yorke Rowan, Gary Rollefson, Morag Kersel

Morag M. Kersel

No abstract provided.

In Praise Of Pots, Morag Kersel

Morag M. Kersel

No abstract provided.

Human Rights In Camera, Sharon Sliwinski

Sharon Sliwinski

Originality And Jones' The Grammar Of Ornament Of 1856, John Jespersen

Kresten Jespersen

Two years ago (2006) was the 150th anniversary of the publication of The Grammar of Ornament by Owen Jones (1809�1874). This bible of ornament remains his best-known contribution to visual culture. This article looks at how the Grammar came about and also at its design intentions. The folio itself is really more famous for what it is than what it really is about. Jones' intention for ornamental designs of carpets, ceilings, wall elevations and fabrics was to create a field which was frequently conditioned by borders, panels or dados, cornices and covings.The field's ornaments consist of secondary motifs�dots, fragments, elements, …