Arts and Humanities Commons^™

Recoding The Archive: Memory And Identity In The Photographic And Filmic Works Of Shirin Neshat, Shoja Azari, And Alia Ali, Olivia K. Johnson

LSU Master's Theses

Shirin Neshat, Shoja Azari, and Alia Ali are artists of Middle Eastern descent living and working in the United States, mainly in photographic and filmic modes. Neshat and Azari were born in Iran and immigrated to the U.S. amid the 1979 Iranian Revolution, which drastically changed the political and cultural landscape of the country. Ali was born in Yemen but her father is specifically South Yemeni and her mother Yugoslavian, two countries that no longer exist. As artists experiencing exile and diaspora, with complicated relationships to their home countries, their identities are muddled by hybridity and the struggle between being …

Toward A Visual History Of Smell In Eighteenth-Century France, Cameron C. Emamdjomeh

Honors Theses

No abstract provided.

Bernard Palissy: Early Career - Securing Patronage And Mimicking Nature In A Moment Of Crisis, Karissa Bailey

LSU Master's Theses

Early in 1562, France was experiencing a state of high religious tension between Protestants and Catholics that would precipitate the outbreak of the Religious Wars on March 1. A week before, Bernard Palissy, a Huguenot potter, wrote a letter to his Catholic patron from prison inBordeaux where he was being held on charges associated with an iconoclastic incident in his home city of Saintes. This letter would later be published as a dedication letter for the pamphlet Architecture et Ordonnance, which featured the description of a grotto commissioned by Anne de Montmorency, Palissy’s patron, seven years earlier. This thesis analyzes …

Patronage, Audience And Ownership Of The Psalter Of Blanche Of Castile, Blair C. Gallon

LSU Master's Theses

The so-called Psalter of Blanche of Castile (Psautier latin dit de saint Louis et de Blanche de Castille, Bibliothèque nationale de France, Bibliothèque de l’Arsenal, Paris, MS 1186 réserve) is a well-preserved illuminated manuscript made in Paris in the first half of the thirteenth century. As a devotional book, it witnesses the concerns of a thirteenth century individual of high rank, most likely a woman. As its modern name indicates, scholars link its existence to the Queen of France Blanche of Castile (4 March 1188 – 27 November 1252; r. 1226-34, 1248-52). No firm documentation, however, attests to the circumstances …

Exhibition "Louisiana's Natural Treasure: Margaret Stones, Botanical Artist", Leah Wood Jewett, John D. Miles, Christina Riquelmy

Special Collections

In 2020, LSU Libraries Special Collections presented the exhibition “Louisiana’s Natural Treasure: Margaret Stones, Botanical Artist” at Hill Memorial Library, featuring selected original watercolor paintings and archival materials related to the Native Flora of Louisiana project.

A native of Australia, Margaret Stones (1920-2018) achieved an acclaimed international career that spanned three continents. Commissioned by LSU and funded by private donations, more than 200 watercolor drawings of Louisiana plants produced by Stones during the 1970s and 1980s are among the most treasured holdings of LSU Libraries Special Collections.

The Native Flora of Louisiana project was grounded in a long historical tradition …