Arts and Humanities Commons^™

The Course Of Empire: An Analysis, Devyn Woodard

Emerging Writers

This essay delves into the themes of and motivations for Thomas Cole’s series of paintings, The Course of Empire. Through an analysis of the different rhetorical appeals and fallacies employed by Cole in the series of paintings, the deeper meaning behind the works comes to light. This analysis serves as a bridge between the environment the paintings were created in almost two hundred years ago, and the contemporary global landscape, which is still in need of its lessons, even so many years later.

Archi-Comics, Timothy Gatto

Bachelor of Architecture Theses - 5th Year

Humor in architecture is not at the forefront of architect’s minds, this comes from architects need to be deemed serious. This way of thinking is what has backed architects up into a corner banal and stagnant architecture. Architecture is the art of context, everything in architecture is referential. Humor is foundationally the exact same way, the incongruity theory makes humor possible by putting a concept into context with things and finding contradictions in the process, thus developing a joke. Each of these arts, humor and architecture, are that of context and when architecture is delivered like humor, it points out …

But What Is Troy: Art In Queer Mourning, Ian Lamasney

Symposium of Student Scholars

Death is something that everyone, regardless of any arbitrary divisions, will inevitably have to experience. For a variety of reasons, queer mourning is not practiced the same way that straight society does - it manifests as raw anger at the society around them. Deconstruction and queer theory perspectives reveals political, social, and artistic strategies that inform recent visual art practice. Examinations of the work of Felix Gonzalez-Torres and John Boskovich, informed by queer theory perspectives, highlight similarities in the process of queer mourning in the late 20th century. In addition, discussion of the tale of Achilles and Patroclus recorded in …

Jaws And Effect: A Preliminary Archaeological Analysis On Shark And Ray Remains From The Coastal Florida Site Of Marineland, Isabella Rosinko

Symposium of Student Scholars

Marineland is a coastal Florida site, located in the East and Central archaeological region, and occupied from the Middle Archaic (5000-3000 BC) to the St. Johns I and II periods (AD 500-1565). My focus will be on faunal remains dated between the St. Johns I and II periods. For this project, I will be conducting a zooarchaeological analysis of shark and ray remains. Zooarchaeology is the study of animal or faunal remains found in archaeological contexts. The faunal remains present at Marineland encompass a number of species, from terrestrial mammals to crabs. Historically there has been little archaeological significance given …

The Rehabilitation Of Fulton Bag & Cotton Mills: A Case For A Unique Public-History Site And Open-Air Museum, Nina Elsas

Master of Arts in Art and Design Theses

By the 1990s, Atlanta's historic Fulton Bag & Cotton Mills (The Mill) had fallen into extreme disrepair. After operations ceased, the 19th-century factory suffered from years of neglect, forcing the decision to either demolish or rehabilitate its industrial structures. Fortunately, a choice was made to convert the majority of Fulton Bag & Cotton Mills’ buildings into residential lofts, despite the significant financial risk. The research related to this study aims to address whether the successfully renovated Fulton Bag & Cotton Mills could identify as an open-air museum.

Answers to this question were obtained from Primary Sources (such as interviews and …

House Of Rock: An Analysis Of A Lithic Assemblage From A Middle Mississippian House, Devlin Mcelrone

Symposium of Student Scholars

The Mississippian Period is well-known for its paramount chiefdoms, intricate ceramic/lithic/metal artistry, and large earthen works. Premier sites such the Etowah Indian Mounds in north Georgia and Cahokia in western Illinois are often the primary focus and interest within the period. However, there is a lack of attention by archaeologists on the life and culture of sites in the periphery of these large centers. Located three miles from Etowah is a site known as Cummings where a Middle Mississippian (AD 1260-1300, Wilbanks Phase) house has been uncovered. This house had burned down with all of its contents still laying on …

Analyzing Perspectives On Archaeological Curation: A Case Study From The Civil War Site Of Pickett’S Mill, Isabella Rosinko

Symposium of Student Scholars

Foundationally archaeology is defined as the scientific study of material remains, uncovered through survey and excavation. Meaning the field is dependent upon the accumulation of things: ceramics, stone tools, natural material, historic artifacts, etc. One way in which site assemblages are dealt with is through the process of curation, the storage and care of assemblages for extended periods. This is a varying process, across nations, states, and institutions. In the context of the United States, the National Preservation Act (1966), Reservoir Salvage Act (1960), and Archaeological Resource Protection Act (1979) provide standards for the long-term storage and management of archaeological …

America’S Forgotten Laborers: The World Of Enslaved Craftsmen, Zack Dow

Emerging Writers

This article examines the underrepresented world of enslaved artisans in the American south. In the minds of many, enslaved Americans were confined to unskilled plantation labor. While such labor constituted a large part of the work of the enslaved, master craftspeople go unrecognized, perpetuating an imagine of unskilled, nominal workers that undermines the accomplishments of the millions of black artisans working at the time.

Fashion As Freedom - The Bustle And Women Of The Late Victorian Era, Sydney A. Everett

The Kennesaw Journal of Undergraduate Research

In contrast to the general bias of Americans, the First- and Second-Bustle periods allowed the women of the time to find freedom through changes in the Victorian fashion. The women of the 19th century were able to achieve freedom through the bustle periods between 1867 and 1889 by gaining freedom of movement more so than through any of the other fashions, first by gaining social and economic benefit through smuggling items in their bustles and finally, through being able to remove the bustle for athletic wear. This research uses primary research sources and contemporary scholarly essays to analyze how these …

Harlots And Hooligans: The Representation Of Women In Hogarth’S Strolling Actresses Dressing In A Barn (1738), Hannah Arnold

The Kennesaw Journal of Undergraduate Research

The Licensing Act egregiously hindered the English theatrical community when it was placed into effect by King George II in 1737. Strolling actors were thereby forbidden to perform in new plays for profit, forcing acting troupes to disband. This act was widely protested throughout England at the time, most notably by artist William Hogarth in his etching titled Strolling Actresses Dressing in a Barn. This etching cleverly protests the Licensing Act as well as a myriad of quandaries that plagued 18^th-century English society, namely, gender roles both on and off the stage. Yet, what exactly is the …

Optics In Art: Ways Of Seeing, Christian J. Baker

P-12 Lesson Plans

In this lesson, which relies on art from the ZMA Collection and the exhibition it's your world for the moment displayed in fall 2020, students will learn about the basic mechanics of the eye and its similarities to the camera, explore the history of the camera obscura and its use in art and early photography, learn about perspective as a principle of photography, and learn to relay information on major artists by way of their relationship or impact on photography as an artistic medium.

Equitable Design Through The Urban Museum: Catalyzing Community Revitalization And Environmental Justice In The Sweet Auburn Historic District(The New Apex Museum), Day'zhanera King

Bachelor of Architecture Theses - 5th Year

Have you ever heard of the Black Lives Matter Movement, or B.L.M.? B.L.M. was created as a response to the resurgence of racism and xenophobic hate-crimes against Black people and their communities, often at the hands of police. It was the hate crimes plus the scape-goating of Blacks add in poverty rates, the exponentially high Black unemployment rates, and the over policing of Black neighborhoods. B.L.M. is the modern activist response to the continuance of Richard Nixon’s War on Drugs, Bill Clinton’s crime bill and the massive, and the disproportionate incarceration of Black men. B.L.M. is the representation for what …

Analyzing The Moroccan Artistic Presence At The Centre Pompidou Collections, Sirine Abdelhedi

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This article highlights the cultural, economic, historical, and political criteria that influence the current international policy of the Pompidou Center, particularly a new interest in non-Western art in Arabic-speaking countries. It focuses on works produced by Moroccan artists that are part of the collections of the National Museum of Modern Art - Centre Pompidou in Paris. It includes a brief introduction to some key milestones in Moroccan art history that help contextualize the research project.

Atlanta: Reconstructing A Fractured History, Clayton Odom

Bachelor of Architecture Theses - 5th Year

Today we live in a world where the development of our cities has resulted in the destruction of historical and magnificent architecture that stood as monumental symbols of human achievement and evolution. This has been a problem for Atlanta in which the foundations of the city's architectural heritage and legacy has been destroyed as a result of Atlanta's fragmented development over time, leaving the city's architectural legacy and history in a state of fragmented ruin. For Atlanta, it is important to restore this lost architectural heritage by reconstructing the memory of the city's destroyed architectural icons by recreating and reassembling …

The Influence Of Chimú Metalworks On Inca Metalworks, Maria Shah, Hannah Pelfrey, Jessica J. Stephenson

The Kennesaw Journal of Undergraduate Research

One of the cornerstones of art history is the attribution of art work to an artist, culture or time period. Art historians perform this work through a number of methods, including an analysis of medium, provenance, and object history, with the goal of placing a work within a chronological sequence. However, art historical attribution becomes a challenge when studying lesser known cultures or cultures of the past whose art works have been removed from archaeological contexts without rigorous study. As a result, attributions and classifications are sometimes based on minimal information. Once published this information is often uncritically perpetuated. One …

Caitlin Keogh: Feminine Feminism, Madeline Beck

The Kennesaw Journal of Undergraduate Research

The painter Caitlin Keogh (b. 1982) is a rising star in the Contemporary Art scene in the United States. Currently living and working in Brooklyn, New York, Keogh is one of countless emerging painters in the trendy arts hub, but her work is already receiving international attention and critical acclaim. Her refined use of flat figuration and bold but pastel colors combined with her striking subject matter has situated Keogh distinctly in the massive contemporary art scene today. Keogh’s insertion of feminist discourse, personal identity, and appropriated imagery into her paintings begs a thorough analysis of her work. She implements …

Marsilio Ficino's Music Theory, Eoin A. Trimble

Oglethorpe Journal of Undergraduate Research

This paper explores the musical theory of Marsilio Ficino, a 15th century Italian philosopher. Examining his own work and those works which inspired him this paper attempts to explain his theory and understand its place in the world today. Looking at modern examples of the Renaissance philosopher's ideas shows that he may not have been too far from discovering the truth.

Blending Myth And Reality: Maritime Portugal And Renaissance Portraits Of The Royal Court, Barbara Von Barghahn

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Historians have long recognized the singular nautical achievements of sixteenth-century Portugal. The Renaissance age of navigation was characterized by intrepid Portuguese mariners who charted unknown waters in double or triple-masted caravels. Vasco da Gama opened a route around Africa to India in 1497. Pedro Álvares Cabral in 1500 basically steered the same course to South Asia, but deviated on his return to set anchor off the coast of Brazil, the “Land of the True Cross.” Fernão Magalhães’s ship “Victoria” managed to circumnavigate the earth between 1519 and 1521. These Portuguese voyagers substantially changed the medieval world picture. Their maritime expeditions …

Silhouettes Of A Silent Female’S Authority: A Psychoanalytic And Feminist Perspective On The Art Of Kara Walker, Angelica E. Perez

The Kennesaw Journal of Undergraduate Research

The focus of my research centers on the contemporary work of Georgia-based artist, Kara Elizabeth Walker. In conducting extensive research on the life of the artist as well as three select artworks which recall the antebellum slave era within the south, I argue the explicit presence of the power of the enslaved prepubescent girl and young woman. The three select works that I intend to analyze are Burn, a cut-paper silhouette on canvas created in 1998, The Invisible Beauty, a mixed media piece made in 2001, and Cut, a paper cut-out silhouette made in 1998.

In a …

Full Issue - Vol. 1, No. 1 - February 2016

ATL

The full issue of ATL's inaugural special issue on CPDI Africa's 2015 Competition, featuring the prototype designs and narratives from the 25 recognized submissions, from architects and designers of all around the globe.

Pricing In Opaque Markets: Paintings Old And New, Sharon V. Thach

Atlantic Marketing Association Proceedings

Pricing is one of the more difficult aspects of marketing management and poses interesting problems for economists trying to account for what are really a collection of microsales that are not well reflected in aggregate macroterms. The developed models and processes work best for mass produced products but grow increasingly problematic when products are intangible services or unique goods. This paper looks at paintings as a product within a specific “industry” , but many of the issues are similar to those in the professional services (law, medicine, education) and auxiliary services (consulting, IT outsourcing, insurance). There are also aspects of …

Ma’At As A Theme In Ancient Egyptian Tomb Art, Tali M. Schroeder

Oglethorpe Journal of Undergraduate Research

The deity Ma’at is ubiquitous in Ancient Egyptian tomb art. She also represents truth, order and justice, all influential concepts in Egyptian culture. The idea of ma’at is especially important in the funerary practices of the upper echelons of society. This article will explore Ma’at as a symbol of major ideas, as part of the Ennead and her role in tomb art. The presence of Ma’at in the Book of the Dead is also a prominent depiction of her power in Egyptian society. The article aims to highlight the significance of Ma’at throughout multiple eras in Egyptian history.

Reading Cleopatra Vii: The Crafting Of A Political Persona, Angelica E. Delaney

The Kennesaw Journal of Undergraduate Research

No abstract provided.

Art And Literacy, Tara Hemelgarn, Sherrie Henderson, Patricia Thompson

P-12 Lesson Plans

This lesson prepares students for a visit, virtually or in person, to the Zuckerman Museum of Art. Using art images from the ZMA permanent collection as displayed in the See Through Walls exhibition, students practice skills in language arts and visual arts.

Reversal Of Gender In Ancient Egyptian Mythology: Discovering The Secrets Of Androgyny, Ashley N. Dawson Ms.

Oglethorpe Journal of Undergraduate Research

Historically, the Egyptian view of life after death has been examined based on its spiritual and religious merit. There are other aspects of Egyptian culture, however, that lead us to believe that gender and sexual androgyny played a massive role in their religious practices. Ancient creation myths, such as the stories of Atum’s phallic creation and the separation of Nut and Geb, hint towards a more sexually ambiguous Egypt, created by gender switching gods. In addition, the astronomy of the time pointed towards the center of the universe as being both a masculine and feminine entity; this is embodied in …

Repatriating The Bust Of Nefertiti: A Critical Perspective On Cultural Ownership, Lauren Bearden

The Kennesaw Journal of Undergraduate Research

Who owns antiquities? This question has plagued the global community in recent times and has opened dialogues between former colonial Western countries and their past colonized nations whose property is exhibited. This essay examines the conflicting perspectives of ownership in the repatriation of the Bust of Nefertiti between Berlin, Germany and Egypt. By analyzing the effects of European occupation in Egypt and the Western dominance in foreign cultures during the Age of Imperialism, a moral argument arises questioning the legality of the Bust’s removal. This article will review the historical significance of the Bust of Nefertiti in terms of its …

Notes And Queries On Spaniards And Indians In The Oconee Valley, Mark Williams

Journal of Global Initiatives: Policy, Pedagogy, Perspective

A summarization of what is known regarding Spanish-Indian contact in the Oconee Valley in Georgia, with some questions posed based what is known.

The San Pedro Mission Village On Cumberland Island, Georgia, Carolyn Brock

Journal of Global Initiatives: Policy, Pedagogy, Perspective

The San Pedro de Mocama mission, located on Cumberland Island, Georgia, was the principal Spanish mission of the Mocama-speaking Timucua Indians from 1587 to the early 1660s. This paper describes some of the results of archaeological fieldwork and research (Rock 2006) completed at the mission village site, technically known as the Dungeness WharfSite (9CM14). (Figure 7.1).

Archaeologically, most mission studies have focused on the missions themselves, particularly on their churches, conventos, and kitchens. At the San Pedro mission village site, however, the church complex has not been located and may have been lost to erosion. Therefore, in the course of …

Sixteenth-Century Mechanisms Of Exchange, David J. Hally, Marvin T. Smith

Journal of Global Initiatives: Policy, Pedagogy, Perspective

European artifacts found on Native American archaeological sites have long interested archaeologists. Such artifacts have often been used as temporal markers (Brain 1975, Smith 1987, Smith and Good 1982) or as ways to measure acculturation (Brown 1979a, 1979b, White 1975, Smith 1987), but scholars have paid little attention to the mechanisms which delivered such artifacts to the Native populace (but see Brain 1975, DePratter and Smith 1980, Waselkov 1989). Using historical records, archaeological remains, and, most importantly, the context of the archaeological finds, it should be possible to gain some understanding ofhow European materials were obtained by Native Americans and, …

Recent Investigations Of Mission Period Activity On Sapelo Island, Georgia, Richard W. Jeffries, Christopher R. Moore

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Prior to their retreat to Florida in 1684, Muskogean-speaking Guale Indians inhabited much of what is now the Georgia coast. The arrival of Spanish missionaries in Florida and Georgia in the mid-1500s began what is known archaeologically as the mission period (1568-1684), a time of sustained interaction between the Spanish and the Guale people. Over time, population loss due to European-introduced diseases and conflict with English-backed Native American slave raiders resulted in a drastic reconfiguration of Guale society and the abandonment of the Guale's ancestral homeland (Worth 2007).

Sapelo Island (Figure 6.1) is the site of at least one Spanish …