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Full-Text Articles in Arts and Humanities
Sub Lege To Sub Gratia: An Iconographic Study Of Van Eyck’S Annunciation, Christopher J. Condon
Sub Lege To Sub Gratia: An Iconographic Study Of Van Eyck’S Annunciation, Christopher J. Condon
Student Publications
When the Archangel Gabriel descended from heaven to inform the Virgin Mary of her status as God’s chosen vehicle for the birth of Jesus Christ, she was immediately filled with a sense of apprehension. Gabriel’s words, “...invenisti enim gratiam apud Deum [you have found favor with God],” reassured the Virgin that she would face no harm, and the scene of the Annunciation (what this moment has come to be called) has forever been immortalized in Christian belief as a watershed moment in the New Testament. While many Byzantine icons of the Medieval period sought to depict this snapshot in time …
Did One Veil Give Women A Better Life?, Mary C. Westermann
Did One Veil Give Women A Better Life?, Mary C. Westermann
Student Publications
Unfortunately, a young woman in Renaissance Florence did not have many options for her future. A woman's family usually decided whether she would be able to get married or would have to enter the convent, but sometimes she was able to make this choice. In this paper, I look at the lives of wives and nuns to analyze how their lives differed in responsibilities and freedoms, but also to see how all women had similar restrictions and expectations placed upon them.
Willem Blaeu's 'Asia Noviter Delineata': Expressions Of Power Through Naval Might And Natural Knowledge In Dutch Mapmaking, Joshua W. Poorman
Willem Blaeu's 'Asia Noviter Delineata': Expressions Of Power Through Naval Might And Natural Knowledge In Dutch Mapmaking, Joshua W. Poorman
Student Publications
This paper situates Dutch mapmaker Willem Blaeu’s Asia noviter delineata—part of the Stuckenberg Map Collection in the Gettysburg College Special Collections—within the larger framework of Renaissance thought and a shifting colonial balance of power. The map’s pictorial marginalia expresses a Dutch quest for empirical knowledge that echoed contemporary cabinets of curiosities throughout early modern Europe. Similar to these cabinets, Blaeu’s map can be seen as a cartographic teatro mundi, used to propagate Dutch hegemony through both a robust naval presence and an expanding geographic and natural knowledge of the world.