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From Winkelmann’S Apollo To Nietzsche’S Dionysus, Babette Babich

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At issue here is the Platonic notion of imitation likewise associated with Gotthold Ephraim Lessing’s reflection on the complex limits of painting and poetry, exemplar, archetype, ideal. Nietzsche himself echoes Schlegel’s own citation of Winckelmann in his comparison of Greek tragedy and sculpture, noting the ideal of beauty in balance, as tragic proportion. For August Wilhelm Schlegel, Aeschylus and Sophocles highlight the balance of tension between bodily dynamic poise and spiritual suffering in the case of the Laocoön group, where the boys to either side of the central figure draw the gaze back to the father: the very snakes themselves …

Announcings, Babette Babich

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The Annunciation is often thematized in the critical literature and foremost among these thematizations, recently to be sure, are feminist readings, which matter for this essay although this essay can only refer to these in passing.

The focal concern is personal correspondence and intimate address or intrigue. This essay thus offers a hermeneutic reading less of the presumptive purity of our perception of this painting, as indeed of its reception, involving a distinction to be noted between male and female subjects than it reviews a recollection of the divine inclination to beauty in both pagan, Greek, and Judaeo- Christian traditions. …

On The Hallelujah Efect: Priming Consumers, Recording Music, And The Spirit Of Tragedy, Babette Babich

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An overview of The Hallelujah Effect concentrating on priming or sonic branding, media, online porn as well as marketing and media programming, with a special excursus on the space of music --and radio in Adorno's Current of Music, and a detailed discussion on Nietzsche and music in antiquity as he explores this with reference ot Beethoven in The Birth of Tragedy.

Nietzsche's Antichrist: The Birth Of Modern Science Out Of The Spirit Of Religion, Babette Babich

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Nietzsche argued that the Greeks were in possessions of every theoretical, mathematical, logical, and technological antecedent for the development of what could be modern science. But if they had all these necessary prerequisites what else could they have needed? Not only had the ancient Greeks no religious world-view antagonistic to scientific inquiry, they also lacked the Judeo-Christian promissory ideal of salvation in a future life (after death). Subsequently, when Greek culture had been irretrievably lost, what Nietzsche regarded as the "decadent" Socratic ideal of reason ultimately and in connection with the preludes of religion and alchemy developed into modern science …

Philosophische Figuren, Frauen Und Liebe: Zu Nietzsche Und Lou, Babette Babich

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No abstract provided.

Zu Nietzsches Statuen: Skulptur Und Das Erhabene, Babette Babich

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Metaphern aus dem Feld der Bildhauerein kommen überraschend oft bei Nietzsche vor: von der Statue als einem Ideal von Unweglichkeit ebenso wie von der Skulptur als einer Metapher der Selbst-Darstellung, bis hin zu Nietzsches ikonoklastischer Klärung: wie mit dem Hammer zu philosophieren sei.

In Bezug auf die griechische Platik sowie Nietzsche’s Texte argumentiert die Autorin mit Nietzsche gegen eine damals und noch heute weit verbreitete Auffassung, wonach wir solche Statuen fast unvermeidlich aus einem jüdisch-christlichen Gesichtspunkt betrachten. Außerdem geht sie besonders ein auf Nietzsches Beschwörung der Skulptur in dem Zarathustra-Abschnitt Von den Erhabenen.

Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich

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To explore the ethical and political role of life-sized bronzes in ancient Greece, as Pliny and others report between 3,000 and 73,000 such statues in a city like Rhodes, this article asks what these bronzes looked like. Using the resources of hermeneutic phenomenological reflection, as well as a review of the nature of bronze and casting techniques, it is argued that the ancient Greeks encountered such statues as images of themselves in agonistic tension in dynamic and political fashion. The Greek saw, and at the same time felt himself regarded by, the statue not as he believed the statue divine …

Die Naturgeschichte Der Griechischen Bronze, Babette Babich

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I take up Pliny’s account that 3000 life-sized, bronze statues were to be found in Rhodes, Athens, Olympia, etc. Far from the plaster image of 18th century aestheticism and apart from the modern conception of ‘desire’, the agonistic tradition of competitive contest (not conflict as Nietzsche reminds us), suggests that the Greek found himself against and in tension with such statues. A hermeneutic phenomenological reflection raises the question of the ‘look’ of such bronzes in the context both of art history and aesthetics and I refer to contemporary empirical analogies and research suggesting that ancient statues were modeled from life. …

Reflections On Greek Bronze And 'The Statue Of Humanity'. Heidegger's Aesthetic Phenomenology And Nietzsche's Agonistic Politics, Babette Babich

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No abstract provided.

Words In Blood, Like Flowers: Philosophy And Poetry, Music And Eros In Hölderlin, Nietzsche, And Heidegger, Babette Babich

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No abstract provided.

On Malls, Museums, And The Art World: Postmodernism And The Vicissitudes Of Consumer Culture, Babette Babich

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No abstract provided.