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Full-Text Articles in Arts and Humanities

Raphael's School Of Athens: A Theorem In A Painting?, Robert Haas Jul 2012

Raphael's School Of Athens: A Theorem In A Painting?, Robert Haas

Journal of Humanistic Mathematics

Raphael's famous painting The School of Athens includes a geometer, presumably Euclid himself, demonstrating a construction to his fascinated students. But what theorem are they all studying? This article first introduces the painting, and describes Raphael's lifelong friendship with the eminent mathematician Paulus of Middelburg. It then presents several conjectured explanations, notably a theorem about a hexagram (Fichtner), or alternatively that the construction may be architecturally symbolic (Valtieri). The author finally offers his own "null hypothesis": that the scene does not show any actual mathematics, but simply the fascination, excitement, and joy of mathematicians at their work.


Mme. De Pompadour: Self Promotion And Social Performance Through Architecture And The Decorative Arts, Kelly Elizabeth Boyd May 2012

Mme. De Pompadour: Self Promotion And Social Performance Through Architecture And The Decorative Arts, Kelly Elizabeth Boyd

Scripps Senior Theses

The structure of this thesis relies on the physical locations of Mme. de Pompadour. Although the chapters are roughly chronological, beginning with her arrival at Versailles in 1745 and ending with her death in 1764, this work makes no attempt to comprehensively chronicle the entirety of her involvement in the decorative arts. Rather, it focuses on several specific aspects of her patronage, with the goal of illuminating her social position and public image, and how she worked to control the two. Chapter One deals with the first rooms Mme. de Pompadour inhabited, from 1745-1750. These upper apartments characterize her early …


The Vision Of Reality As A Paradox: Salvador Dali's Creative Process From 1927 To 1939, Stefanie Saperstein Apr 2012

The Vision Of Reality As A Paradox: Salvador Dali's Creative Process From 1927 To 1939, Stefanie Saperstein

Scripps Senior Theses

From 1927 through 1939, Salvador Dalí went through an arduous artistic pursuit to visualize his perspective on reality. Dalí’s inter-connected visual and verbal process lasted for over a decade, during which he went from confronting reality to accepting that the world is an irrational paradox. This study asserts that his investigation took him from the fragmented images of cinema to the metamorphic shapes of the ‘soft and hard’ and ultimately to a series of multiple images, which envisioned his paranoid-critical method. In his 1930 article “The Rotting Donkey,” Dalí wrote, “I believe that the moment is near when, through …


From The Attic To The Cosmos: Myth In The Art Of Anselm Kiefer 1973-2007, Isabel L. Roth Apr 2012

From The Attic To The Cosmos: Myth In The Art Of Anselm Kiefer 1973-2007, Isabel L. Roth

Scripps Senior Theses

Anselm Kiefer was born in Germany, 1945—the year of Adolf Hitler’s suicide, and subsequently, the end of World War II. His own beginnings were shrouded by a national “repression” of history. This repression was at odds with Kiefer’s needs to establish his own origin. For this reason, the spirituality in his earlier work is often overshadowed by its subject—Nazi Germany. This thesis will look back on Kiefer’s work through the lens of mythology in an effort to re-evaluate his earlier art within the context of his works since 1990. From the 1970s to the present, Kiefer has drawn from mythology …


The Gesamtkunstwerk Of A Reunifying Metropolis: Berlin’S Kunsthaus Tacheles, Emma Camille Scheidt Apr 2012

The Gesamtkunstwerk Of A Reunifying Metropolis: Berlin’S Kunsthaus Tacheles, Emma Camille Scheidt

Scripps Senior Theses

After the fall of the Berlin Wall, the city of Berlin was faced with the challenge to reunify in both political and cultural realms. Berlin is noted throughout history as a metropolis that is characterized by flux; the Post-Wende [Post-Wall] era is another remarkable transitional phase in Berlin’s history. During this era, the city was extremely porous and susceptible to cultural forces that could easily define the city’s malleable future. This essay discusses such forces and events that were planned by the city government, as well as an organic grassroots force that was especially significant in the cultural reunification. This …


Choreographing Modernity: Loïe Fuller And Her Influence On The Arts, Katharine Hutchins Apr 2012

Choreographing Modernity: Loïe Fuller And Her Influence On The Arts, Katharine Hutchins

Scripps Senior Theses

This thesis, which studies the effect Loïe Fuller had on artists at the turn of the 20th century, redefines her role in art and society. An American dancer born in 1862, Fuller is often hailed as one of the forefathers of modern dance and a technological engineer, but she is too rarely shown in control of how the audience perceived her. This work gives an overview of Art Nouveau and the Universal Exposition of 1900 in Paris in which she performed. It closely examines her impact on painters, illustrators, and lithographers: Henri de Toulouse-Lautrec, Will Bradley, and Jules Cheret. …


Binding Ochre To Theory, Simone E. Nibbs Jan 2012

Binding Ochre To Theory, Simone E. Nibbs

Pomona Senior Theses

Widely found throughout the archaeological and artistic records in capacities ranging from burial contexts to early evidence of artistic expression, red ochre has been studied in archaeological and art conservationist communities for decades. Despite this, literature discussing binders is disparate and often absent from accessible arenas. Red ochre is important historically because its use can be used to help further the understanding of early humans, their predecessors, and their cognitive capabilities. However, there is not much written speculation on the processes involved in binder selection, collection, and processing. Based on the idea of these three activities associated with binders, I …


Spectacular Shadows: Djuna Barnes's Styles Of Estrangement In Nightwood, Erica Nicole Bellman Jan 2012

Spectacular Shadows: Djuna Barnes's Styles Of Estrangement In Nightwood, Erica Nicole Bellman

CMC Senior Theses

This paper examines Djuna Barnes's Modernist masterpiece, Nightwood, by exploring the author's particular styles of writing. As an ironist, a master of spectacle, and a visual artist, Barnes's distinct stylistic roles allow the writer to construct a strange fictional world that transcends simple categorization and demands close reading. Through textual analysis, consideration of how Barnes's characterization, and engagement with key critical interpretations lead to the conclusion that Nightwood's primary aim is to present the reader with an image of his or her own individual estrangement.


Deciphering The Cultural Heritage And Function Of The Ella Strong Denison Library Complex, Sara E. Zúñiga Jan 2012

Deciphering The Cultural Heritage And Function Of The Ella Strong Denison Library Complex, Sara E. Zúñiga

Scripps Senior Theses

To be submitted.