Arts and Humanities Commons^™

Chiyo-Ni And Yukinobu: History And Recognition Of Japanese Women Artists, Kara N. Medema

FIU Electronic Theses and Dissertations

Fukuda Chiyo-ni and Kiyohara Yukinobu were 17th-18th century (Edo period) Japanese women artists well known during their lifetime but are relatively unknown today. This thesis establishes their contributions and recognition during their lifespans. Further, it examines the precedence for professional women artists’ recognition within Japanese art history. Then, it proceeds to explain the complexities of Meiji-era changes to art history and aesthetics heavily influenced by European and American (Western) traditions. Using aesthetic and art historical analysis of artworks, this thesis establishes a pattern of art canon formation that favored specific styles of art/artists while excluding others in ways sometimes inauthentic …

A Thousand Words: Celebrating The Power Of Visual Language In Picture Books, Emilie Gill

Mahurin Honors College Capstone Experience/Thesis Projects

In a culture which depends heavily on verbal and written communication to satisfactorily interact with our peers, communicative formats such as picture books are often categorized as being accessible only for immature audiences who cannot understand text without the assistance of pictures. The assumption that these ‘children’s stories’ do not contain intellectually stimulating messages can result in many voices and perspectives going unrealized. On the contrary, successful picture books combine multiple language techniques through text, image, color, and style to portray often daunting themes and emotions to a range of audiences who might not have received them or accepted them …

Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen

Electronic Thesis and Dissertation Repository

Beginning in 2004, the Minnesota Association of Rogue Taxidermists began an art movement of taxidermied animal sculptures that challenged conventional forms of taxidermied objects massively produced and displayed on an international scale. In contrast to taxidermied ‘specimens’ found in museums, taxidermied ‘exotic’ wildlife decapitated and mounted on hunters' walls, or synthetic taxidermied heads bought in department stores, rogue taxidermy artists create unconventional sculptures that are arguably antithetical to the ideologies shaped by previous generations: realism, colonialism, masculinity. As a pop-surrealist art movement chiefly practiced among women artists, rogue taxidermy artists follow an ethical mandate to never kill animals for the …

Unity And Continuity In Jon Lee’S Abstract Woodblock Prints, Michael Schreyach

Michael Schreyach

No abstract provided.

‘I Am Nature’: Science And Jackson Pollock, Michael Schreyach

Michael Schreyach

An attempt has been made to determine the authenticity of some newly discovered paintings that may be by Jackson Pollock on the basis of a belief that his art incorporates fractal patterns seen in the natural world. This is only the latest in a long line of interpretations of his works in terms of references to nature, as Michael Schreyach discusses.

Enacting The Glastonbury Pilgrimage Through Communitas And Aural/Visual Culture, Kathryn R. Barush

International Journal of Religious Tourism and Pilgrimage

The sacred sites of Glastonbury in Somerset, England have long been places of pilgrimage, connected to the legend of the journey of Joseph of Arimathea to the British Isles, and have fired the imagination from the Middle Ages to today - inspiring the Arthurian legends, folk-stories and song, and visual representations. In response to the question ‘What is Pilgrimage,’ this essay seeks to explore the conjunction of artistic representations and geographic journeys to and among the ancient topography and mysterious structures of Glastonbury, with a particular focus on how sacred travel, and especially an experience of communitas, can be engendered …

A Document That Transcends Itself: Between Abstraction And Reality, Seth Lewis

Bachelor of Fine Arts Senior Papers

In A Document that Transcends Itself: Between Abstraction and Reality, I first present a historical analysis of photography that complicates traditional assumptions of how photographs operate in the world. Rather than functioning as merely an objective record, the photograph takes on a dual status as both a document and an abstraction from reality. The photograph’s ability to selectively decontextualize the origins from which it came from and present itself as something other than what it simply records becomes the core of my artistic practice. This paper will also discuss my conceptual investigations into how we perceive photographs when they …

Adoration And Art: Ancient Egypt, Greece, And Rome, Fiona Wirth

Senior Honors Projects, 2010-2019

"Adoration and Art" focuses upon religious artifacts from the ancient Mediterranean and explores what these artifacts reveal about the religious practices and sacred spaces of their cultures. This Honors College capstone consisted of an exhibition through the Lisanby Museum utilizing artifacts from the Madison Art Collection. This text is the full exhibition catalog compiled by the student through her research as an intern for the Lisanby Museum.

The Commodity Club: Commodity Fetishism In Modern Art And Tattoos, Shelby Maiden

Undergraduate Honors Theses

The current culture of commodity fetishism that surrounds both modern art and tattoos are disproportionately a part of the perpetuation of an artificial sense of society and community. It promotes the notion that by simply by inking the deeper layers of their skin or by spending millions on a painting that somehow one becomes elevated and enters an elite space, or club, of people like them.

Œuvre D’Art Comme Récit Historique (Rapport Des Discussions Du Groupe De Travail), Emi Koide

Artl@s Bulletin

This report aims to present central questions raised during two days of group discussion and debate concerning the theme « art work as history ». Several different points of view were presented, in which generational frictions in kinois artistic milieu came to the fore. The main subjects during the discussions were: the challenges involved in writing Art History in the Congo through their own perspectives; the importance on creating archives about Congolese art locally; considering artwork as historical narrative; the importance of the body as a link between object and performance, as well as between material and immaterial dimension.

In-Between: The Spaces Of Modernity, Elisa Fabris Valenti

LSU Master's Theses

During the past three years as a graduate student, I have experienced loneliness. Having recently emigrated from Italy, I have often asked myself why I am experiencing such hard times adjusting to a different country. My thesis explores this question. Referring to Marc Augé’s idea of non-place, I have chosen a geographical and spatial starting point to approach my work. Italian cities are built around the central piazza where social, political, and economic life revolves. In my thesis, I depict American spaces that lack specific location and create solitude within the urban corridors. Private feelings, such as loneliness, are paradoxes …

Ode To The Sea: Art From Guantanamo, Erin L. Thompson, Charles Shields, Paige Laino

Publications and Research

Exhibition catalogue for “Ode to the Sea: Art from Guantánamo” (October 16, 2017-January 26, 2018, President's Gallery, John Jay College of Criminal Justice, New York). Detainees at the United States military prison camp known as Guantánamo Bay have made art from the time they arrived. The exhibit displays some of these evocative works, made by eight men: four who have since been cleared and released from Guantánamo, and four who remain there. They paint the sea again and again although they cannot reach it. The catalog includes contributions by Trevor Paglen, Solmaz Sharif, Natasha Trethewey, Jericho Brown, and current and …

Selected Curated Exhibitions And Electronic Publications, Ronald R. Geibert

Art and Art History Faculty Publications

A collection of announcements and CD-ROM artwork from exhibitions and electronic publications curated by Ronald R. Geibert.

Interview Magazine: Art & Fame, Josephine G. Danziger

Senior Projects Spring 2018

The world today is radically different from the world of the 1960s. Andy Warhol was the pinnacle of Pop, and print publications were supreme in the industry of news and fashion alike. What was Pop culture in 1969 seems foreign and antiquated today, and yet there are similarities to be drawn between the era of mod and the modern era.

In the research paper Interview Magazine: Art & Fame, I aim to explore the connection between the artistic excellence that launched the publication’s success and the obsession with celebrity that charged its passion — a bond that formed to …

Documenting "Documenta": Decoding And Recoding The History Of An Exhibition In 1955, 2002, And 2017, Nicola Susanna Koepnick

Senior Projects Spring 2018

Senior Project submitted to The Division of Social Studies of Bard College.

Cuban Art In The 1980s, Rebecca Q. Sell

Senior Projects Spring 2018

Senior Project submitted to The Division of Arts of Bard College.

Something More Real Than Art: Homelessness And Alternative Tactics Of Public Address, New York, 1989, Raphael Wolf

Senior Projects Spring 2018

Senior Project submitted to The Division of Arts of Bard College.

Soaring Without Safety, David Keck, Elyse M. Miata

Publications

When pilots and avi­ation enthusiasts find themselves in Washington, D.C., they often plan a trip to the Mall to visit the Smithsonian National Air and Space Museum. But those who love the skies might also want to walk directly across the Mall and visit the Nation­al Gallery of Art, where we recommend taking a look at one of our favorite paintings: Peter Paul Rubens's The Fall of Phaeton. This piece of Ba­roque art speaks powerfully to aviators, as it shows what happens if the rules of the sky are disregarded.

American Encounters: Art, History, And Cultural Identity, Angela L. Miller, Janet Catherine Berlo, Bryan J. Wolf, Jennifer L. Roberts

Books and Monographs

American Encounters provides a narrative of the history of American art that focuses on historical encounters among diverse cultures, upon broad structural transformations such as the rise of the middle classes and the emergence of consumer and mass culture, and on the fluid conversations between "high" art and vernacular expressions. The text emphasizes the intersections among cultures and populations, as well as the exchanges, borrowings, and appropriations that have enriched and vitalized our collective cultural heritage.

Syncretic Souvenirs: An Investigation Of Two Modern Indian Manuscripts, Madeline Helland

Scripps Senior Theses

The objective of this project was to establish a provenance for two Indian manuscripts that were recently discovered in the collections at Scripps College. Based on their illuminations, script, and binding structure, I was able to conclude that these two manuscripts are Hindu religious texts created around the 19^th or 20^th century. To determine an approximate origin and the significance of these volumes, my research focused on the syncretism of religion, material history, and power dynamics in India. Their context was specifically framed within the history of manuscript construction and conservation.

Art 11 Introduction To Art History, Deborah Lewittes

Open Educational Resources

No abstract provided.